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Glenn D’cruz

Biographic Data

ID2922989
NAMEGlenn D’cruz
GIVEN NAMESGlenn
FAMILY NAMED’cruz
SIGNATURED’CRUZ G
AFFILIATIONSDeakin University
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS9
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1998
LATEST PUBLICATION YEAR2021
H-INDEX2
  • Or 4 things I know about the audiovisual essay, or the pedagogical perils of constructive alignment

    Glenn D’cruz•ARTICLE•Media Practice and Education•2021

    In general terms, this paper situates the audiovisual-essay within current debates about the institutional viability of practice based research and argues that the video-essay as a form can unsettle verities about the relationship between creative play and scholarly knowledge within the university. It also makes a case for adopting an expanded conception of writing informed by Jacques Derrida’s account of grammatology as an integral strategy for …

  • Breaking bad

    Glenn D’cruz•ARTICLE•Celebrity Studies•2018•Cited by: 1•References: 6

    It is a Friday night at the Melbourne Cricket Ground (MCG), one of the world’s premier sporting stadiums. It is 24 May 2013 to be precise, and the football game in progress marks the beginning of t

  • Watching Waleed

    Glenn D’cruz•ARTICLE•Celebrity Studies•2017•Cited by: 1•References: 3

    Waleed Aly is the most visible Australian public intellectual from a non-Anglo-Australian background. In 2016, Aly won the most coveted prize in Australian television: The Gold Logie. He was voted the most popular celebrity on Australian television primarily on the basis of his role as the co-host of the news/entertainment panel show The Project. This article interrogates a selection of Aly’s notable media appearances with a focus on his role as …

  • Sonic technologies of Postmodernity and the grain of the voice in Robert Lepage’s Lipsynch 1

    Open Access•Glenn D’cruz•ARTICLE•Body, Space & Technology•2016

    This paper unpacks the relationships between the human voice and sound technologies by re-reading and re-evaluating Roland Barthes seminal essay, ‘The Grain of the Voice’ an oft cited but frequently misunderstood text, in the light of Robert Lepage’s Lipsynch (Canada, 2012). This production explicitly uses analogue and digital sound technologies to reveal the complexities and contradictions operating within the sonic economy of the performance wi…

  • Will the Real Waleed Aly Please Stand Up? Media, Celebrity and the Making of An Australian Public Intellectual

    Open Access•Glenn D''Cruz, Glenn D’cruz et al.•ARTICLE•Media International Australia•2015•References: 4

    Waleed Aly is arguably the most visible and vocal Australian public intellectual from a non-Anglo-Australian background. The ubiquitous Aly is a veritable Renaissance man - he is a television presenter, radio host, academic and rock musician. He is also a former lawyer, and served on the executive committee of the Islamic Council of Victoria. In short, he is the 'go-to 'Muslim for commentary on a wide range of political and civic affairs. This ar…

  • Class Act

    Open Access•Meg Upton, Glenn D''Cruz et al.•ARTICLE•Labour History•2008

    Celebrates the company's artistic achievements and successes over the last two decades through interviews, essays and high quality images of key productions, and recounts its history, its evolving relationship with the embattled trade union movement, and its on-going engagement with working class, indigenous and migrant communities

  • Public Narratives, Minority Voices

    Carolyn D’cruz, Carolyn D'Cruz et al.•ARTICLE•Life Writing•2007•References: 2

    Keywords: identityAnglo-Indiansethnicityre-cognition Notes 1. Before 1911 the term ‘Anglo-Indian’ referred to the British domiciled in India. See Goodrich Goodrich , Dorris . ‘The Making of an Ethnic Group: The Eurasian community in India.’ Diss. U of California at Berkeley , 1952 . [Google Scholar] for a detailed account of the formation of a distinct Anglo-Indian minoritarian community, supported by Hawes's more recent work. 2. Adrian Carton Ca…

  • Anglo-Indians in Hollywood, Bollywood and Arthouse Cinema

    Glenn D''Cruz, Glenn D’cruz et al.•ARTICLE•Journal of Intercultural Studies•2007•Cited by: 2•References: 5

    n\t\t\t\t\tApart from a few disparaging remarks about offensive stereotypes by Anglo-Indian writers and politicians such as Gloria Jean Moore, Frank Anthony and Gillian Hart, critics have paid very little attention to the representation of “mixed-race” Anglo-Indians in the cinema. Drawing on screen theory and recent theories of cinema spectatorship, this essay provides a comparative analysis of how Hollywood, Bollywood and arthouse films represen…

  • My Two Left Feet

    Open Access•Glenn D’cruz•ARTICLE•The Journal of Commonwealth…•2003•Cited by: 5

  • "Stepford" Criticism

    Open Access•Glenn D’cruz, Glenn D'Cruz•ARTICLE•The Journal of Commonwealth…•1998

  • My Two Left Feet

    Open Access•Glenn D’cruz•ARTICLE•The Journal of Commonwealth…•2003•Cited by: 5

  • Anglo-Indians in Hollywood, Bollywood and Arthouse Cinema

    Glenn D''Cruz, Glenn D’cruz et al.•ARTICLE•Journal of Intercultural Studies•2007•Cited by: 2•References: 5

    n\t\t\t\t\tApart from a few disparaging remarks about offensive stereotypes by Anglo-Indian writers and politicians such as Gloria Jean Moore, Frank Anthony and Gillian Hart, critics have paid very little attention to the representation of “mixed-race” Anglo-Indians in the cinema. Drawing on screen theory and recent theories of cinema spectatorship, this essay provides a comparative analysis of how Hollywood, Bollywood and arthouse films represen…

  • Breaking bad

    Glenn D’cruz•ARTICLE•Celebrity Studies•2018•Cited by: 1•References: 6

    It is a Friday night at the Melbourne Cricket Ground (MCG), one of the world’s premier sporting stadiums. It is 24 May 2013 to be precise, and the football game in progress marks the beginning of t

  • Watching Waleed

    Glenn D’cruz•ARTICLE•Celebrity Studies•2017•Cited by: 1•References: 3

    Waleed Aly is the most visible Australian public intellectual from a non-Anglo-Australian background. In 2016, Aly won the most coveted prize in Australian television: The Gold Logie. He was voted the most popular celebrity on Australian television primarily on the basis of his role as the co-host of the news/entertainment panel show The Project. This article interrogates a selection of Aly’s notable media appearances with a focus on his role as …

  • "Stepford" Criticism

    Open Access•Glenn D’cruz, Glenn D'Cruz•ARTICLE•The Journal of Commonwealth…•1998

  • My Two Left Feet

    Open Access•Glenn D’cruz•ARTICLE•The Journal of Commonwealth…•2003•Cited by: 5

  • Public Narratives, Minority Voices

    Carolyn D’cruz, Carolyn D'Cruz et al.•ARTICLE•Life Writing•2007•References: 2

    Keywords: identityAnglo-Indiansethnicityre-cognition Notes 1. Before 1911 the term ‘Anglo-Indian’ referred to the British domiciled in India. See Goodrich Goodrich , Dorris . ‘The Making of an Ethnic Group: The Eurasian community in India.’ Diss. U of California at Berkeley , 1952 . [Google Scholar] for a detailed account of the formation of a distinct Anglo-Indian minoritarian community, supported by Hawes's more recent work. 2. Adrian Carton Ca…

  • Anglo-Indians in Hollywood, Bollywood and Arthouse Cinema

    Glenn D''Cruz, Glenn D’cruz et al.•ARTICLE•Journal of Intercultural Studies•2007•Cited by: 2•References: 5

    n\t\t\t\t\tApart from a few disparaging remarks about offensive stereotypes by Anglo-Indian writers and politicians such as Gloria Jean Moore, Frank Anthony and Gillian Hart, critics have paid very little attention to the representation of “mixed-race” Anglo-Indians in the cinema. Drawing on screen theory and recent theories of cinema spectatorship, this essay provides a comparative analysis of how Hollywood, Bollywood and arthouse films represen…

  • Class Act

    Open Access•Meg Upton, Glenn D''Cruz et al.•ARTICLE•Labour History•2008

    Celebrates the company's artistic achievements and successes over the last two decades through interviews, essays and high quality images of key productions, and recounts its history, its evolving relationship with the embattled trade union movement, and its on-going engagement with working class, indigenous and migrant communities

  • Will the Real Waleed Aly Please Stand Up? Media, Celebrity and the Making of An Australian Public Intellectual

    Open Access•Glenn D''Cruz, Glenn D’cruz et al.•ARTICLE•Media International Australia•2015•References: 4

    Waleed Aly is arguably the most visible and vocal Australian public intellectual from a non-Anglo-Australian background. The ubiquitous Aly is a veritable Renaissance man - he is a television presenter, radio host, academic and rock musician. He is also a former lawyer, and served on the executive committee of the Islamic Council of Victoria. In short, he is the 'go-to 'Muslim for commentary on a wide range of political and civic affairs. This ar…

  • Sonic technologies of Postmodernity and the grain of the voice in Robert Lepage’s Lipsynch 1

    Open Access•Glenn D’cruz•ARTICLE•Body, Space & Technology•2016

    This paper unpacks the relationships between the human voice and sound technologies by re-reading and re-evaluating Roland Barthes seminal essay, ‘The Grain of the Voice’ an oft cited but frequently misunderstood text, in the light of Robert Lepage’s Lipsynch (Canada, 2012). This production explicitly uses analogue and digital sound technologies to reveal the complexities and contradictions operating within the sonic economy of the performance wi…

  • Watching Waleed

    Glenn D’cruz•ARTICLE•Celebrity Studies•2017•Cited by: 1•References: 3

    Waleed Aly is the most visible Australian public intellectual from a non-Anglo-Australian background. In 2016, Aly won the most coveted prize in Australian television: The Gold Logie. He was voted the most popular celebrity on Australian television primarily on the basis of his role as the co-host of the news/entertainment panel show The Project. This article interrogates a selection of Aly’s notable media appearances with a focus on his role as …

  • Breaking bad

    Glenn D’cruz•ARTICLE•Celebrity Studies•2018•Cited by: 1•References: 6

    It is a Friday night at the Melbourne Cricket Ground (MCG), one of the world’s premier sporting stadiums. It is 24 May 2013 to be precise, and the football game in progress marks the beginning of t

  • Or 4 things I know about the audiovisual essay, or the pedagogical perils of constructive alignment

    Glenn D’cruz•ARTICLE•Media Practice and Education•2021

    In general terms, this paper situates the audiovisual-essay within current debates about the institutional viability of practice based research and argues that the video-essay as a form can unsettle verities about the relationship between creative play and scholarly knowledge within the university. It also makes a case for adopting an expanded conception of writing informed by Jacques Derrida’s account of grammatology as an integral strategy for …

Art (7 works) · Sociology (7 works) · Media studies (6 works) · Law (5 works) · Literature (5 works) · Political science (5 works) · Aesthetics (4 works) · History (4 works) · Politics (4 works) · South Asian Cinema and Culture (4 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae