Dj W Hatfield
Biographic Data
| ID | 2924489 |
|---|---|
| NAME | Dj W Hatfield |
| GIVEN NAMES | Dj W |
| FAMILY NAME | Hatfield |
| SIGNATURE | HATFIELD D W |
| AFFILIATIONS | National Taiwan University |
| ORCID | 0000-0003-3359-4709 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Spears or Umbrellas? Dance and Sovereign Sensibility in an Indigenous Taiwanese Community
This article employs the notions of density and scale to discuss how musical performances achieve their communicative effects. Describing a dispute over props used for the kulakul, an ‘amis (Taiwanese Indigenous) dance that functions as sovereign assertion, I show how the choice of umbrellas versus spears organized the dense set of contexts that the dance indexed in intercultural settings. These contexts, in turn, established the scale at which p…
Listen to the Boat Engines
Good Dances Make Good Guests
Within the context of official multiculturalism and the promotion of tourism to improve the economic prospects of Taiwanese Indigenous people, ritual dances of 'Amis/Pangcah people, known as malikoda, have become sites of conflict concerning ritual propriety and performance. Although as participatory practices, malikoda can never be performed for an audience, they have served to mediate outside power, including but not limited to ancestral spirit…
Democracy's Dharma
Good Dances Make Good Guests
Within the context of official multiculturalism and the promotion of tourism to improve the economic prospects of Taiwanese Indigenous people, ritual dances of 'Amis/Pangcah people, known as malikoda, have become sites of conflict concerning ritual propriety and performance. Although as participatory practices, malikoda can never be performed for an audience, they have served to mediate outside power, including but not limited to ancestral spirit…
Democracy's Dharma
Good Dances Make Good Guests
Within the context of official multiculturalism and the promotion of tourism to improve the economic prospects of Taiwanese Indigenous people, ritual dances of 'Amis/Pangcah people, known as malikoda, have become sites of conflict concerning ritual propriety and performance. Although as participatory practices, malikoda can never be performed for an audience, they have served to mediate outside power, including but not limited to ancestral spirit…
Listen to the Boat Engines
Spears or Umbrellas? Dance and Sovereign Sensibility in an Indigenous Taiwanese Community
This article employs the notions of density and scale to discuss how musical performances achieve their communicative effects. Describing a dispute over props used for the kulakul, an ‘amis (Taiwanese Indigenous) dance that functions as sovereign assertion, I show how the choice of umbrellas versus spears organized the dense set of contexts that the dance indexed in intercultural settings. These contexts, in turn, established the scale at which p…
Indigenous (3 works) · Law (3 works) · Political science (3 works) · Computer Science (2 works) · Dance (2 works) · Diversity and Impact of Dance (2 works) · History (2 works) · Hong Kong and Taiwan Politics (2 works) · Law (2 works) · Philippine History and Culture (2 works)