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Aryo Danusiri

Biographic Data

ID2927610
NAMEAryo Danusiri
GIVEN NAMESAryo
FAMILY NAMEDanusiri
SIGNATUREDANUSIRI A
AFFILIATIONSUniversity of Indonesia Jakarta Indonesia
ORCID0000-0003-1097-9884
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS0
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2018
LATEST PUBLICATION YEAR2025
H-INDEX0
  • Elly Kent (2022), "Artists and the people; Ideologies of art in Indonesia". Singapore

    Open Access•Aryo Danusiri•ARTICLE•Wacana Journal of the Humanities…•2025

  • Articulating Dayak Indigeneity through Gendered Media, Youth Activism, and Global Connectivities

    Open Access•Edwin Jurriëns, Aryo Danusiri et al.•ARTICLE•Bijdragen tot de taal- land- en…•2025•References: 6

    This article focuses on the Ranu Welum foundation based in Palangka Raya, Central Kalimantan, an independent youth and media initiative that actively studies and reshapes notions of 'Dayakness'. The foundation seeks to connect with global networks of Indigenous communities and address its environmental, socio-political, and health concerns in the international domain. We pay special attention to the short documentaries directed or produced by its…

  • Orkestra sebagai Peristiwa Mediasi

    Open Access•Halida Bunga Fisandra, Aryo Danusiri•ARTICLE•RESITAL JURNAL SENI PERTUNJUKAN•2022

    The Covid-19 virus has infiltrated the recesses of human life around the world. The phenomenon that arises from restrictions on movement in offline spaces is the massive effort by humans to adapt to online media. We can see many artists and musicians performing through various digital platforms, including the Jakarta City Philharmonic (JCP) orchestra. This article will describe the changing process of orchestral space-time in online media which h…

  • Intersubjektivitas dan Gaya Kamera dalam Film Etnografi

    Open Access•Aryo Danusiri•ARTICLE•Antropologi Indonesia•2019

    This article is about the use of observational camera style in articulating intersubjectivity. The case is my experience in making Lukas' Moment (2005), an ethnographic film shot in Merauke, Papua. The film is about Papuans’ intersubjectivity toward indigeneity in the post-2000 riot Papua. I observed the experiences of three Papuan entrepreneurs in processes of building their enterprises which in different ways involve politics of indigeneity. Fo…

  • Kronotop Kontra Politik dan Visualitas Korban dalam Film Dokumenter

    Aryo Danusiri•ARTICLE•Antropologi Indonesia•2018

    This article is my retrospective account on the making of one of my testimonial documentaries, “Kameng Gampoeng Nyang Keunong Geulawa” (The Village Goat that Takes the Beating, 1999) which was commissioned by a human rights-defender NGO based in Jakarta. The aim was to offer critical views on the Aceh conflict to the Indonesian public. By using chronotopes (Bakhtin, 1981) as the analytical tool, I delineate the way the Indonesian state and its mi…

No prominent works on this page.

  • Kronotop Kontra Politik dan Visualitas Korban dalam Film Dokumenter

    Aryo Danusiri•ARTICLE•Antropologi Indonesia•2018

    This article is my retrospective account on the making of one of my testimonial documentaries, “Kameng Gampoeng Nyang Keunong Geulawa” (The Village Goat that Takes the Beating, 1999) which was commissioned by a human rights-defender NGO based in Jakarta. The aim was to offer critical views on the Aceh conflict to the Indonesian public. By using chronotopes (Bakhtin, 1981) as the analytical tool, I delineate the way the Indonesian state and its mi…

  • Intersubjektivitas dan Gaya Kamera dalam Film Etnografi

    Open Access•Aryo Danusiri•ARTICLE•Antropologi Indonesia•2019

    This article is about the use of observational camera style in articulating intersubjectivity. The case is my experience in making Lukas' Moment (2005), an ethnographic film shot in Merauke, Papua. The film is about Papuans’ intersubjectivity toward indigeneity in the post-2000 riot Papua. I observed the experiences of three Papuan entrepreneurs in processes of building their enterprises which in different ways involve politics of indigeneity. Fo…

  • Orkestra sebagai Peristiwa Mediasi

    Open Access•Halida Bunga Fisandra, Aryo Danusiri•ARTICLE•RESITAL JURNAL SENI PERTUNJUKAN•2022

    The Covid-19 virus has infiltrated the recesses of human life around the world. The phenomenon that arises from restrictions on movement in offline spaces is the massive effort by humans to adapt to online media. We can see many artists and musicians performing through various digital platforms, including the Jakarta City Philharmonic (JCP) orchestra. This article will describe the changing process of orchestral space-time in online media which h…

  • Elly Kent (2022), "Artists and the people; Ideologies of art in Indonesia". Singapore

    Open Access•Aryo Danusiri•ARTICLE•Wacana Journal of the Humanities…•2025

  • Articulating Dayak Indigeneity through Gendered Media, Youth Activism, and Global Connectivities

    Open Access•Edwin Jurriëns, Aryo Danusiri et al.•ARTICLE•Bijdragen tot de taal- land- en…•2025•References: 6

    This article focuses on the Ranu Welum foundation based in Palangka Raya, Central Kalimantan, an independent youth and media initiative that actively studies and reshapes notions of 'Dayakness'. The foundation seeks to connect with global networks of Indigenous communities and address its environmental, socio-political, and health concerns in the international domain. We pay special attention to the short documentaries directed or produced by its…

Asian Studies and History (3 works) · Computer Science (2 works) · Cultural and Artistic Studies (2 works) · Aesthetics (1 work) · Anthropological Studies and Insights (1 work) · Anthropology (1 work) · Art (1 work) · Computer vision (1 work) · Cultural Identity and Representation (1 work) · Embodied cognition (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae