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Juan David Rubio Restrepo

Biographic Data

ID2937154
NAMEJuan David Rubio Restrepo
GIVEN NAMESJuan David Rubio
FAMILY NAMERestrepo
SIGNATURERESTREPO J D R
AFFILIATIONSUniversity of California San Diego
ORCID0000-0002-2454-6724
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS2
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2018
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Geofonografías del Gran Caribe

    Juan David Rubio Restrepo, Pedro Ojeda Acosta•ARTICLE•Latin American Music Review•2025

    Este artículo se centra en el lenguaje baterístico de la música tropical que emergió en la costa Caribe colombiana en la década de 1950 y 60. Considerando el archivo fonográfico que lo contiene como documentos en los intersticios de los sonoro (el fonos) y la inscripción (grafía), proponemos el concepto de geofonografía como herramienta teórica para rastrear historias de circulación musical y transculturación sonora de larga data que circunscribi…

  • ‘ Una cosa es el indio y otra cosa es la antropología ’

    Open Access•Juan David Rubio Restrepo•ARTICLE•twentieth-century music•2020

    This article focuses on the collaboration between Colombian black accordionist Carmelo Torres, the most renown performer of accordion cumbia, and Bogotá-based band Los Toscos, a group of academically trained white-mestizo musicians. Considering Carmelo Torres y Los Toscos as representative of the current state of cumbia's global circulation and in dialogue with the growing corpus of scholarly works on the topic, this article traces how this colla…

  • The Sonic Color Line

    Juan David Rubio Restrepo•ARTICLE•Journal of American Ethnic History•2018•Cited by: 2

    Book Review| October 01 2018 The Sonic Color Line: Race and the Cultural Politics of Listening The Sonic Color Line: Race and the Cultural Politics of Listening. By Jennifer Lynn Stoever. New York: New York University Press, 2016. 352 pp. Illustrations, notes, and index. $89 (cloth); $28 (paper). Juan David Rubio Restrepo Juan David Rubio Restrepo University of California San Diego Juan David Rubio Restrepo is a Colombian artist/scholar. He is a …

  • The Sonic Color Line

    Juan David Rubio Restrepo•ARTICLE•Journal of American Ethnic History•2018•Cited by: 2

    Book Review| October 01 2018 The Sonic Color Line: Race and the Cultural Politics of Listening The Sonic Color Line: Race and the Cultural Politics of Listening. By Jennifer Lynn Stoever. New York: New York University Press, 2016. 352 pp. Illustrations, notes, and index. $89 (cloth); $28 (paper). Juan David Rubio Restrepo Juan David Rubio Restrepo University of California San Diego Juan David Rubio Restrepo is a Colombian artist/scholar. He is a …

  • The Sonic Color Line

    Juan David Rubio Restrepo•ARTICLE•Journal of American Ethnic History•2018•Cited by: 2

    Book Review| October 01 2018 The Sonic Color Line: Race and the Cultural Politics of Listening The Sonic Color Line: Race and the Cultural Politics of Listening. By Jennifer Lynn Stoever. New York: New York University Press, 2016. 352 pp. Illustrations, notes, and index. $89 (cloth); $28 (paper). Juan David Rubio Restrepo Juan David Rubio Restrepo University of California San Diego Juan David Rubio Restrepo is a Colombian artist/scholar. He is a …

  • ‘ Una cosa es el indio y otra cosa es la antropología ’

    Open Access•Juan David Rubio Restrepo•ARTICLE•twentieth-century music•2020

    This article focuses on the collaboration between Colombian black accordionist Carmelo Torres, the most renown performer of accordion cumbia, and Bogotá-based band Los Toscos, a group of academically trained white-mestizo musicians. Considering Carmelo Torres y Los Toscos as representative of the current state of cumbia's global circulation and in dialogue with the growing corpus of scholarly works on the topic, this article traces how this colla…

  • Geofonografías del Gran Caribe

    Juan David Rubio Restrepo, Pedro Ojeda Acosta•ARTICLE•Latin American Music Review•2025

    Este artículo se centra en el lenguaje baterístico de la música tropical que emergió en la costa Caribe colombiana en la década de 1950 y 60. Considerando el archivo fonográfico que lo contiene como documentos en los intersticios de los sonoro (el fonos) y la inscripción (grafía), proponemos el concepto de geofonografía como herramienta teórica para rastrear historias de circulación musical y transculturación sonora de larga data que circunscribi…

Latin American and Latino Studies (2 works) · Music History and Culture (2 works) · Accordion (1 work) · Aesthetics (1 work) · Art (1 work) · Deleuze and Guattari (1 work) · Diverse Musicological Studies (1 work) · Embodied cognition (1 work) · Epistemology (1 work) · Ethnography (1 work)

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