Sumarsam
Biographic Data
| ID | 2946774 |
|---|---|
| NAME | Sumarsam |
| FAMILY NAME | Sumarsam |
| SIGNATURE | SUMARSAM |
| VERIFIED | No |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 9 |
| AUTHOR COUNT | 14 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1975 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 2 |
Javanese Gamelan and the West
Preeminant gamelan performer and scholar Sumarsam explores the concept of hybridity in performance traditions that have developed in the context of Javanese encounters with the West. Javanese Gamelan and the West studies the meaning, forms, and traditions of the Javanese performing arts as they developed and changed through their contact with Western culture. Authored by a gamelan performer, teacher, and scholar, the book traces the adaptations i…
Indonesia
The Life in Gendhing: Current Approaches to Javanese Gamelan
Page range: 169-186
Gamelan: Cultural Interaction and Musical Development in Central Java
Gamelan: Cultural Interaction and Musical Development in Central Java
Javanese Gamelan: Traditional Orchestra of Indonesia
Music of Madura, Java, Indonesia
The Sultan's Pleasure: Javanese Gamelan & Vocal Music
Gendhing Kalunta: A Historical Metaphor
Indonesia I: Java Court Music
The Musical Practice of the Gamelan Sekaten
Gendèr Barung, Its Technique and Function in the Context of Javanese Gamelan
Inner Melody in Javanese Gamelan Music
Central Javanese Music: The Patet of Laras Slendro and the Gender Barung
e wish to add to the understanding of patet. The way has been prepared by Mantle Hood (1954), but more information is continuing to become available, especially in recent years. The non-analytic (in a western sense) approach to music (aural transmission-rote learning), traditional in the central Javanese courts is giving way in modern Indonesia to state-sponsored schools that strive to provide systematic studies in many areas of music, practical …
Gendèr Barung, Its Technique and Function in the Context of Javanese Gamelan
Inner Melody in Javanese Gamelan Music
Central Javanese Music: The Patet of Laras Slendro and the Gender Barung
e wish to add to the understanding of patet. The way has been prepared by Mantle Hood (1954), but more information is continuing to become available, especially in recent years. The non-analytic (in a western sense) approach to music (aural transmission-rote learning), traditional in the central Javanese courts is giving way in modern Indonesia to state-sponsored schools that strive to provide systematic studies in many areas of music, practical …
The Musical Practice of the Gamelan Sekaten
Indonesia I: Java Court Music
Gendhing Kalunta: A Historical Metaphor
The Sultan's Pleasure: Javanese Gamelan & Vocal Music
Music of Madura, Java, Indonesia
Gamelan: Cultural Interaction and Musical Development in Central Java
Javanese Gamelan: Traditional Orchestra of Indonesia
Gamelan: Cultural Interaction and Musical Development in Central Java
The Life in Gendhing: Current Approaches to Javanese Gamelan
Page range: 169-186
Indonesia
Javanese Gamelan and the West
Preeminant gamelan performer and scholar Sumarsam explores the concept of hybridity in performance traditions that have developed in the context of Javanese encounters with the West. Javanese Gamelan and the West studies the meaning, forms, and traditions of the Javanese performing arts as they developed and changed through their contact with Western culture. Authored by a gamelan performer, teacher, and scholar, the book traces the adaptations i…
Art (11 works) · History (10 works) · Cultural and Artistic Studies (9 works) · Visual arts (7 works) · Asian Studies and History (5 works) · Computer Science (5 works) · History (5 works) · Java (4 works) · Musical (4 works) · Programming language (4 works)