Ben Moore
Biographic Data
| ID | 2963091 |
|---|---|
| NAME | Ben Moore |
| GIVEN NAMES | Ben |
| FAMILY NAME | Moore |
| SIGNATURE | BEN MOORE |
| AFFILIATIONS | University of Amsterdam |
| ORCID | 0000-0002-6744-500X |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Human Tissue in the Realist Novel, 1850-1895
Allegorical Realism and the Figure of the Human in The Mill on the Floss and Middlemarch
Even Better than the Real Thing? Victorian Literary Imitations
Of Pride and Joy No Common Rate’
This article analyses Margaret Oliphant’s novel Hester (1883), arguing that it dramatizes a complex interplay of surplus labour, surplus capital, the figure of the surplus woman, and surplus jouissance. The central character, Hester, is read as a figure who embodies the surplus jouissance which is both necessary to and disruptive of modern capitalism, and which in the novel stands in opposition to the steady state of the respectable country bank,…
Rancière and Literature
pages, which traces Harriet Brackett Spence Lowell's carriage ride from Cambridge to McLean Asylum for the Insane in 1845, a place where Lowell too was hospitalised, a century later.Jamison's book never feels disjointed, however, as it is artfully woven together, with meticulous care and even love.What ties together Jamison's book is a series of tropes that connect Setting the River on Fire.All taken from Lowell's own poetry, they form the anatom…
The Dolls’ Dressmaker Re(ad)dressed
Of all Dickens's eccentric children – whose numbers include the Artful Dodger, Paul Dombey, Little Nell, and Smike – none, perhaps, is more peculiarly “old-fashioned” than Jenny Wren in Our Mutual Friend (1864-65). From her first appearance, Jenny exhibits a strange indeterminacy: A parlour door within a small entry stood open, and disclosed a child – a dwarf – a girl – a something – sitting on a little low old-fashioned arm-chair, which had a ki…
The Dolls’ Dressmaker Re(ad)dressed
Of all Dickens's eccentric children – whose numbers include the Artful Dodger, Paul Dombey, Little Nell, and Smike – none, perhaps, is more peculiarly “old-fashioned” than Jenny Wren in Our Mutual Friend (1864-65). From her first appearance, Jenny exhibits a strange indeterminacy: A parlour door within a small entry stood open, and disclosed a child – a dwarf – a girl – a something – sitting on a little low old-fashioned arm-chair, which had a ki…
The Dolls’ Dressmaker Re(ad)dressed
Of all Dickens's eccentric children – whose numbers include the Artful Dodger, Paul Dombey, Little Nell, and Smike – none, perhaps, is more peculiarly “old-fashioned” than Jenny Wren in Our Mutual Friend (1864-65). From her first appearance, Jenny exhibits a strange indeterminacy: A parlour door within a small entry stood open, and disclosed a child – a dwarf – a girl – a something – sitting on a little low old-fashioned arm-chair, which had a ki…
Rancière and Literature
pages, which traces Harriet Brackett Spence Lowell's carriage ride from Cambridge to McLean Asylum for the Insane in 1845, a place where Lowell too was hospitalised, a century later.Jamison's book never feels disjointed, however, as it is artfully woven together, with meticulous care and even love.What ties together Jamison's book is a series of tropes that connect Setting the River on Fire.All taken from Lowell's own poetry, they form the anatom…
Even Better than the Real Thing? Victorian Literary Imitations
Of Pride and Joy No Common Rate’
This article analyses Margaret Oliphant’s novel Hester (1883), arguing that it dramatizes a complex interplay of surplus labour, surplus capital, the figure of the surplus woman, and surplus jouissance. The central character, Hester, is read as a figure who embodies the surplus jouissance which is both necessary to and disruptive of modern capitalism, and which in the novel stands in opposition to the steady state of the respectable country bank,…
Human Tissue in the Realist Novel, 1850-1895
Allegorical Realism and the Figure of the Human in The Mill on the Floss and Middlemarch
Art (4 works) · Philosophy (3 works) · Historical Studies on Reproduction, Gender, Health, and Societal Changes (2 works) · History (2 works) · Literature (2 works) · Psychology (2 works) · Aesthetics (1 work) · Art history (1 work) · Australian History and Society (1 work) · Capital (architecture (1 work)