Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Adeshina Afolayan

Biographic Data

ID296676
NAMEAdeshina Afolayan
GIVEN NAMESAdeshina
FAMILY NAMEAfolayan
SIGNATUREAFOLAYAN A
AFFILIATIONSUniversity of Ibadan
ORCID0000-0002-5035-4312
VERIFIEDYes
TOTAL WORKS28
TOTAL CITATIONS28
AUTHOR COUNT26
EDITOR COUNT2
FIRST PUBLICATION YEAR1982
LATEST PUBLICATION YEAR2026
H-INDEX3
  • What is Yorùbá Metaphysics? Or, How Not to Write about Yorùbá Culture. A Review Essay on Toyin Falola’s Yorùbá Metaphysics: Spirituality and Supernaturality

    Open Access•Adeshina Afolayan•ARTICLE•Yoruba Studies Review•2026

    In this essay, I will be interrogating yet another contribution to the unraveling of Yorùbá cultural and philosophical underpinning. Toyin Falola’s Yorùbá Metaphysics promised to add another deep layer of sociocultural and philosophical understanding of how the Yoruba perceive their reality. This is a fundamental endeavor, and one that could only be undertaken by a scholar that is well-grounded in such a cultural understanding. Toyin Falola is em…

  • Africa on the cusp of natality – from Afropessimism to African becoming A Review of Achille Mbembe and Felwine Sarr's edited volumes: To Write the Africa World (Polity Press, 2023a) and The Politics o…

    Open Access•Adeshina Afolayan•ARTICLE•The Journal of Modern African…•2024

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Global Health, Humanity and the Covid-19 Pandemic: Philosophical and Sociological Challenges and Imperatives

    Open Access•Francis Egbokhare, Adeshina Afolayan•BOOK•Global Health, Humanity and the…•2023

    This book interrogates global health, the scourge of the COVID-19 pandemic and the role science has played in mitigating the experiences of pandemics.

  • Global Health, Humanity and the Covid-19 Pandemic: Philosophical and Sociological Challenges and Imperatives

    Francis Egbokhare, Adeshina Afolayan•BOOK•Global Health, Humanity and the…•2023

  • On Postcolonial Knowledge: Ifá and Otto Neurath in Conversation

    Adeshina Afolayan•ARTICLE•Matatu•2023

    Knowledge and knowledge production play a significant role in the postcolonial project of de-traumatization and self-realization. However, such knowledge has often been couched within a Eurocentric epistemological framework. The postcolony is caught firmly within the orthodox which translates positivistic knowledge into the very definition of worldly progress—the idea of how a state attends to the welfare and well-being of its citizens through a …

  • Fela Anikulapo-Kuti: Afrobeat, Rebellion, and Philosophy

    Adeshina Afolayan, Toyin Falola•BOOK•Fela Anikulapo-Kuti•2022•Cited by: 1

    Fela Anikulapo Kuti was the Afrobeat music maestro whose life and time provide the lens through which we can outline the postcolonial trajectory of the Nigerian state as well as the dynamics of most other African states. Through the Afrobeat music, Fela did not only challenge consecutive governments in Nigeria, but his rebellious Afrobeat lyrics facilitate a philosophical subtext that enriches the more intellectual Afrocentric discourses. Afrobea…

  • Yorùbá Philosophy and Contemporary Nigerian Realities

    Open Access•Adeshina Afolayan•ARTICLE•Yoruba Studies Review•2021

    Beginning from Marx’s understanding of the relationship between philosophy and reality, this Introduction to the special edition of the Yoruba Studies Review explores the inevitable but complex relationship that exists between philosophy and its place. Specifically, it is grounded on the urgency of interrogating Nigeria’s postcolonial realities in the light of Yorùbá philosophical insights that, among other things, enable a rethinking of postcolo…

  • The “Africanization” of an African Diaspora Household: Toyin Falola and the Idea of Diasporic Home-Making

    Open Access•Babatunde Jaiyeoba, Adeshina Afolayan•ARTICLE•Yoruba Studies Review•2021

    This essay is an exercise in the interrogation of cultural globalization, and how the idea of transnationalism generates identity responses. The authors used the concept of home-making to examine how Toyin Falola deployed an aesthetic sensibility of African art as ideological dynamics for the personalization of his home situated in a suburb in Austin, Texas. The Africanization agenda that the Falola house operationalized points at the critical ro…

  • Fálétí’s Philosophical Sensibility

    Open Access•Adeshina Afolayan•ARTICLE•Yoruba Studies Review•2021

    Let us begin with an unfortunate fact: Adébáyọ̀ Fálétí is one major writer that is hardly anthologized. The problem could not have been that he wrote in Yorùbá because Fágúnwà is far more anthologized than he is. Simon Gikandi’s edited Encyclopedia of African Literature (2003) has an entry and other multiple references to Fágúnwà. There is only one reference to Fálétí which is found in the index without any accompanying instance in the work. In I…

  • Is Modernity Single and Universal: Olaju and the Multilateral Modernity

    Open Access•Adeshina Afolayan•ARTICLE•Yoruba Studies Review•2021

    This essay confronts two orthodoxies at the heart of the modernity debate. The first is that modernity, which supposedly originated from the West, is a sin­gle and universal historical development. The assumption therefore is that any genuine modernity elsewhere must proceed from aping the structuratlon of western modernity. The second orthodoxy challenges the first, and coalesces around the idea of multiple modernities, which do not share the hi…

  • Túndé Kèlání, Global Cinema and Philosophical Engagements

    Adeshina Afolayan, James Yékú•ARTICLE•Journal of African Cultural Studies•2020•Cited by: 1•References: 4

    The articles in this special issue invite an understanding of Tunde Kelani as a global filmmaker, whose cinematic oeuvre engages with many places, audiences as well as media technologies. A major f

  • Túndé Kèlání and the Art of Being Yorùbá

    Adeshina Afolayan•ARTICLE•Journal of African Cultural Studies•2020•Cited by: 3•References: 12

    Túndé Kèlání is a Yorùbá filmmaker whose auteurial vision deploys Yorùbá cultural dynamics towards the understanding of not only Yorùbá people’s beingness, but also of their place in the plural existence of the Nigerian state. This article takes seriously Túndé Kèlání’s philosophical sensibility, grounded in the Yorùbá worldview, as a means by which Kelani relates with the world. The article argues that, although Túndé Kèlání’s cultural philosoph…

  • Auteuring Nollywood: Rethinking the Movie Director and the Idea of Creativity in the Nigerian Film Industry

    Open Access•Adeshina Afolayan•CHAPTER•Art, Creativity, and Politics in…•2018

  • In search of a revolution: Raison d'état and the freedom argument

    Open Access•Adeshina Afolayan•ARTICLE•History Compass•2018•References: 3

    The concept of revolution conceptually objectifies the impotent socio‐economic and political desires and preferences of human beings against powerful and constricting social formations. It conjures the pictures of possibilities. It is not surprising that the violent happenings in the Middle East have been quickly dubbed “revolutions” by scholars and the Western media. This essay presents a consequentialist argument that deploys Arendt's freedom a…

  • The Arab Spring and politics in West Africa

    Open Access•Adeshina Afolayan•ARTICLE•History Compass•2018•References: 2

    In the first part of the essay, I outlined the theoretical underpinning of the modern state and how it generated a paradoxical relationship with the concept of revolution. This conceptual exercise is necessary because it yields huge political significance in a people's desire to master their own destiny, and also for the understanding of the democratic and development dynamics in West Africa. In spite of the intellectual and media popularity that…

  • The ethnocentric gaze: From ethnology to ethnophilosophy to “Africa”

    Adeshina Afolayan•ARTICLE•South African Journal of Philosophy•2018•Cited by: 1•References: 8

    In this essay I deploy Sartre's phenomenology of the gaze as the foil to demonstrate the cultural and philosophical movement from ethnology to ethnophilosophy that produces a specific conception of Africa. The violence of the Western gaze on Africa led several ethnological and anthropological excavations of Africa's cultural beingness, and the eventual creation of ethnophilosophical reason. Despite the obvious limitations of ethnophilosophy, I ar…

  • Abiola Irele and the Context of African Philosophy Discourse

    Adeshina Afolayan, Adeshina Afolayan Adeshina Afolayan•ARTICLE•Research in African Literatures•2018

    The objective of this essay is to inscribe Abiola Irele into the African philosophical discourse through a philosophical scrutiny of his own negritude analysis. And the justification for this exercise goes beyond the attempt to recognize the philosophical import of Irele's literary oeuvres. It is also a significant attempt at challenging the parochial arrogance of (African) philosophy, which hinges the term "philosopher" around the narrow qualifi…

  • The Palgrave Handbook of African Philosophy

    Open Access•Adeshina Afolayan, Toyin Falola•BOOK•The Palgrave Handbook of African…•2017

    This handbook investigates the current state and future possibilities of African Philosophy, as a discipline and as a practice, vis-à-vis the challenge of African development and Africa's place in a g

  • The Palgrave Handbook of African Philosophy

    Adeshina Afolayan, Toyin Falola•BOOK•The Palgrave Handbook of African…•2017

  • African Philosophy at the African Cinema

    Open Access•Adeshina Afolayan•CHAPTER•The Palgrave Handbook of African…•2017

    The premise of this chapter is quite provocative: African philosophy, since its inauguration, has had little or no engagement with African cinema. Hence, there remains a huge intellectual and multidisciplinary gap that necessarily creates a conceptual absence in the collective attempt at making sense of the African predicament and pushing decolonization forward. In this chapter, Afolayan draws on the Deleuzian experience of being compelled to loo…

  • Auteuring Nollywood: Critical Perspectives on The Figurine

    Adeshina Afolayan•BOOK•Auteuring Nollywood•2014

    Beginning from an auteur standpoint, this book interrogates extant cinematic re-presentation of African and Nigerian postcolonial realities in Nollywood. It makes a case, using Kunle Afolayan?s The Figurine, for a critical space-clearing gesture around the notion of a neo-Nollywood, which transcends the formulaic cinematic re-presentation of African and Nigeriam realities to embrace a visionary and philosophic rearticualtion of the role of filmma…

  • Resignifying the Universal: Critical Commentary on the Postcolonial African Identity and Development

    Adeshina Afolayan•ARTICLE•Human Affairs•2009•References: 1

    Resignifying the Universal: Critical Commentary on the Postcolonial African Identity and Development The dimension of the debate on the relation between the universal and the particular in African philosophy has been skewed in favour of the universalists who argued that the condition for the possibility of an African conception of philosophy cannot be achieved outside the "universal' idea of the philosophical enterprise. In this sense, the ethno-…

  • Issues and Challenges of Emigration Dynamics in Developing Countries

    Open Access•Adeshina Afolayan, A A Afolayan•ARTICLE•International Migration•2001•Cited by: 8

    This article is a theory‐based attempt to present the issues and challenges of emigration dynamics in developing countries. The topic is discussed within several basic assumptions: first, that emigration dynamics in developing countries have certain features that are different from those in developed countries; second, that countries in the regions covered by the study (sub‐Saharan Africa, Central America and the Caribbean, and South Asia) are re…

  • Immigration and Expulsion of Ecowas Aliens in Nigeria

    Open Access•Adeshina Afolayan, A A Afolayan•ARTICLE•International Migration Review•1988•Cited by: 2•References: 4

    The immigration of ECOWAS citizens into Nigeria gathered momentum after the protocol on the free movement of goods, capital and people was ratified in 1980. This period coincided with the era of oil-boom in the country. However, the influx was disrupted by the expulsion orders of January 1983 and April 1985. It is suggested here that even though the protocol is a laudable objective, the spatial mobility needs to be well monitored and the sovereig…

  • Marketing, to the rescue of Sasa

    Open Access•Adeshina Afolayan, A A Afolayan•ARTICLE•Habitat International•1987•References: 2

Next
  • Issues and Challenges of Emigration Dynamics in Developing Countries

    Open Access•Adeshina Afolayan, A A Afolayan•ARTICLE•International Migration•2001•Cited by: 8

    This article is a theory‐based attempt to present the issues and challenges of emigration dynamics in developing countries. The topic is discussed within several basic assumptions: first, that emigration dynamics in developing countries have certain features that are different from those in developed countries; second, that countries in the regions covered by the study (sub‐Saharan Africa, Central America and the Caribbean, and South Asia) are re…

  • Residential mobility within metropolitan Lagos

    Open Access•Adeshina Afolayan, A A Afolayan•ARTICLE•Geoforum•1982•Cited by: 7•References: 1

  • Túndé Kèlání and the Art of Being Yorùbá

    Adeshina Afolayan•ARTICLE•Journal of African Cultural Studies•2020•Cited by: 3•References: 12

    Túndé Kèlání is a Yorùbá filmmaker whose auteurial vision deploys Yorùbá cultural dynamics towards the understanding of not only Yorùbá people’s beingness, but also of their place in the plural existence of the Nigerian state. This article takes seriously Túndé Kèlání’s philosophical sensibility, grounded in the Yorùbá worldview, as a means by which Kelani relates with the world. The article argues that, although Túndé Kèlání’s cultural philosoph…

  • Is there a step-wise migration in Nigeria: A case study of the migrational histories of migrants in Lagos

    Open Access•Adeshina Afolayan, A A Afolayan•ARTICLE•GeoJournal•1985•Cited by: 3•References: 4

  • Immigration and Expulsion of Ecowas Aliens in Nigeria

    Open Access•Adeshina Afolayan, A A Afolayan•ARTICLE•International Migration Review•1988•Cited by: 2•References: 4

    The immigration of ECOWAS citizens into Nigeria gathered momentum after the protocol on the free movement of goods, capital and people was ratified in 1980. This period coincided with the era of oil-boom in the country. However, the influx was disrupted by the expulsion orders of January 1983 and April 1985. It is suggested here that even though the protocol is a laudable objective, the spatial mobility needs to be well monitored and the sovereig…

  • The Sasa resettlement project

    Open Access•Adeshina Afolayan, A A Afolayan•ARTICLE•Habitat International•1987•Cited by: 2•References: 2

  • Fela Anikulapo-Kuti: Afrobeat, Rebellion, and Philosophy

    Adeshina Afolayan, Toyin Falola•BOOK•Fela Anikulapo-Kuti•2022•Cited by: 1

    Fela Anikulapo Kuti was the Afrobeat music maestro whose life and time provide the lens through which we can outline the postcolonial trajectory of the Nigerian state as well as the dynamics of most other African states. Through the Afrobeat music, Fela did not only challenge consecutive governments in Nigeria, but his rebellious Afrobeat lyrics facilitate a philosophical subtext that enriches the more intellectual Afrocentric discourses. Afrobea…

  • Túndé Kèlání, Global Cinema and Philosophical Engagements

    Adeshina Afolayan, James Yékú•ARTICLE•Journal of African Cultural Studies•2020•Cited by: 1•References: 4

    The articles in this special issue invite an understanding of Tunde Kelani as a global filmmaker, whose cinematic oeuvre engages with many places, audiences as well as media technologies. A major f

  • The ethnocentric gaze: From ethnology to ethnophilosophy to “Africa”

    Adeshina Afolayan•ARTICLE•South African Journal of Philosophy•2018•Cited by: 1•References: 8

    In this essay I deploy Sartre's phenomenology of the gaze as the foil to demonstrate the cultural and philosophical movement from ethnology to ethnophilosophy that produces a specific conception of Africa. The violence of the Western gaze on Africa led several ethnological and anthropological excavations of Africa's cultural beingness, and the eventual creation of ethnophilosophical reason. Despite the obvious limitations of ethnophilosophy, I ar…

  • Residential mobility within metropolitan Lagos

    Open Access•Adeshina Afolayan, A A Afolayan•ARTICLE•Geoforum•1982•Cited by: 7•References: 1

  • Is there a step-wise migration in Nigeria: A case study of the migrational histories of migrants in Lagos

    Open Access•Adeshina Afolayan, A A Afolayan•ARTICLE•GeoJournal•1985•Cited by: 3•References: 4

  • Marketing, to the rescue of Sasa

    Open Access•Adeshina Afolayan, A A Afolayan•ARTICLE•Habitat International•1987•References: 2

  • The Sasa resettlement project

    Open Access•Adeshina Afolayan, A A Afolayan•ARTICLE•Habitat International•1987•Cited by: 2•References: 2

  • Immigration and Expulsion of Ecowas Aliens in Nigeria

    Open Access•Adeshina Afolayan, A A Afolayan•ARTICLE•International Migration Review•1988•Cited by: 2•References: 4

    The immigration of ECOWAS citizens into Nigeria gathered momentum after the protocol on the free movement of goods, capital and people was ratified in 1980. This period coincided with the era of oil-boom in the country. However, the influx was disrupted by the expulsion orders of January 1983 and April 1985. It is suggested here that even though the protocol is a laudable objective, the spatial mobility needs to be well monitored and the sovereig…

  • Issues and Challenges of Emigration Dynamics in Developing Countries

    Open Access•Adeshina Afolayan, A A Afolayan•ARTICLE•International Migration•2001•Cited by: 8

    This article is a theory‐based attempt to present the issues and challenges of emigration dynamics in developing countries. The topic is discussed within several basic assumptions: first, that emigration dynamics in developing countries have certain features that are different from those in developed countries; second, that countries in the regions covered by the study (sub‐Saharan Africa, Central America and the Caribbean, and South Asia) are re…

  • Resignifying the Universal: Critical Commentary on the Postcolonial African Identity and Development

    Adeshina Afolayan•ARTICLE•Human Affairs•2009•References: 1

    Resignifying the Universal: Critical Commentary on the Postcolonial African Identity and Development The dimension of the debate on the relation between the universal and the particular in African philosophy has been skewed in favour of the universalists who argued that the condition for the possibility of an African conception of philosophy cannot be achieved outside the "universal' idea of the philosophical enterprise. In this sense, the ethno-…

  • Auteuring Nollywood: Critical Perspectives on The Figurine

    Adeshina Afolayan•BOOK•Auteuring Nollywood•2014

    Beginning from an auteur standpoint, this book interrogates extant cinematic re-presentation of African and Nigerian postcolonial realities in Nollywood. It makes a case, using Kunle Afolayan?s The Figurine, for a critical space-clearing gesture around the notion of a neo-Nollywood, which transcends the formulaic cinematic re-presentation of African and Nigeriam realities to embrace a visionary and philosophic rearticualtion of the role of filmma…

  • The Palgrave Handbook of African Philosophy

    Open Access•Adeshina Afolayan, Toyin Falola•BOOK•The Palgrave Handbook of African…•2017

    This handbook investigates the current state and future possibilities of African Philosophy, as a discipline and as a practice, vis-à-vis the challenge of African development and Africa's place in a g

  • The Palgrave Handbook of African Philosophy

    Adeshina Afolayan, Toyin Falola•BOOK•The Palgrave Handbook of African…•2017

  • African Philosophy at the African Cinema

    Open Access•Adeshina Afolayan•CHAPTER•The Palgrave Handbook of African…•2017

    The premise of this chapter is quite provocative: African philosophy, since its inauguration, has had little or no engagement with African cinema. Hence, there remains a huge intellectual and multidisciplinary gap that necessarily creates a conceptual absence in the collective attempt at making sense of the African predicament and pushing decolonization forward. In this chapter, Afolayan draws on the Deleuzian experience of being compelled to loo…

  • Auteuring Nollywood: Rethinking the Movie Director and the Idea of Creativity in the Nigerian Film Industry

    Open Access•Adeshina Afolayan•CHAPTER•Art, Creativity, and Politics in…•2018

  • In search of a revolution: Raison d'état and the freedom argument

    Open Access•Adeshina Afolayan•ARTICLE•History Compass•2018•References: 3

    The concept of revolution conceptually objectifies the impotent socio‐economic and political desires and preferences of human beings against powerful and constricting social formations. It conjures the pictures of possibilities. It is not surprising that the violent happenings in the Middle East have been quickly dubbed “revolutions” by scholars and the Western media. This essay presents a consequentialist argument that deploys Arendt's freedom a…

  • The Arab Spring and politics in West Africa

    Open Access•Adeshina Afolayan•ARTICLE•History Compass•2018•References: 2

    In the first part of the essay, I outlined the theoretical underpinning of the modern state and how it generated a paradoxical relationship with the concept of revolution. This conceptual exercise is necessary because it yields huge political significance in a people's desire to master their own destiny, and also for the understanding of the democratic and development dynamics in West Africa. In spite of the intellectual and media popularity that…

  • The ethnocentric gaze: From ethnology to ethnophilosophy to “Africa”

    Adeshina Afolayan•ARTICLE•South African Journal of Philosophy•2018•Cited by: 1•References: 8

    In this essay I deploy Sartre's phenomenology of the gaze as the foil to demonstrate the cultural and philosophical movement from ethnology to ethnophilosophy that produces a specific conception of Africa. The violence of the Western gaze on Africa led several ethnological and anthropological excavations of Africa's cultural beingness, and the eventual creation of ethnophilosophical reason. Despite the obvious limitations of ethnophilosophy, I ar…

  • Abiola Irele and the Context of African Philosophy Discourse

    Adeshina Afolayan, Adeshina Afolayan Adeshina Afolayan•ARTICLE•Research in African Literatures•2018

    The objective of this essay is to inscribe Abiola Irele into the African philosophical discourse through a philosophical scrutiny of his own negritude analysis. And the justification for this exercise goes beyond the attempt to recognize the philosophical import of Irele's literary oeuvres. It is also a significant attempt at challenging the parochial arrogance of (African) philosophy, which hinges the term "philosopher" around the narrow qualifi…

  • Túndé Kèlání, Global Cinema and Philosophical Engagements

    Adeshina Afolayan, James Yékú•ARTICLE•Journal of African Cultural Studies•2020•Cited by: 1•References: 4

    The articles in this special issue invite an understanding of Tunde Kelani as a global filmmaker, whose cinematic oeuvre engages with many places, audiences as well as media technologies. A major f

  • Túndé Kèlání and the Art of Being Yorùbá

    Adeshina Afolayan•ARTICLE•Journal of African Cultural Studies•2020•Cited by: 3•References: 12

    Túndé Kèlání is a Yorùbá filmmaker whose auteurial vision deploys Yorùbá cultural dynamics towards the understanding of not only Yorùbá people’s beingness, but also of their place in the plural existence of the Nigerian state. This article takes seriously Túndé Kèlání’s philosophical sensibility, grounded in the Yorùbá worldview, as a means by which Kelani relates with the world. The article argues that, although Túndé Kèlání’s cultural philosoph…

  • Yorùbá Philosophy and Contemporary Nigerian Realities

    Open Access•Adeshina Afolayan•ARTICLE•Yoruba Studies Review•2021

    Beginning from Marx’s understanding of the relationship between philosophy and reality, this Introduction to the special edition of the Yoruba Studies Review explores the inevitable but complex relationship that exists between philosophy and its place. Specifically, it is grounded on the urgency of interrogating Nigeria’s postcolonial realities in the light of Yorùbá philosophical insights that, among other things, enable a rethinking of postcolo…

  • The “Africanization” of an African Diaspora Household: Toyin Falola and the Idea of Diasporic Home-Making

    Open Access•Babatunde Jaiyeoba, Adeshina Afolayan•ARTICLE•Yoruba Studies Review•2021

    This essay is an exercise in the interrogation of cultural globalization, and how the idea of transnationalism generates identity responses. The authors used the concept of home-making to examine how Toyin Falola deployed an aesthetic sensibility of African art as ideological dynamics for the personalization of his home situated in a suburb in Austin, Texas. The Africanization agenda that the Falola house operationalized points at the critical ro…

  • Fálétí’s Philosophical Sensibility

    Open Access•Adeshina Afolayan•ARTICLE•Yoruba Studies Review•2021

    Let us begin with an unfortunate fact: Adébáyọ̀ Fálétí is one major writer that is hardly anthologized. The problem could not have been that he wrote in Yorùbá because Fágúnwà is far more anthologized than he is. Simon Gikandi’s edited Encyclopedia of African Literature (2003) has an entry and other multiple references to Fágúnwà. There is only one reference to Fálétí which is found in the index without any accompanying instance in the work. In I…

  • Is Modernity Single and Universal: Olaju and the Multilateral Modernity

    Open Access•Adeshina Afolayan•ARTICLE•Yoruba Studies Review•2021

    This essay confronts two orthodoxies at the heart of the modernity debate. The first is that modernity, which supposedly originated from the West, is a sin­gle and universal historical development. The assumption therefore is that any genuine modernity elsewhere must proceed from aping the structuratlon of western modernity. The second orthodoxy challenges the first, and coalesces around the idea of multiple modernities, which do not share the hi…

  • Fela Anikulapo-Kuti: Afrobeat, Rebellion, and Philosophy

    Adeshina Afolayan, Toyin Falola•BOOK•Fela Anikulapo-Kuti•2022•Cited by: 1

    Fela Anikulapo Kuti was the Afrobeat music maestro whose life and time provide the lens through which we can outline the postcolonial trajectory of the Nigerian state as well as the dynamics of most other African states. Through the Afrobeat music, Fela did not only challenge consecutive governments in Nigeria, but his rebellious Afrobeat lyrics facilitate a philosophical subtext that enriches the more intellectual Afrocentric discourses. Afrobea…

  • Global Health, Humanity and the Covid-19 Pandemic: Philosophical and Sociological Challenges and Imperatives

    Open Access•Francis Egbokhare, Adeshina Afolayan•BOOK•Global Health, Humanity and the…•2023

    This book interrogates global health, the scourge of the COVID-19 pandemic and the role science has played in mitigating the experiences of pandemics.

  • Global Health, Humanity and the Covid-19 Pandemic: Philosophical and Sociological Challenges and Imperatives

    Francis Egbokhare, Adeshina Afolayan•BOOK•Global Health, Humanity and the…•2023

Sociology (20 works) · Philosophy (14 works) · Political science (13 works) · Aesthetics (11 works) · Law (9 works) · Epistemology (8 works) · African history and culture studies (7 works) · Art (7 works) · History (7 works) · African cultural and philosophical studies (6 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae