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Rosemary Oyinlola Popoola

Biographic Data

ID296679
NAMERosemary Oyinlola Popoola
GIVEN NAMESRosemary Oyinlola
FAMILY NAMEPopoola
SIGNATUREPOPOOLA R O
AFFILIATIONSUniversity of Wisconsin–Madison
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2022
LATEST PUBLICATION YEAR2026
H-INDEX0
  • A Black Feminist Critique of Deformed Consent in Ololade Asake’s Terminator Music Video

    Open Access•Rosemary Oyinlola Popoola•ARTICLE•Women s Studies in Communication•2026

    Scholars have debated and offered varying views of what constitutes informed consent. The scholarly consensus assumes the opposite of informed consent is the absence of consent. Engaging critical textual and visual analysis blended with Black critical cultural and feminist theories, this article takes a different position. Using Ololade Ahmed (Asake)’s “Terminator” lyrics and accompanying moving images, I argue that the other side of informed con…

  • Disrupting or Dwelling

    Rosemary Popoola, Rosemary Oyinlola Popoola•ARTICLE•Journal of Religion and Popular…•2025•References: 8

    This paper moves beyond the center of the theocratic class of the Nigerian Pentecostal circle to explore a marginal Onitsha-based prophet named Chukwuemeka Ohanaemere Odumeje, who claimed the spotlight of Pentecostal theatrics in the wake of the COVID-19 pandemic, and seems to have sustained it by centering himself in popular imagination. I combine a textual analysis of many snippets of media (which are now part of popular culture) and a semiotic…

  • When charity and camera collide

    Rosemary Popoola, Rosemary Oyinlola Popoola•ARTICLE•Journal for Cultural Research•2022

    Celebrity studies is an expansive and expanding field in European and American scholarship. Unfortunately, Africanist scholars have paid limited attention to this significant branch of scholarship. Drawing from varied secondary sources, including audio-visual materials, newspaper articles and journals, and books in the fields of celebrities and development, I examine Nigerian celebrity philanthropy in the age of internet technology. I argue that …

  • New directions for researching and writing African feminist histories

    Open Access•Rosemary Popoola, Rosemary Oyinlola Popoola•ARTICLE•Women s Studies International Forum•2022•References: 12

No prominent works on this page.

  • When charity and camera collide

    Rosemary Popoola, Rosemary Oyinlola Popoola•ARTICLE•Journal for Cultural Research•2022

    Celebrity studies is an expansive and expanding field in European and American scholarship. Unfortunately, Africanist scholars have paid limited attention to this significant branch of scholarship. Drawing from varied secondary sources, including audio-visual materials, newspaper articles and journals, and books in the fields of celebrities and development, I examine Nigerian celebrity philanthropy in the age of internet technology. I argue that …

  • New directions for researching and writing African feminist histories

    Open Access•Rosemary Popoola, Rosemary Oyinlola Popoola•ARTICLE•Women s Studies International Forum•2022•References: 12

  • Disrupting or Dwelling

    Rosemary Popoola, Rosemary Oyinlola Popoola•ARTICLE•Journal of Religion and Popular…•2025•References: 8

    This paper moves beyond the center of the theocratic class of the Nigerian Pentecostal circle to explore a marginal Onitsha-based prophet named Chukwuemeka Ohanaemere Odumeje, who claimed the spotlight of Pentecostal theatrics in the wake of the COVID-19 pandemic, and seems to have sustained it by centering himself in popular imagination. I combine a textual analysis of many snippets of media (which are now part of popular culture) and a semiotic…

  • A Black Feminist Critique of Deformed Consent in Ololade Asake’s Terminator Music Video

    Open Access•Rosemary Oyinlola Popoola•ARTICLE•Women s Studies in Communication•2026

    Scholars have debated and offered varying views of what constitutes informed consent. The scholarly consensus assumes the opposite of informed consent is the absence of consent. Engaging critical textual and visual analysis blended with Black critical cultural and feminist theories, this article takes a different position. Using Ololade Ahmed (Asake)’s “Terminator” lyrics and accompanying moving images, I argue that the other side of informed con…

Gender Studies (2 works) · Gender, Feminism, and Media (2 works) · Sociology (2 works) · African history and culture studies (1 work) · African Sexualities and LGBTQ+ Issues (1 work) · Black women (1 work) · Cultural Identity and Representation (1 work) · Digital Games and Media (1 work) · Feminist Theory and Gender Studies (1 work) · gender and sexuality (1 work)

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