Jesmael Mataga
Biographic Data
| ID | 300068 |
|---|---|
| NAME | Jesmael Mataga |
| GIVEN NAMES | Jesmael |
| FAMILY NAME | Mataga |
| SIGNATURE | MATAGA J |
| AFFILIATIONS | Sol Plaatje University |
| ORCID | 0000-0002-1809-9737 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Truth-telling as a form of decolonial care: Stories from a collaborative object biography research with the Ndau community of Eastern Zimbabwe
Dispatches: Photographs from the Poignant Project at the Museum of Archaeology and Anthropology, Cambridge; The Solidarity in Action Network; The Canadian Museum Association’s Moved to Action Report; …
The Poignant collection of more than 17,500 photographs and associated archival material reflects the work of Axel Poignant (1906–1986), who established his career as a portrait photographer in Australia, and the anthropologist Roslyn Poignant (1927–2019). Bequeathed by Roslyn to the Museum of Archaeology and Anthropology (MAA), Cambridge upon her death in 2019, the collection came into the care of MAA in 2021
Independent Museums and Culture Centres in Colonial and Post-colonial Zimbabwe: Non-State Players, Local Communities, and Self-Representation
Independent Museums and Culture Centres in Colonial and Postcolonial Zimbabwe: Non-State Players, Local Communities and Self-Representation
African heritage challenges: Communities and sustainable development
There is an emerging body of research that analyse global and expert conceptions and governance of heritage and their impact on local community ideas and practices (Higgins and Douglas 2021; Bruman
Unsettled spirits, performance and aesthetics of power: The Public Life of Liberation Heritage in Zimbabwe
This paper investigates how meanings of liberation heritage have been constructed and institutionalised in Zimbabwe, and how this has elicited responses from local communities. While most treatises on liberation heritage have focussed on the politics of election of heroes and heroines or the contested meanings and symbolism of sites, archives or objects associated with liberation heritage, this analysis, drawing from the Zimbabwean context, exami…
Unsettled spirits, performance and aesthetics of power: The Public Life of Liberation Heritage in Zimbabwe
This paper investigates how meanings of liberation heritage have been constructed and institutionalised in Zimbabwe, and how this has elicited responses from local communities. While most treatises on liberation heritage have focussed on the politics of election of heroes and heroines or the contested meanings and symbolism of sites, archives or objects associated with liberation heritage, this analysis, drawing from the Zimbabwean context, exami…
Truth-telling as a form of decolonial care: Stories from a collaborative object biography research with the Ndau community of Eastern Zimbabwe
Unsettled spirits, performance and aesthetics of power: The Public Life of Liberation Heritage in Zimbabwe
This paper investigates how meanings of liberation heritage have been constructed and institutionalised in Zimbabwe, and how this has elicited responses from local communities. While most treatises on liberation heritage have focussed on the politics of election of heroes and heroines or the contested meanings and symbolism of sites, archives or objects associated with liberation heritage, this analysis, drawing from the Zimbabwean context, exami…
African heritage challenges: Communities and sustainable development
There is an emerging body of research that analyse global and expert conceptions and governance of heritage and their impact on local community ideas and practices (Higgins and Douglas 2021; Bruman
Independent Museums and Culture Centres in Colonial and Post-colonial Zimbabwe: Non-State Players, Local Communities, and Self-Representation
Independent Museums and Culture Centres in Colonial and Postcolonial Zimbabwe: Non-State Players, Local Communities and Self-Representation
Dispatches: Photographs from the Poignant Project at the Museum of Archaeology and Anthropology, Cambridge; The Solidarity in Action Network; The Canadian Museum Association’s Moved to Action Report; …
The Poignant collection of more than 17,500 photographs and associated archival material reflects the work of Axel Poignant (1906–1986), who established his career as a portrait photographer in Australia, and the anthropologist Roslyn Poignant (1927–2019). Bequeathed by Roslyn to the Museum of Archaeology and Anthropology (MAA), Cambridge upon her death in 2019, the collection came into the care of MAA in 2021
Truth-telling as a form of decolonial care: Stories from a collaborative object biography research with the Ndau community of Eastern Zimbabwe
History (4 works) · Sociology (4 works) · African history and culture studies (2 works) · African studies and sociopolitical issues (2 works) · Anthropological Studies and Insights (2 works) · Archaeology (2 works) · Art (2 works) · Art history (2 works) · Cultural heritage (2 works) · Cultural Heritage Management and Preservation (2 works)