Praseeda Gopinath
Biographic Data
| ID | 3043065 |
|---|---|
| NAME | Praseeda Gopinath |
| GIVEN NAMES | Praseeda |
| FAMILY NAME | Gopinath |
| SIGNATURE | GOPINATH P |
| AFFILIATIONS | Binghamton University |
| ORCID | 0009-0006-6686-6669 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
The Routledge Companion to Postcolonial and Decolonial Literature
The Nation in British Literature and Culture
The Nation and British Literature and Culture charts the emergence of Britain as a political, social and cultural construct, examining the manner in which its constituent elements were brought together through a process of amalgamation and conquest. The fashioning of the nation through literature and culture is examined, as well as counter narratives that have sought to call national orthodoxies into question. Specific topics explored include the…
‘Pathaan … Zinda hai’
This short article examines the ways in which Pathaan , with its glorious invocation of the star-text in the title, explores the shifting relationship between masculinity, the imperial-militaristic Hollywood action genre and the idea of nation. This article argues that the filmic narrative, its paratexts and Pathaan/Shah Rukh Khan (SRK), working within the conventions of a Hollywood-inflected masala action genre, reconfigure an ageing, kintsugi a…
Introduction
Pop Empires
Pop Empires
A feeling you cannot resist
While Shah Rukh Khan is considered to be the cinematic representation of Indian neoliberalism and global capitalism, the gendered dimensions of his stardom and personae are still thin on the ground. This paper theorizes the particular role of affect, emotion, and feeling in the gendered construction of Shah Rukh Khan as star text. Though affective masculinity has been central to male stardom in Hindi cinema, SRK shifted the focus from anger (Amit…
Introduction
A feeling you cannot resist
While Shah Rukh Khan is considered to be the cinematic representation of Indian neoliberalism and global capitalism, the gendered dimensions of his stardom and personae are still thin on the ground. This paper theorizes the particular role of affect, emotion, and feeling in the gendered construction of Shah Rukh Khan as star text. Though affective masculinity has been central to male stardom in Hindi cinema, SRK shifted the focus from anger (Amit…
A feeling you cannot resist
While Shah Rukh Khan is considered to be the cinematic representation of Indian neoliberalism and global capitalism, the gendered dimensions of his stardom and personae are still thin on the ground. This paper theorizes the particular role of affect, emotion, and feeling in the gendered construction of Shah Rukh Khan as star text. Though affective masculinity has been central to male stardom in Hindi cinema, SRK shifted the focus from anger (Amit…
Pop Empires
Pop Empires
Introduction
The Nation in British Literature and Culture
The Nation and British Literature and Culture charts the emergence of Britain as a political, social and cultural construct, examining the manner in which its constituent elements were brought together through a process of amalgamation and conquest. The fashioning of the nation through literature and culture is examined, as well as counter narratives that have sought to call national orthodoxies into question. Specific topics explored include the…
‘Pathaan … Zinda hai’
This short article examines the ways in which Pathaan , with its glorious invocation of the star-text in the title, explores the shifting relationship between masculinity, the imperial-militaristic Hollywood action genre and the idea of nation. This article argues that the filmic narrative, its paratexts and Pathaan/Shah Rukh Khan (SRK), working within the conventions of a Hollywood-inflected masala action genre, reconfigure an ageing, kintsugi a…
The Routledge Companion to Postcolonial and Decolonial Literature
Art (3 works) · Gender Studies (3 works) · Sociology (3 works) · South Asian Cinema and Culture (3 works) · Aesthetics (2 works) · Cinema and Media Studies (2 works) · Gender, Feminism, and Media (2 works) · History (2 works) · India (2 works) · Korea (2 works)