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Jacquelyn Arcy

Biographic Data

ID3043071
NAMEJacquelyn Arcy
GIVEN NAMESJacquelyn
FAMILY NAMEArcy
SIGNATUREARCY J
AFFILIATIONSUniversity of Wisconsin–Parkside
ORCID0009-0001-6239-9438
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS30
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2026
H-INDEX2
  • Participatory Policing

    Open Access•Matthew Clark, Jacquelyn Arcy•ARTICLE•Television & New Media•2026•References: 9

    This article identifies an emerging genre of police body camera content that we term “participatory policing”: social media videos composed from official police footage, obtained through Freedom of Information Act (FOIA) requests, and transformed into viral entertainment by amateur content creators who add narration, sound, and visual effects. Through an analysis of videos, viewer comments, and the broader media ecosystem surrounding the YouTube …

  • MeToo and the Politics of Collective Healing

    Open Access•Allison Page, Jacquelyn Arcy•ARTICLE•Communication Culture and Critique•2019•Cited by: 7•References: 7

    Participants in the #MeToo movement on Twitter expressed emotions like rage, pain, and solidarity in their personal accounts of sexual violence. This article explores the digital circulation of these affects and considers how the outpouring of tweets about sexual harassment and abuse contribute to a feminist politics centered on collective healing. The particular emotions expressed in the #MeToo Twitter archive subvert the logics of quantificatio…

  • The digital money shot

    Jacquelyn Arcy•ARTICLE•Celebrity Studies•2018•References: 15

    This article examines the construction of reality TV fame through transmedia storytelling. In the convergent TV era, reality producers increasingly require that stars post-personal content on social media, blogs, and online video sites. Rather than hire transmedia content creators, television networks incentivise stars to generate their own digital texts by placing them in competition with their co-stars for attention, status, and salary. This ne…

  • Emotion work

    Jacquelyn Arcy•ARTICLE•Feminist Media Studies•2016•Cited by: 23•References: 4

    With the rise of digital media, the autonomist Marxist concept of immaterial labor has been widely used to describe how quotidian online interactions generate cultural and economic value (Tiziana T

  • Murder, the Media, and the Politics of Public Feelings

    Jacquelyn Arcy•ARTICLE•Feminist Media Studies•2013

  • Emotion work

    Jacquelyn Arcy•ARTICLE•Feminist Media Studies•2016•Cited by: 23•References: 4

    With the rise of digital media, the autonomist Marxist concept of immaterial labor has been widely used to describe how quotidian online interactions generate cultural and economic value (Tiziana T

  • MeToo and the Politics of Collective Healing

    Open Access•Allison Page, Jacquelyn Arcy•ARTICLE•Communication Culture and Critique•2019•Cited by: 7•References: 7

    Participants in the #MeToo movement on Twitter expressed emotions like rage, pain, and solidarity in their personal accounts of sexual violence. This article explores the digital circulation of these affects and considers how the outpouring of tweets about sexual harassment and abuse contribute to a feminist politics centered on collective healing. The particular emotions expressed in the #MeToo Twitter archive subvert the logics of quantificatio…

  • Murder, the Media, and the Politics of Public Feelings

    Jacquelyn Arcy•ARTICLE•Feminist Media Studies•2013

  • Emotion work

    Jacquelyn Arcy•ARTICLE•Feminist Media Studies•2016•Cited by: 23•References: 4

    With the rise of digital media, the autonomist Marxist concept of immaterial labor has been widely used to describe how quotidian online interactions generate cultural and economic value (Tiziana T

  • The digital money shot

    Jacquelyn Arcy•ARTICLE•Celebrity Studies•2018•References: 15

    This article examines the construction of reality TV fame through transmedia storytelling. In the convergent TV era, reality producers increasingly require that stars post-personal content on social media, blogs, and online video sites. Rather than hire transmedia content creators, television networks incentivise stars to generate their own digital texts by placing them in competition with their co-stars for attention, status, and salary. This ne…

  • MeToo and the Politics of Collective Healing

    Open Access•Allison Page, Jacquelyn Arcy•ARTICLE•Communication Culture and Critique•2019•Cited by: 7•References: 7

    Participants in the #MeToo movement on Twitter expressed emotions like rage, pain, and solidarity in their personal accounts of sexual violence. This article explores the digital circulation of these affects and considers how the outpouring of tweets about sexual harassment and abuse contribute to a feminist politics centered on collective healing. The particular emotions expressed in the #MeToo Twitter archive subvert the logics of quantificatio…

  • Participatory Policing

    Open Access•Matthew Clark, Jacquelyn Arcy•ARTICLE•Television & New Media•2026•References: 9

    This article identifies an emerging genre of police body camera content that we term “participatory policing”: social media videos composed from official police footage, obtained through Freedom of Information Act (FOIA) requests, and transformed into viral entertainment by amateur content creators who add narration, sound, and visual effects. Through an analysis of videos, viewer comments, and the broader media ecosystem surrounding the YouTube …

Sociology (4 works) · Gender, Feminism, and Media (3 works) · Political science (3 works) · Criminology (2 works) · Law (2 works) · Law (2 works) · Media studies (2 works) · Politics (2 works) · Psychology (2 works) · Social media (2 works)

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