Adam Knee
Biographic Data
| ID | 3043137 |
|---|---|
| NAME | Adam Knee |
| GIVEN NAMES | Adam |
| FAMILY NAME | Knee |
| SIGNATURE | KNEE A |
| AFFILIATIONS | LASALLE College of the Arts |
| ORCID | 0000-0001-9764-650X |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Where got ghost movie
While acknowledging that the horror film is generally not considered a major part of the ‘Singapore new wave’, this article makes the case that Singapore horror films nevertheless merit closer critical evaluation not only because of their sustained output in a very small industry, but also because of their articulation of a range of issues germane to Singapore nationhood and identity – issues which obtain in other Singapore films as well. The dis…
The analogue strikes back
As if responding to the widespread condemnation of George Lucas’s ‘CGI-heavy’ prequel Star Wars trilogy, J.J Abrams’s 2015 ‘reboot’ The Force Awakens displays an extreme reliance upon star presence and authentic practical effects, to an extent that produces significant textual effects at a variety of levels. We here show how the film is premised upon and preoccupied with the authentic and authenticating presence of the main stars of the first wav…
The analogue strikes back
As if responding to the widespread condemnation of George Lucas’s ‘CGI-heavy’ prequel Star Wars trilogy, J.J Abrams’s 2015 ‘reboot’ The Force Awakens displays an extreme reliance upon star presence and authentic practical effects, to an extent that produces significant textual effects at a variety of levels. We here show how the film is premised upon and preoccupied with the authentic and authenticating presence of the main stars of the first wav…
Where got ghost movie
While acknowledging that the horror film is generally not considered a major part of the ‘Singapore new wave’, this article makes the case that Singapore horror films nevertheless merit closer critical evaluation not only because of their sustained output in a very small industry, but also because of their articulation of a range of issues germane to Singapore nationhood and identity – issues which obtain in other Singapore films as well. The dis…
The analogue strikes back
As if responding to the widespread condemnation of George Lucas’s ‘CGI-heavy’ prequel Star Wars trilogy, J.J Abrams’s 2015 ‘reboot’ The Force Awakens displays an extreme reliance upon star presence and authentic practical effects, to an extent that produces significant textual effects at a variety of levels. We here show how the film is premised upon and preoccupied with the authentic and authenticating presence of the main stars of the first wav…
Art (2 works) · Law (2 works) · Political science (2 works) · Aesthetics (1 works) · Anachronism (1 works) · Asian Culture and Media Studies (1 works) · Asian Studies and History (1 works) · Astrophysics (1 works) · Digital Games and Media (1 works) · Gothic Literature and Media Analysis (1 works)