Marion Hallet
Biographic Data
| ID | 3043143 |
|---|---|
| NAME | Marion Hallet |
| GIVEN NAMES | Marion |
| FAMILY NAME | Hallet |
| SIGNATURE | HALLET M |
| AFFILIATIONS | University of Namur |
| ORCID | 0000-0002-4573-0010 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Abortion in French cinema during the long 1960s and beyond
This article examines the representation of abortion in French cinema during one of the most pivotal periods for women’s rights and lives—the ‘long’ 1960s (1959–1973), one caught between post-war conservatism and the more tangible feminism of the mid-1970s. Using a feminist and sociocultural approach alongside statistical analysis of all 1,455 French-produced feature films released during this period and textual analysis of case-study films, we e…
Renaissance man
Hugh Grant’s career and persona have undergone a cultural, personal, and professional shift since the 2010s. During a period of semi-hiatus from acting, Grant became associated with politics as he campaigned for the protection of privacy and opposed Brexit. At the same time, his image has been reshaped through fatherhood, often depicted by the press as the reason behind his ‘comeback’. Since Florence Foster Jenkins in 2016, he has turned towards …
Mireille Darc, 1960s Subversive Dumb Blonde
Dans la culture populaire française, Mireille Darc est la grande et séduisante blonde des films de Georges Lautner tels que Galia (1966), Ne nous fâchons pas (1966), La Grande Sauterelle (1967), et Le Grand Blond avec une chaussure noire d’Yves Robert (1972). Elle incarne également une version plus ambigüe et subversive de la « blonde idiote » dans les comédies de Lautner, Gérard Pirès, et Michel Audiard. Sa persona présente en effet un côté mode…
Abortion in French cinema during the long 1960s and beyond
This article examines the representation of abortion in French cinema during one of the most pivotal periods for women’s rights and lives—the ‘long’ 1960s (1959–1973), one caught between post-war conservatism and the more tangible feminism of the mid-1970s. Using a feminist and sociocultural approach alongside statistical analysis of all 1,455 French-produced feature films released during this period and textual analysis of case-study films, we e…
Renaissance man
Hugh Grant’s career and persona have undergone a cultural, personal, and professional shift since the 2010s. During a period of semi-hiatus from acting, Grant became associated with politics as he campaigned for the protection of privacy and opposed Brexit. At the same time, his image has been reshaped through fatherhood, often depicted by the press as the reason behind his ‘comeback’. Since Florence Foster Jenkins in 2016, he has turned towards …
Mireille Darc, 1960s Subversive Dumb Blonde
Dans la culture populaire française, Mireille Darc est la grande et séduisante blonde des films de Georges Lautner tels que Galia (1966), Ne nous fâchons pas (1966), La Grande Sauterelle (1967), et Le Grand Blond avec une chaussure noire d’Yves Robert (1972). Elle incarne également une version plus ambigüe et subversive de la « blonde idiote » dans les comédies de Lautner, Gérard Pirès, et Michel Audiard. Sa persona présente en effet un côté mode…
Abortion in French cinema during the long 1960s and beyond
This article examines the representation of abortion in French cinema during one of the most pivotal periods for women’s rights and lives—the ‘long’ 1960s (1959–1973), one caught between post-war conservatism and the more tangible feminism of the mid-1970s. Using a feminist and sociocultural approach alongside statistical analysis of all 1,455 French-produced feature films released during this period and textual analysis of case-study films, we e…
Renaissance man
Hugh Grant’s career and persona have undergone a cultural, personal, and professional shift since the 2010s. During a period of semi-hiatus from acting, Grant became associated with politics as he campaigned for the protection of privacy and opposed Brexit. At the same time, his image has been reshaped through fatherhood, often depicted by the press as the reason behind his ‘comeback’. Since Florence Foster Jenkins in 2016, he has turned towards …
Art (2 works) · Art history (2 works) · French Historical and Cultural Studies (2 works) · Gender Studies (2 works) · Humanities (2 works) · Law (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works) · Abortion (1 works)