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Kirsty Fairclough

Biographic Data

ID3043159
NAMEKirsty Fairclough
GIVEN NAMESKirsty
FAMILY NAMEFairclough
SIGNATUREFAIRCLOUGH K
AFFILIATIONSUniversity of Salford
ORCID0000-0002-1773-5826
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS13
AUTHOR COUNT3
EDITOR COUNT2
FIRST PUBLICATION YEAR2012
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Special Issue: ‘Dream Factories: Prince, Sign o’ the Times, Box Sets and Cultural Artefacts’

    Open Access•Mike Alleyne, Kirsty Fairclough•ARTICLE•Interactions Studies in…•2022

    This editorial examines historical and artistic contexts within which Prince’s Sign o’ the Times box set reissue might be viewed and heard, while also considering the overall posthumous output from the Estate. The discussion therefore explores the commercial and other functions of box sets in general and Prince’s reissued recordings in in particular, potential symbolic signification, and the critical polarization that often accompanies such relea…

  • Amazing Grace, directed by Sydney Pollack (Neon, 2018); Whitney , directed by Kevin Macdonald (Miramax, 2018)

    Open Access•Kirsty Fairclough•ARTICLE•Journal of the Society for…•2021

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Legacy of Mad Men: Cultural History, Intermediality and American Television

    Karen Mcnally, Jane Marcellus et al.•BOOK•The Legacy of Mad Men•2019

  • Music/Video: Histories, Aesthetics, Media

    Gina Arnold, Daniel Cookney et al.•BOOK•Music/Video•2017

    This book is a lively, comprehensive and timely reader on the music video, capitalising on cross-disciplinary research expertise, which represents a substantial academic engagement with the music video, a mediated form and practice that still remains relatively under-explored in a 21st century context. The music video has remained suspended between two distinct poles. On the one hand, the music video as the visual sheen of late capitalism, at the…

  • Nothing less than perfect: Female Celebrity, Ageing and Hyper-Scrutiny in the Gossip Industry

    Kirsty Fairclough•ARTICLE•Celebrity Studies•2012•Cited by: 13•References: 7

    From Perez Hilton to Lainey Lui, the figure of the gossip blogger no longer exists solely on the periphery of celebrity culture. The ‘bitchy’ personas that celebrity gossip bloggers espouse are now firmly embedded within mainstream media. Gossip blogs regularly feature posts that scrutinise female celebrities in terms of how well, or not, they age. Much of this scrutiny is centred on narratives of cosmetic surgery. This article will examine such …

  • Nothing less than perfect: Female Celebrity, Ageing and Hyper-Scrutiny in the Gossip Industry

    Kirsty Fairclough•ARTICLE•Celebrity Studies•2012•Cited by: 13•References: 7

    From Perez Hilton to Lainey Lui, the figure of the gossip blogger no longer exists solely on the periphery of celebrity culture. The ‘bitchy’ personas that celebrity gossip bloggers espouse are now firmly embedded within mainstream media. Gossip blogs regularly feature posts that scrutinise female celebrities in terms of how well, or not, they age. Much of this scrutiny is centred on narratives of cosmetic surgery. This article will examine such …

  • Nothing less than perfect: Female Celebrity, Ageing and Hyper-Scrutiny in the Gossip Industry

    Kirsty Fairclough•ARTICLE•Celebrity Studies•2012•Cited by: 13•References: 7

    From Perez Hilton to Lainey Lui, the figure of the gossip blogger no longer exists solely on the periphery of celebrity culture. The ‘bitchy’ personas that celebrity gossip bloggers espouse are now firmly embedded within mainstream media. Gossip blogs regularly feature posts that scrutinise female celebrities in terms of how well, or not, they age. Much of this scrutiny is centred on narratives of cosmetic surgery. This article will examine such …

  • Music/Video: Histories, Aesthetics, Media

    Gina Arnold, Daniel Cookney et al.•BOOK•Music/Video•2017

    This book is a lively, comprehensive and timely reader on the music video, capitalising on cross-disciplinary research expertise, which represents a substantial academic engagement with the music video, a mediated form and practice that still remains relatively under-explored in a 21st century context. The music video has remained suspended between two distinct poles. On the one hand, the music video as the visual sheen of late capitalism, at the…

  • The Legacy of Mad Men: Cultural History, Intermediality and American Television

    Karen Mcnally, Jane Marcellus et al.•BOOK•The Legacy of Mad Men•2019

  • Amazing Grace, directed by Sydney Pollack (Neon, 2018); Whitney , directed by Kevin Macdonald (Miramax, 2018)

    Open Access•Kirsty Fairclough•ARTICLE•Journal of the Society for…•2021

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Special Issue: ‘Dream Factories: Prince, Sign o’ the Times, Box Sets and Cultural Artefacts’

    Open Access•Mike Alleyne, Kirsty Fairclough•ARTICLE•Interactions Studies in…•2022

    This editorial examines historical and artistic contexts within which Prince’s Sign o’ the Times box set reissue might be viewed and heard, while also considering the overall posthumous output from the Estate. The discussion therefore explores the commercial and other functions of box sets in general and Prince’s reissued recordings in in particular, potential symbolic signification, and the critical polarization that often accompanies such relea…

Art (4 works) · Sociology (4 works) · Aesthetics (3 works) · History (3 works) · Law (3 works) · Political science (3 works) · Art history (2 works) · Cinema and Media Studies (2 works) · Computer Science (2 works) · Epistemology (2 works)

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