Thomas J Berghuis
Biographic Data
| ID | 304505 |
|---|---|
| NAME | Thomas J Berghuis |
| GIVEN NAMES | Thomas J |
| FAMILY NAME | Berghuis |
| SIGNATURE | BERGHUIS T J |
| AFFILIATIONS | Solomon R. Guggenheim Museum |
| ORCID | 0009-0002-3993-1067 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Bodies in action
This editorial considers the role of action in the development of performance art, from the late 1970s until today. It is based on the original call for articles for this Special Issue on ‘Performance Art in China: Bodies in Action’ that called for papers on a diverse range of topics. Topics that relate to Chinese terms and conditions for performance art and topics that cover a broad range of histories and conditions related to the art historical…
The Act of Video
This essay explores the historiographic and ethnographic valence of video in Indonesia since 1998, against the backdrop of transition from an authoritarian to a neoliberal regime, and the concurrent renewal of the country's public sphere. The first section takes Joshua Oppenheimer's controversial film The Act of Killing (2012) as exemplary of the moving image's purchase on national trauma, emphasizing its role in the production (and perversion) o…
Ruangrupa
The world of contemporary art is crossing an important junction, leading to the urgent need to foster an art historical awareness capable of producing a real, alternative future for contemporary art in places such as Indonesia. For contemporary art to confront the essential unpredictability of its future, the proposition of contemporaneity, as ‘art to come’, will essentially need to transcend any type of historical validation or historicity. This…
Considering Huanjing
Research Article| August 01 2004 Considering Huanjing: Positioning Experimental Art in China Thomas J. Berghuis Thomas J. Berghuis Search for other works by this author on: This Site Google positions (2004) 12 (3): 711–731. https://doi.org/10.1215/10679847-12-3-711 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Ci…
Considering Huanjing
Research Article| August 01 2004 Considering Huanjing: Positioning Experimental Art in China Thomas J. Berghuis Thomas J. Berghuis Search for other works by this author on: This Site Google positions (2004) 12 (3): 711–731. https://doi.org/10.1215/10679847-12-3-711 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Ci…
Considering Huanjing
Research Article| August 01 2004 Considering Huanjing: Positioning Experimental Art in China Thomas J. Berghuis Thomas J. Berghuis Search for other works by this author on: This Site Google positions (2004) 12 (3): 711–731. https://doi.org/10.1215/10679847-12-3-711 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Ci…
Ruangrupa
The world of contemporary art is crossing an important junction, leading to the urgent need to foster an art historical awareness capable of producing a real, alternative future for contemporary art in places such as Indonesia. For contemporary art to confront the essential unpredictability of its future, the proposition of contemporaneity, as ‘art to come’, will essentially need to transcend any type of historical validation or historicity. This…
The Act of Video
This essay explores the historiographic and ethnographic valence of video in Indonesia since 1998, against the backdrop of transition from an authoritarian to a neoliberal regime, and the concurrent renewal of the country's public sphere. The first section takes Joshua Oppenheimer's controversial film The Act of Killing (2012) as exemplary of the moving image's purchase on national trauma, emphasizing its role in the production (and perversion) o…
Bodies in action
This editorial considers the role of action in the development of performance art, from the late 1970s until today. It is based on the original call for articles for this Special Issue on ‘Performance Art in China: Bodies in Action’ that called for papers on a diverse range of topics. Topics that relate to Chinese terms and conditions for performance art and topics that cover a broad range of histories and conditions related to the art historical…
History (3 works) · Sociology (3 works) · Aesthetics (2 works) · Art (2 works) · Art history (2 works) · Chinese history and philosophy (2 works) · Computer Science (2 works) · Contemporary art (2 works) · Gender Studies (2 works) · History (2 works)