Chiara Checcaglini
Biographic Data
| ID | 3047163 |
|---|---|
| NAME | Chiara Checcaglini |
| GIVEN NAMES | Chiara |
| FAMILY NAME | Checcaglini |
| SIGNATURE | CHECCAGLINI C |
| AFFILIATIONS | University of Bologna |
| ORCID | 0000-0001-7588-6940 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
SKAM Italia did it again'. The multiple lives of a format adaptation from production to audience experience
SKAM Italia, the Italian version of the Norwegian SKAM format, was first released in Spring 2018 and has reached its fourth season in May 2020, overcoming several industrial struggles and slowly engaging an increasing, young and local audience. This article aims to integrate a production-distribution and reception perspective, showing how they mutually reinforce the series' identity: the peculiarity of SKAM's distribution system fostered the audi…
From Parenthood to Tutto può succedere
In our article we propose an analysis of the Italian TV series Tutto può succedere, a remake of the American TV series Parenthood (NBC 2010-2015). The Italian remake precisely reproduces some Parenthood’s ready-made elements: the two series share the main plot, many storylines and characters’ personalities, dealing with the ups and downs of a large family, formed of four siblings, their parents and their children. We will focus on the differences…
SKAM Italia did it again'. The multiple lives of a format adaptation from production to audience experience
SKAM Italia, the Italian version of the Norwegian SKAM format, was first released in Spring 2018 and has reached its fourth season in May 2020, overcoming several industrial struggles and slowly engaging an increasing, young and local audience. This article aims to integrate a production-distribution and reception perspective, showing how they mutually reinforce the series' identity: the peculiarity of SKAM's distribution system fostered the audi…
From Parenthood to Tutto può succedere
In our article we propose an analysis of the Italian TV series Tutto può succedere, a remake of the American TV series Parenthood (NBC 2010-2015). The Italian remake precisely reproduces some Parenthood’s ready-made elements: the two series share the main plot, many storylines and characters’ personalities, dealing with the ups and downs of a large family, formed of four siblings, their parents and their children. We will focus on the differences…
SKAM Italia did it again'. The multiple lives of a format adaptation from production to audience experience
SKAM Italia, the Italian version of the Norwegian SKAM format, was first released in Spring 2018 and has reached its fourth season in May 2020, overcoming several industrial struggles and slowly engaging an increasing, young and local audience. This article aims to integrate a production-distribution and reception perspective, showing how they mutually reinforce the series' identity: the peculiarity of SKAM's distribution system fostered the audi…
Advertising (2 works) · Aesthetics (2 works) · Art (2 works) · Psychology (2 works) · Sociology (2 works) · Visual arts (2 works) · Asian Culture and Media Studies (1 works) · Business (1 works) · Digital Storytelling and Education (1 works) · Economics (1 works)