Leah Panos
Biographic Data
| ID | 3047223 |
|---|---|
| NAME | Leah Panos |
| GIVEN NAMES | Leah |
| FAMILY NAME | Panos |
| SIGNATURE | PANOS L |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 1 |
The Spaces of Television
There are many different ways of talking about the spaces of television, especially television drama, and many of them are represented in this themed issue. For example, there is space in its physical sense – the spaces in which television is shot, including the studio, and the uses made of location (at which point ‘space’ interconnects with ‘place’); space as it is transformed by representation, which cannot be divorced from considerations of ge…
Stylised Worlds
This essay aims to understand and interrogate the use of Colour Separation Overlay (CSO) as a mode of experimental production and aesthetic innovation in television drama in the 1970s. It sets out to do this by describing, accounting for and evaluating CSO as a production technique, considering the role of key production personnel, and analysing four specific BBC productions. Deploying methodologies of archival research, practitioner interview, a…
Stylised Worlds
This essay aims to understand and interrogate the use of Colour Separation Overlay (CSO) as a mode of experimental production and aesthetic innovation in television drama in the 1970s. It sets out to do this by describing, accounting for and evaluating CSO as a production technique, considering the role of key production personnel, and analysing four specific BBC productions. Deploying methodologies of archival research, practitioner interview, a…
Stylised Worlds
This essay aims to understand and interrogate the use of Colour Separation Overlay (CSO) as a mode of experimental production and aesthetic innovation in television drama in the 1970s. It sets out to do this by describing, accounting for and evaluating CSO as a production technique, considering the role of key production personnel, and analysing four specific BBC productions. Deploying methodologies of archival research, practitioner interview, a…
The Spaces of Television
There are many different ways of talking about the spaces of television, especially television drama, and many of them are represented in this themed issue. For example, there is space in its physical sense – the spaces in which television is shot, including the studio, and the uses made of location (at which point ‘space’ interconnects with ‘place’); space as it is transformed by representation, which cannot be divorced from considerations of ge…
Art (2 works) · Computer Science (2 works) · Cultural Industries and Urban Development (2 works) · Drama (2 works) · Sociology (2 works) · Computer security (1 work) · Economics (1 work) · Human–computer interaction (1 work) · Library science (1 work) · Literature (1 work)