Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Michael Mario Albrecht

Biographic Data

ID3047249
NAMEMichael Mario Albrecht
GIVEN NAMESMichael Mario
FAMILY NAMEAlbrecht
SIGNATUREALBRECHT M M
AFFILIATIONSEckerd College
ORCID0000-0001-9488-6647
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS10
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2020
H-INDEX2
  • You wonder ever if you're a bad man: Toxic masculinity, paratexts and think pieces circulating around season one of HBO'sTrue Detective

    Open Access•Michael Mario Albrecht•ARTICLE•Critical Studies in Television…•2020•Cited by: 1•References: 11

    When it premiered in 2014, the first season of HBO's True Detective received rave critical reviews. Featuring two A-list Hollywood actors, and a writer/director team who were rising stars in the industry, the show had all of the key ingredients to earn the label 'prestige TV'. However, alongside the critical claim were concomitant critiques of the show for its apparent misogyny. The season features depictions of violent crimes against women and g…

  • Bernie Bros and the gender schism in the 2016 US presidential election

    Michael Mario Albrecht•ARTICLE•Feminist Media Studies•2017•Cited by: 3•References: 1

    In an article for The Atlantic, Robinson Meyer (2015) brought the term “Berniebro” or “Bernie Bro” into the popular vernacular. The portmanteau combines the first name of presidential candidate Ber

  • Masculinity in Contemporary Quality Television

    Michael Mario Albrecht•BOOK•Masculinity in Contemporary…•2015

  • A decade of dark humor: How comedy, irony, and satire shaped post-9/11 America - by Ted Gournelos and Viveca Green

    Open Access•Michael Mario Albrecht•ARTICLE•Journal of Communication•2013

    Just 2 weeks after the events of September 11, 2001, Time magazine ran a story entitled “Irony Comes to an End.” Discourses about the death of irony circulated widely in the weeks immediately following 9/11, as the United States had embraced a newfound patriotism based in sincerity, reverence, and consensus. In A Decade of Dark Humor: How Comedy, Irony, and Satire Shaped Post-9/11 America, a collection of essays interrogating the complicated rela…

  • Dead Man in the Mirror: The Performative Aspects of Michael Jackson's Posthumous Body

    Open Access•Michael Mario Albrecht•ARTICLE•The Journal of Popular Culture•2013•References: 1

  • When You’re Here, You’re Family’: Culinary Tourism and the Olive Garden Restaurant

    Open Access•Michael Mario Albrecht•ARTICLE•Tourist Studies•2011•Cited by: 2•References: 9

    In this paper, I address the practice of domestic culinary tourism by focusing on a seemingly banal suburban chain restaurant featuring ethnic cuisine. I examine the ways in which the restaurant positions itself as offering ‘real’ Italian food and a ‘real’ Italian experience, and analyze a broad array of cultural texts that chastise the Olive Garden for this assertion and condemn the chain and its patrons. Ultimately, I demonstrate that many of t…

  • Acting Naturally Unnaturally: The Performative Nature of Authenticity in Contemporary Popular Music

    Michael Mario Albrecht•ARTICLE•Text and Performance Quarterly•2008•Cited by: 4•References: 7

    The notion of authenticity is ubiquitous in discussions of performance and popular culture. This paper examines the ways in which expectations of authenticity are produced through the performance and the cultural and historical context from which that performance emerges. Specifically, the essay works to interrogate issues of self-reflection and self-awareness in musical performance and the ways in which those concepts work to constitute authenti…

  • Performing Glam Rock: Gender and Theatricality in Popular Music by Auslander, Philip

    Open Access•Michael Mario Albrecht•ARTICLE•Journal of Popular Music Studies•2007

  • Acting Naturally Unnaturally: The Performative Nature of Authenticity in Contemporary Popular Music

    Michael Mario Albrecht•ARTICLE•Text and Performance Quarterly•2008•Cited by: 4•References: 7

    The notion of authenticity is ubiquitous in discussions of performance and popular culture. This paper examines the ways in which expectations of authenticity are produced through the performance and the cultural and historical context from which that performance emerges. Specifically, the essay works to interrogate issues of self-reflection and self-awareness in musical performance and the ways in which those concepts work to constitute authenti…

  • Bernie Bros and the gender schism in the 2016 US presidential election

    Michael Mario Albrecht•ARTICLE•Feminist Media Studies•2017•Cited by: 3•References: 1

    In an article for The Atlantic, Robinson Meyer (2015) brought the term “Berniebro” or “Bernie Bro” into the popular vernacular. The portmanteau combines the first name of presidential candidate Ber

  • When You’re Here, You’re Family’: Culinary Tourism and the Olive Garden Restaurant

    Open Access•Michael Mario Albrecht•ARTICLE•Tourist Studies•2011•Cited by: 2•References: 9

    In this paper, I address the practice of domestic culinary tourism by focusing on a seemingly banal suburban chain restaurant featuring ethnic cuisine. I examine the ways in which the restaurant positions itself as offering ‘real’ Italian food and a ‘real’ Italian experience, and analyze a broad array of cultural texts that chastise the Olive Garden for this assertion and condemn the chain and its patrons. Ultimately, I demonstrate that many of t…

  • You wonder ever if you're a bad man: Toxic masculinity, paratexts and think pieces circulating around season one of HBO'sTrue Detective

    Open Access•Michael Mario Albrecht•ARTICLE•Critical Studies in Television…•2020•Cited by: 1•References: 11

    When it premiered in 2014, the first season of HBO's True Detective received rave critical reviews. Featuring two A-list Hollywood actors, and a writer/director team who were rising stars in the industry, the show had all of the key ingredients to earn the label 'prestige TV'. However, alongside the critical claim were concomitant critiques of the show for its apparent misogyny. The season features depictions of violent crimes against women and g…

  • Performing Glam Rock: Gender and Theatricality in Popular Music by Auslander, Philip

    Open Access•Michael Mario Albrecht•ARTICLE•Journal of Popular Music Studies•2007

  • Acting Naturally Unnaturally: The Performative Nature of Authenticity in Contemporary Popular Music

    Michael Mario Albrecht•ARTICLE•Text and Performance Quarterly•2008•Cited by: 4•References: 7

    The notion of authenticity is ubiquitous in discussions of performance and popular culture. This paper examines the ways in which expectations of authenticity are produced through the performance and the cultural and historical context from which that performance emerges. Specifically, the essay works to interrogate issues of self-reflection and self-awareness in musical performance and the ways in which those concepts work to constitute authenti…

  • When You’re Here, You’re Family’: Culinary Tourism and the Olive Garden Restaurant

    Open Access•Michael Mario Albrecht•ARTICLE•Tourist Studies•2011•Cited by: 2•References: 9

    In this paper, I address the practice of domestic culinary tourism by focusing on a seemingly banal suburban chain restaurant featuring ethnic cuisine. I examine the ways in which the restaurant positions itself as offering ‘real’ Italian food and a ‘real’ Italian experience, and analyze a broad array of cultural texts that chastise the Olive Garden for this assertion and condemn the chain and its patrons. Ultimately, I demonstrate that many of t…

  • A decade of dark humor: How comedy, irony, and satire shaped post-9/11 America - by Ted Gournelos and Viveca Green

    Open Access•Michael Mario Albrecht•ARTICLE•Journal of Communication•2013

    Just 2 weeks after the events of September 11, 2001, Time magazine ran a story entitled “Irony Comes to an End.” Discourses about the death of irony circulated widely in the weeks immediately following 9/11, as the United States had embraced a newfound patriotism based in sincerity, reverence, and consensus. In A Decade of Dark Humor: How Comedy, Irony, and Satire Shaped Post-9/11 America, a collection of essays interrogating the complicated rela…

  • Dead Man in the Mirror: The Performative Aspects of Michael Jackson's Posthumous Body

    Open Access•Michael Mario Albrecht•ARTICLE•The Journal of Popular Culture•2013•References: 1

  • Masculinity in Contemporary Quality Television

    Michael Mario Albrecht•BOOK•Masculinity in Contemporary…•2015

  • Bernie Bros and the gender schism in the 2016 US presidential election

    Michael Mario Albrecht•ARTICLE•Feminist Media Studies•2017•Cited by: 3•References: 1

    In an article for The Atlantic, Robinson Meyer (2015) brought the term “Berniebro” or “Bernie Bro” into the popular vernacular. The portmanteau combines the first name of presidential candidate Ber

  • You wonder ever if you're a bad man: Toxic masculinity, paratexts and think pieces circulating around season one of HBO'sTrue Detective

    Open Access•Michael Mario Albrecht•ARTICLE•Critical Studies in Television…•2020•Cited by: 1•References: 11

    When it premiered in 2014, the first season of HBO's True Detective received rave critical reviews. Featuring two A-list Hollywood actors, and a writer/director team who were rising stars in the industry, the show had all of the key ingredients to earn the label 'prestige TV'. However, alongside the critical claim were concomitant critiques of the show for its apparent misogyny. The season features depictions of violent crimes against women and g…

Art (7 works) · Sociology (4 works) · Aesthetics (3 works) · Gender, Feminism, and Media (3 works) · History (3 works) · Law (3 works) · Literature (3 works) · Political science (3 works) · Anthropology (2 works) · Archaeology (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae