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Diane Thram

Biographic Data

ID304812
NAMEDiane Thram
GIVEN NAMESDiane
FAMILY NAMEThram
SIGNATURETHRAM D
AFFILIATIONSRhodes University
ORCID0000-0003-0645-214X
VERIFIEDYes
TOTAL WORKS25
TOTAL CITATIONS11
AUTHOR COUNT25
EDITOR COUNT0
FIRST PUBLICATION YEAR2002
LATEST PUBLICATION YEAR2025
H-INDEX2
  • Obituary: Andrew Travers Norman Tracey

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2025

  • Music Archives and Repatriation: Digital Return of Hugh Tracey’s “Chemirocha” Recordings in Kenya

    Diane Thram, Frank Gunderson et al.•CHAPTER•Oxford Handbook of Musical…•2019

    This chapter considers issues in repatriation of digital copies of field recordings of music obtained during the colonial era. It is based on the Hugh Tracey Collection preserved at the International Library of African Music (ILAM). A summary of Tracey’s early life and his work throughout sub-Saharan Africa from 1929 to 1972 is followed by the reasons why, with digital conversion and online access to the Collection accomplished, digital return an…

  • Luis Gimenez Amoros. Tracing the Mbira Sound Archive in Zimbabwe

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2019

  • Jazz in Service of the Struggle

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2018

    This article contributes to the substantial body of publications on South African jazz with information on jazz performance and performers in New Brighton, a township adjacent to Port Elizabeth noted for its vibrant jazz scene and outstanding jazz musicians. The article covers several decades from the heyday of swing bands in the 1940s–50s through the 1960s–70s when New Brighton’s premier jazz combo, the Soul Jazzmen, were at the height of their …

  • Subscribe now

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2015

    V olu m e 10, N u m b er

  • Understanding African music -- Listen and learn: Music made easy -- For future generations: Hugh Tracey and the International Library of African Music -- Generations of jazz -- Music of Africa -- Hist…

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2015

  • Remains of ritual: Northern gods in a southern land

    Diane Thram•ARTICLE•Journal of Contemporary African…•2013

    Remains of ritual: northern gods in a southern land, by Steven M. Friedson, Chicago, University of Chicago Press, 2009, 254 pp., $22.00 (paperback), ISBN 978-0-226-26505, $55.00 (cloth), ISBN 978-0

  • Annual subscription rates

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2013

    Institutional $100.00 + $5.00 shipping and handling 75.00 + 3.00 shipping and handling 55.00 + 2.00 shipping and handling R500

  • Backmatter

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2013

  • Tracklist

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2013

  • Publications of Ilam

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2013

  • Understanding Music’s Therapeutic Efficacy: Implications for Music Education

    Diane Thram, Wayne D Bowman•BOOK•The Oxford handbook of music…•2012

  • Publications of Ilam

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2012

  • Backmatter

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2012

  • Tracklist

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2012

  • Annual Subscription Rates

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2012

  • Tracklist

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2011

  • Backmatter

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2011

  • Annual Subscription Rates

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2011

    Institutional $100.00 + $5.00 shipping and handling 75.00 + 3.00 shipping and handling 55.00 + 2.00 shipping and handling R500

  • Publications of Ilam

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2011

  • News From Ilam

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2010

    Cataloguing, conservation through digital conversion, and creation of on-line access to ILAMâ€TMs holdings have been the focus of ILAMâ€TMs projects for the past several years. As a result of these efforts the Hugh Tracey audio recordings and 1,000 images from his photo collection, and ILAMâ€TMs books are searchable on-line via ILAMâ€TMs website. And, back issues of our journal, African Music, are now available from the JSTOR database

  • TRACKLIST Volume 8 number 3, 2009

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2009

  • Subscribe now

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2009

  • Patriotic history and the politicisation of memory: Manipulation of popular music to re-invent the liberation struggle in Zimbabwe1

    Diane Thram•ARTICLE•Critical Arts•2006•Cited by: 8•References: 5

    This paper investigates how the music nationalism promulgated by the ZANU-PF regime's former Minister of Information and Publicity, Jonathan Moyo, appropriated history and culture in its relentless effort to convince the citizenry that the on-going crisis in Zimbabwe is a continuation of the liberation struggle. It documents how Moyo's propagandised 'patriotic history' was written into song lyrics and used in frequently televised propaganda video…

  • Therapeutic Efficacy of Music-Making: Neglected Aspect of Human Experience Integral to Performance Process

    Diane Thram•ARTICLE•Yearbook for Traditional Music•2002•Cited by: 3

    L'A. examine la relation entre pratique musicale et efficacite therapeutique a partir d'une recherche de terrain realisee dans les annees 1990 avec un groupe de danse et percussion - Mhembere Dandanda - dans la communaute rurale de Murewa au Zimbabwe. Le dandanda est une forme de danse rituelle autochtone pratiquee par les Zezuru (Shona), soit en contexte sacre dans des ceremonies pour les esprits d'ancetres, soit en contexte seculier dans des co…

  • Patriotic history and the politicisation of memory: Manipulation of popular music to re-invent the liberation struggle in Zimbabwe1

    Diane Thram•ARTICLE•Critical Arts•2006•Cited by: 8•References: 5

    This paper investigates how the music nationalism promulgated by the ZANU-PF regime's former Minister of Information and Publicity, Jonathan Moyo, appropriated history and culture in its relentless effort to convince the citizenry that the on-going crisis in Zimbabwe is a continuation of the liberation struggle. It documents how Moyo's propagandised 'patriotic history' was written into song lyrics and used in frequently televised propaganda video…

  • Therapeutic Efficacy of Music-Making: Neglected Aspect of Human Experience Integral to Performance Process

    Diane Thram•ARTICLE•Yearbook for Traditional Music•2002•Cited by: 3

    L'A. examine la relation entre pratique musicale et efficacite therapeutique a partir d'une recherche de terrain realisee dans les annees 1990 avec un groupe de danse et percussion - Mhembere Dandanda - dans la communaute rurale de Murewa au Zimbabwe. Le dandanda est une forme de danse rituelle autochtone pratiquee par les Zezuru (Shona), soit en contexte sacre dans des ceremonies pour les esprits d'ancetres, soit en contexte seculier dans des co…

  • Therapeutic Efficacy of Music-Making: Neglected Aspect of Human Experience Integral to Performance Process

    Diane Thram•ARTICLE•Yearbook for Traditional Music•2002•Cited by: 3

    L'A. examine la relation entre pratique musicale et efficacite therapeutique a partir d'une recherche de terrain realisee dans les annees 1990 avec un groupe de danse et percussion - Mhembere Dandanda - dans la communaute rurale de Murewa au Zimbabwe. Le dandanda est une forme de danse rituelle autochtone pratiquee par les Zezuru (Shona), soit en contexte sacre dans des ceremonies pour les esprits d'ancetres, soit en contexte seculier dans des co…

  • Patriotic history and the politicisation of memory: Manipulation of popular music to re-invent the liberation struggle in Zimbabwe1

    Diane Thram•ARTICLE•Critical Arts•2006•Cited by: 8•References: 5

    This paper investigates how the music nationalism promulgated by the ZANU-PF regime's former Minister of Information and Publicity, Jonathan Moyo, appropriated history and culture in its relentless effort to convince the citizenry that the on-going crisis in Zimbabwe is a continuation of the liberation struggle. It documents how Moyo's propagandised 'patriotic history' was written into song lyrics and used in frequently televised propaganda video…

  • TRACKLIST Volume 8 number 3, 2009

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2009

  • Subscribe now

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2009

  • News From Ilam

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2010

    Cataloguing, conservation through digital conversion, and creation of on-line access to ILAMâ€TMs holdings have been the focus of ILAMâ€TMs projects for the past several years. As a result of these efforts the Hugh Tracey audio recordings and 1,000 images from his photo collection, and ILAMâ€TMs books are searchable on-line via ILAMâ€TMs website. And, back issues of our journal, African Music, are now available from the JSTOR database

  • Tracklist

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2011

  • Backmatter

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2011

  • Annual Subscription Rates

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2011

    Institutional $100.00 + $5.00 shipping and handling 75.00 + 3.00 shipping and handling 55.00 + 2.00 shipping and handling R500

  • Publications of Ilam

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2011

  • Understanding Music’s Therapeutic Efficacy: Implications for Music Education

    Diane Thram, Wayne D Bowman•BOOK•The Oxford handbook of music…•2012

  • Publications of Ilam

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2012

  • Backmatter

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2012

  • Tracklist

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2012

  • Annual Subscription Rates

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2012

  • Remains of ritual: Northern gods in a southern land

    Diane Thram•ARTICLE•Journal of Contemporary African…•2013

    Remains of ritual: northern gods in a southern land, by Steven M. Friedson, Chicago, University of Chicago Press, 2009, 254 pp., $22.00 (paperback), ISBN 978-0-226-26505, $55.00 (cloth), ISBN 978-0

  • Annual subscription rates

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2013

    Institutional $100.00 + $5.00 shipping and handling 75.00 + 3.00 shipping and handling 55.00 + 2.00 shipping and handling R500

  • Backmatter

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2013

  • Tracklist

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2013

  • Publications of Ilam

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2013

  • Subscribe now

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2015

    V olu m e 10, N u m b er

  • Understanding African music -- Listen and learn: Music made easy -- For future generations: Hugh Tracey and the International Library of African Music -- Generations of jazz -- Music of Africa -- Hist…

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2015

  • Jazz in Service of the Struggle

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2018

    This article contributes to the substantial body of publications on South African jazz with information on jazz performance and performers in New Brighton, a township adjacent to Port Elizabeth noted for its vibrant jazz scene and outstanding jazz musicians. The article covers several decades from the heyday of swing bands in the 1940s–50s through the 1960s–70s when New Brighton’s premier jazz combo, the Soul Jazzmen, were at the height of their …

  • Music Archives and Repatriation: Digital Return of Hugh Tracey’s “Chemirocha” Recordings in Kenya

    Diane Thram, Frank Gunderson et al.•CHAPTER•Oxford Handbook of Musical…•2019

    This chapter considers issues in repatriation of digital copies of field recordings of music obtained during the colonial era. It is based on the Hugh Tracey Collection preserved at the International Library of African Music (ILAM). A summary of Tracey’s early life and his work throughout sub-Saharan Africa from 1929 to 1972 is followed by the reasons why, with digital conversion and online access to the Collection accomplished, digital return an…

  • Luis Gimenez Amoros. Tracing the Mbira Sound Archive in Zimbabwe

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2019

  • Obituary: Andrew Travers Norman Tracey

    Open Access•Diane Thram•ARTICLE•African Music Journal of the…•2025

Computer Science (12 works) · Art (6 works) · Diverse Scientific and Economic Studies (6 works) · Environmental Science (6 works) · History (5 works) · Sociology (5 works) · African studies and sociopolitical issues (4 works) · Educational Robotics and Engineering (4 works) · Music History and Culture (4 works) · Visual arts (4 works)

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