Corey P Cribb
Biographic Data
| ID | 3063002 |
|---|---|
| NAME | Corey P Cribb |
| GIVEN NAMES | Corey P |
| FAMILY NAME | Cribb |
| SIGNATURE | CRIBB C P |
| AFFILIATIONS | The University of Melbourne |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Idealism and Contemporary Film Theory
Maurice Merleau-Ponty, Vivian Sobchack and the Materialization of Cinematic Sense
For the film theorists of the 1970s, phenomenology was pejoratively classified as a form of “idealism” which failed to recognise that “natural perception” is codified and structurally determined by ideological forces. This article proposes that, for this very reason, in returning phenomenology to film theoretical discourse, Vivian Sobchack presented Maurice Merleau-Ponty’s existential phenomenology as commensurate with materialism. Exploring both…
To Believe in an Image (Again)
In screen studies and photography studies, the name of the acclaimed film theorist and critic André Bazin is frequently invoked by scholars seeking to defend the import of analogue media on ontological grounds by citing photography's privileged connection to the real. This article seeks to unsettle Bazin's reputation as the patron saint of analogue recording by exploring the ontological implications of the concept of sense in Bazin's writings on …
Calum Watt (2017) Blanchot and the Moving Image
To Believe in an Image (Again)
In screen studies and photography studies, the name of the acclaimed film theorist and critic André Bazin is frequently invoked by scholars seeking to defend the import of analogue media on ontological grounds by citing photography's privileged connection to the real. This article seeks to unsettle Bazin's reputation as the patron saint of analogue recording by exploring the ontological implications of the concept of sense in Bazin's writings on …
Calum Watt (2017) Blanchot and the Moving Image
To Believe in an Image (Again)
In screen studies and photography studies, the name of the acclaimed film theorist and critic André Bazin is frequently invoked by scholars seeking to defend the import of analogue media on ontological grounds by citing photography's privileged connection to the real. This article seeks to unsettle Bazin's reputation as the patron saint of analogue recording by exploring the ontological implications of the concept of sense in Bazin's writings on …
Idealism and Contemporary Film Theory
Maurice Merleau-Ponty, Vivian Sobchack and the Materialization of Cinematic Sense
For the film theorists of the 1970s, phenomenology was pejoratively classified as a form of “idealism” which failed to recognise that “natural perception” is codified and structurally determined by ideological forces. This article proposes that, for this very reason, in returning phenomenology to film theoretical discourse, Vivian Sobchack presented Maurice Merleau-Ponty’s existential phenomenology as commensurate with materialism. Exploring both…
Cinema and Media Studies (4 works) · Art (2 works) · Ethics, Aesthetics, and Art (2 works) · Photography and Visual Culture (2 works) · Aesthetics (1 works) · Ambiguity (1 works) · Apotheosis (1 works) · Art history (1 works) · Art, Politics, and Modernism (1 works) · Computer Science (1 works)