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Angélique Ibáñez Aristondo

Biographic Data

ID3063058
NAMEAngélique Ibáñez Aristondo
GIVEN NAMESAngélique Ibáñez
FAMILY NAMEAristondo
SIGNATUREARISTONDO A I
AFFILIATIONSCity University of New York
ORCID0000-0001-5073-6428
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS0
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Vampiric Masculinity. Rachilde's Le grand saigneur (1922) and the Writing of Gender Violence in Post-War France

    Open Access•Angélique Ibáñez Aristondo•ARTICLE•Nottingham French Studies•2024

    Rachilde’s novel Le grand saigneur (1922) stands out from her other works in the 1920s and 1930s for its provocative portrayal of the French war veteran as a sadist who inflicts violence on those who do not conform to the codes of militarized, hegemonic masculinity. This article argues that the novel reflects the post-war years as a violent era for women and non-conforming men, shaped by the hateful discourses that emerged during the First World …

  • Promettez-moi de me supprimer gentiment

    Open Access•Angélique Ibáñez Aristondo•ARTICLE•French Studies•2023

    The article examines two novels that use epistolary writing conventions to portray the blurred lines between intimacy and violence during the First World War. The forgotten writings of Jeanne Delorme-Jules-Simon and Jeanne Landre go against the grain of wartime discourses and current historiography by linking the First World War's destabilizing effect upon gender relations not primarily to women's 'emancipation', but to the impact of violence upo…

  • Si je t’étranglais ?’ De la masculinité blessée au fantasme de féminicide chez Roland Dorgelès

    Angélique Ibáñez Aristondo•ARTICLE•Modern & Contemporary France•2022

    L’auteur français Roland Dorgelès est surtout connu pour ses écrits de guerre. Pendant la Première Guerre mondiale, l’écrivain combattant entretint une relation amoureuse avec Madeleine Borgeaud, laquelle s’acheva sur une rupture dont il ne se remit jamais. S’ensuivit une obsession pour la fiancée de guerre qui traverse, sur plus de trois décennies, les lettres intimes autant que la création littéraire et autobiographique de l’auteur. Son écritur…

  • Vanessa Springora et le fossoyage des mythes de la séduction « à la française

    Angélique Ibáñez Aristondo, Lucie Nizard•ARTICLE•Contemporary French and…•2022

    Le Consentement by Vanessa Springora took the French literary world by storm in 2020. In the wake of the #metoo movement, the memoir’s impact has much to do with its ability to uncover the concealing power the persona of the seductive, “civilized,” French man; relatedly, it demystifies a notion of romantic and sexual consent that is problematic in its association of female amorous and sexual desire with the guilt and violence of a destructive and…

  • Seduction, Aggression, and Frenchness in La Vie Parisienne (1914–1918)

    Open Access•Angélique Ibáñez Aristondo•ARTICLE•French Cultural Studies•2021•References: 8

    The article retraces how the notion of cultural singularity in sexuality was constructed and weaponized in the most popular French illustrated periodical of the First World War. It argues that La Vie Parisienne’s sublimation of romantic love, sex, and Frenchness worked as a cultural tactic that, while helping the readership cope with a devastating historical disruption, undermined at the same time claims for social change. The close analysis of w…

No prominent works on this page.

  • Seduction, Aggression, and Frenchness in La Vie Parisienne (1914–1918)

    Open Access•Angélique Ibáñez Aristondo•ARTICLE•French Cultural Studies•2021•References: 8

    The article retraces how the notion of cultural singularity in sexuality was constructed and weaponized in the most popular French illustrated periodical of the First World War. It argues that La Vie Parisienne’s sublimation of romantic love, sex, and Frenchness worked as a cultural tactic that, while helping the readership cope with a devastating historical disruption, undermined at the same time claims for social change. The close analysis of w…

  • Si je t’étranglais ?’ De la masculinité blessée au fantasme de féminicide chez Roland Dorgelès

    Angélique Ibáñez Aristondo•ARTICLE•Modern & Contemporary France•2022

    L’auteur français Roland Dorgelès est surtout connu pour ses écrits de guerre. Pendant la Première Guerre mondiale, l’écrivain combattant entretint une relation amoureuse avec Madeleine Borgeaud, laquelle s’acheva sur une rupture dont il ne se remit jamais. S’ensuivit une obsession pour la fiancée de guerre qui traverse, sur plus de trois décennies, les lettres intimes autant que la création littéraire et autobiographique de l’auteur. Son écritur…

  • Vanessa Springora et le fossoyage des mythes de la séduction « à la française

    Angélique Ibáñez Aristondo, Lucie Nizard•ARTICLE•Contemporary French and…•2022

    Le Consentement by Vanessa Springora took the French literary world by storm in 2020. In the wake of the #metoo movement, the memoir’s impact has much to do with its ability to uncover the concealing power the persona of the seductive, “civilized,” French man; relatedly, it demystifies a notion of romantic and sexual consent that is problematic in its association of female amorous and sexual desire with the guilt and violence of a destructive and…

  • Promettez-moi de me supprimer gentiment

    Open Access•Angélique Ibáñez Aristondo•ARTICLE•French Studies•2023

    The article examines two novels that use epistolary writing conventions to portray the blurred lines between intimacy and violence during the First World War. The forgotten writings of Jeanne Delorme-Jules-Simon and Jeanne Landre go against the grain of wartime discourses and current historiography by linking the First World War's destabilizing effect upon gender relations not primarily to women's 'emancipation', but to the impact of violence upo…

  • Vampiric Masculinity. Rachilde's Le grand saigneur (1922) and the Writing of Gender Violence in Post-War France

    Open Access•Angélique Ibáñez Aristondo•ARTICLE•Nottingham French Studies•2024

    Rachilde’s novel Le grand saigneur (1922) stands out from her other works in the 1920s and 1930s for its provocative portrayal of the French war veteran as a sadist who inflicts violence on those who do not conform to the codes of militarized, hegemonic masculinity. This article argues that the novel reflects the post-war years as a violent era for women and non-conforming men, shaped by the hateful discourses that emerged during the First World …

Gender Studies (4 works) · Historical Studies and Socio-cultural Analysis (4 works) · Sociology (4 works) · Art (3 works) · French Historical and Cultural Studies (3 works) · Historical Gender and Feminism Studies (3 works) · History (3 works) · Humanities (3 works) · Psychoanalysis (3 works) · Psychology (3 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae