Tobias Hochscherf
Biographic Data
| ID | 3064515 |
|---|---|
| NAME | Tobias Hochscherf |
| GIVEN NAMES | Tobias |
| FAMILY NAME | Hochscherf |
| SIGNATURE | HOCHSCHERF T |
| AFFILIATIONS | Hochschule für Angewandte Wissenschaften Kiel |
| ORCID | 0000-0002-3542-9865 |
| VERIFIED | Yes |
| TOTAL WORKS | 15 |
| TOTAL CITATIONS | 7 |
| AUTHOR COUNT | 15 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 2 |
Wahlkampfkommunikation in sozialen Netzwerken: Die Nutzung von Facebook und Twitter durch politische Parteien in den schleswig-holsteinischen Landtagswahlkämpfen 2012, 2017 und 2022
Soziale Netzwerke spielen in Wahlkämpfen – wie in der politischen Kommunikation insgesamt – eine wichtige Rolle. Diese diachrone empirische Studie vergleicht den Einsatz von Twitter (heute: X) und Facebook durch die politischen Parteien und Spitzenkandidaten während der Landtagswahlkämpfe 2012, 2017 und 2022 in Schleswig-Holstein. Sie untersucht nicht nur Unterschiede und Gemeinsamkeiten in Bezug auf Frequenz, Themenschwerpunkte und Länge von get…
Once a Star, Always a Star? The Careers of Kristina Söderbaum and Hans Albers in 1950s West German Cinema
During the Second World War, Kristina Söderbaum and Hans Albers were prominent, highly paid film stars. Their films were widely shown, including in occupied European countries, as part of the National Socialist regime’s efforts to sway public opinion through culture. Despite the collapse of the Third Reich, Söderbaum and Albers were able to revive their careers in post-war West Germany, building on their stardom and strong professional networks. …
Dissent and dissidents in central and eastern european film
Film shaped the Cold War and our understanding of it. Audiovisual media, in various ways, were instrumental in concentrating and maintaining political leverage on both sides of the Iron Curtain. Ci
The Geopolitics of Nordic Noir: Representations of current threats and vigilantes in contemporary Danish and Norwegian serial drama
The “golden age” of Scandinavian television has often been associated with Nordic Noir crime dramas, yet many of the acclaimed serials also engage with geopolitical themes such as migration, cross-border crime, military conflicts, and global terrorism. In this article, we examine the ways in which Nordic Noir contributes to discourses on such topics. We look specifically at the dramas Okkupert [ Occupied ] (NRK, 2015–), Ørnen [ The Eagle ] (DR, 2…
Radio Beyond Boundaries: An Introduction
peer reviewed
The Nazi-fascist New Order for European Culture
Beyond The Bridge: Contemporary Danish Television Drama
Television series from DR
Third Reich Cinema and Film Theory
In the Third Reich, theoretical discourse was rarely presented out of genuine epistemological interest. It was rather linked to national objectives in the service of National Socialism. The same can be said about the realm of film: theoretical engagement with cinema (at the time often referred to as film ‘dramaturgy’) was situated at the crossroads of art, technology, ideology and economy. This article investigates how it was especially the duali…
Early Film Theory Revisited: Historical Perspectives
International audience
Writing and producing television drama in Denmark. From the Kingdom to the killing
Danish television is a phenomenon. Notwithstanding the fact that the country stands for one of Europe’s smallest television markets, numerous Danish series have lately met with critical acclaim. Da
Introduction: From German ‘Invasion’ to Transnationalism: Continental European Émigrés and Visual Culture in Britain, 1933–56
Historically, visual culture in Britain has been shaped by transnational movements as exiles, emigres and migrant workers visited, settled or continued on journeys to and from Britain. Subject to c
Cinema and the Swastika: The international expansion of Third Reich cinema
Cinema and the Swastika: the international expansion of Third Reich cinema Roel Vande Winkel and David Welch (Eds) Hampshire/New York, Palgrave Macmillan, 2011 (2nd revised edition) xxiv+360 pp., i
Der deutsche Musikfilm. Archäologie eines Genres 1914–1945
The Concise CineGraph. Encyclopaedia of German Cinema
The Concise CineGraph. Encyclopaedia of German Cinema HANS-MICHAEL BOCK and TIM BERGFELDER (eds) Oxford, Berghahn Books, 2009 xii+574 pp., $150.00/£100.00 (cloth) The endeavour of The Concise CineG
Working Title Films: From Mid-Atlantic to the Heart of Europe
Preview this article: Working Title Films: From Mid-Atlantic to the Heart of Europe?, Page 1 of 1 /docserver/preview/fulltext/fint/8/6/s2-1.gif
The Geopolitics of Nordic Noir: Representations of current threats and vigilantes in contemporary Danish and Norwegian serial drama
The “golden age” of Scandinavian television has often been associated with Nordic Noir crime dramas, yet many of the acclaimed serials also engage with geopolitical themes such as migration, cross-border crime, military conflicts, and global terrorism. In this article, we examine the ways in which Nordic Noir contributes to discourses on such topics. We look specifically at the dramas Okkupert [ Occupied ] (NRK, 2015–), Ørnen [ The Eagle ] (DR, 2…
Cinema and the Swastika: The international expansion of Third Reich cinema
Cinema and the Swastika: the international expansion of Third Reich cinema Roel Vande Winkel and David Welch (Eds) Hampshire/New York, Palgrave Macmillan, 2011 (2nd revised edition) xxiv+360 pp., i
Working Title Films: From Mid-Atlantic to the Heart of Europe
Preview this article: Working Title Films: From Mid-Atlantic to the Heart of Europe?, Page 1 of 1 /docserver/preview/fulltext/fint/8/6/s2-1.gif
Der deutsche Musikfilm. Archäologie eines Genres 1914–1945
The Concise CineGraph. Encyclopaedia of German Cinema
The Concise CineGraph. Encyclopaedia of German Cinema HANS-MICHAEL BOCK and TIM BERGFELDER (eds) Oxford, Berghahn Books, 2009 xii+574 pp., $150.00/£100.00 (cloth) The endeavour of The Concise CineG
Introduction: From German ‘Invasion’ to Transnationalism: Continental European Émigrés and Visual Culture in Britain, 1933–56
Historically, visual culture in Britain has been shaped by transnational movements as exiles, emigres and migrant workers visited, settled or continued on journeys to and from Britain. Subject to c
Cinema and the Swastika: The international expansion of Third Reich cinema
Cinema and the Swastika: the international expansion of Third Reich cinema Roel Vande Winkel and David Welch (Eds) Hampshire/New York, Palgrave Macmillan, 2011 (2nd revised edition) xxiv+360 pp., i
Writing and producing television drama in Denmark. From the Kingdom to the killing
Danish television is a phenomenon. Notwithstanding the fact that the country stands for one of Europe’s smallest television markets, numerous Danish series have lately met with critical acclaim. Da
Third Reich Cinema and Film Theory
In the Third Reich, theoretical discourse was rarely presented out of genuine epistemological interest. It was rather linked to national objectives in the service of National Socialism. The same can be said about the realm of film: theoretical engagement with cinema (at the time often referred to as film ‘dramaturgy’) was situated at the crossroads of art, technology, ideology and economy. This article investigates how it was especially the duali…
Early Film Theory Revisited: Historical Perspectives
International audience
Beyond The Bridge: Contemporary Danish Television Drama
Television series from DR
The Nazi-fascist New Order for European Culture
Radio Beyond Boundaries: An Introduction
peer reviewed
The Geopolitics of Nordic Noir: Representations of current threats and vigilantes in contemporary Danish and Norwegian serial drama
The “golden age” of Scandinavian television has often been associated with Nordic Noir crime dramas, yet many of the acclaimed serials also engage with geopolitical themes such as migration, cross-border crime, military conflicts, and global terrorism. In this article, we examine the ways in which Nordic Noir contributes to discourses on such topics. We look specifically at the dramas Okkupert [ Occupied ] (NRK, 2015–), Ørnen [ The Eagle ] (DR, 2…
Dissent and dissidents in central and eastern european film
Film shaped the Cold War and our understanding of it. Audiovisual media, in various ways, were instrumental in concentrating and maintaining political leverage on both sides of the Iron Curtain. Ci
Wahlkampfkommunikation in sozialen Netzwerken: Die Nutzung von Facebook und Twitter durch politische Parteien in den schleswig-holsteinischen Landtagswahlkämpfen 2012, 2017 und 2022
Soziale Netzwerke spielen in Wahlkämpfen – wie in der politischen Kommunikation insgesamt – eine wichtige Rolle. Diese diachrone empirische Studie vergleicht den Einsatz von Twitter (heute: X) und Facebook durch die politischen Parteien und Spitzenkandidaten während der Landtagswahlkämpfe 2012, 2017 und 2022 in Schleswig-Holstein. Sie untersucht nicht nur Unterschiede und Gemeinsamkeiten in Bezug auf Frequenz, Themenschwerpunkte und Länge von get…
Once a Star, Always a Star? The Careers of Kristina Söderbaum and Hans Albers in 1950s West German Cinema
During the Second World War, Kristina Söderbaum and Hans Albers were prominent, highly paid film stars. Their films were widely shown, including in occupied European countries, as part of the National Socialist regime’s efforts to sway public opinion through culture. Despite the collapse of the Third Reich, Söderbaum and Albers were able to revive their careers in post-war West Germany, building on their stardom and strong professional networks. …
Art (10 works) · History (7 works) · Italian Fascism and Post-war Society (6 works) · Political science (6 works) · Archaeology (5 works) · European history and politics (5 works) · German (5 works) · Sociology (5 works) · Art history (4 works) · Cinema and Media Studies (4 works)