Mark Glancy
Biographic Data
| ID | 3064601 |
|---|---|
| NAME | Mark Glancy |
| GIVEN NAMES | Mark |
| FAMILY NAME | Glancy |
| SIGNATURE | GLANCY M |
| AFFILIATIONS | Russian State Agrarian Correspondence University |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 11 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 2 |
Louis B. Mayer and Irving Thalberg
Louis B. Mayer and Irving Thalberg have each been the subject of several biographies, and at least one book, Samuel Marx’s Mayer and Thalberg: The Make-Believe Saints (1975) centres on their workin
British Cinema and The Second World War
Picturegoer
What would Bette Davis do?' British reactions to Bette Davis in the 1940s
During the 1940s, Britain had a ‘special relationship’ with Bette Davis. At a time when many British film critics regarded Hollywood stars as merely typecast players, Davis was considered to be a true actress. Audiences also rated Davis's talents highly and while cinemagoing was at its height in the mid 1940s her popularity was truly exceptional. She ranked among the top ten stars at the British box-office for six consecutive years (1942 to 1947)…
The New Film History
The first major overview of the field of film history in twenty years, this book offers a wide-ranging account of the methods, sources and approaches used by modern film historians. The key areas of r
Americanizing the Movies and 'Movie-Mad' Audiences, 1910-1914
Journal Article Americanizing the Movies and ‘Movie-Mad’ Audiences, 1910-1914 Get access Richard Abel, Americanizing the Movies and ‘Movie-Mad’ Audiences, 1910-1914. Berkeley, CA and London: University of California Press, 2006, 373 pp. Mark Glancy Mark Glancy Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 48, Issue 4, Winter 2007, Pages 543–546, https://doi.org/10.1093/screen/hjm059 Published: 01 December…
Temporary American citizens? British audiences, hollywood films and the threat of Americanization in the 1920s
The war of independence in feature films
It is one of the more curious points in film history that the American War of Independence has been largely neglected in feature films. Stories centred on the country's origins would seem to offer vivid cinematic material, and not least because there are so many dramatic episodes associated with the revolutionary period: the Boston Tea Party, Paul Revere's ride, the first shots fired in Lexington, the signing of the Declaration of Independence, a…
The war of independence in feature films
It is one of the more curious points in film history that the American War of Independence has been largely neglected in feature films. Stories centred on the country's origins would seem to offer vivid cinematic material, and not least because there are so many dramatic episodes associated with the revolutionary period: the Boston Tea Party, Paul Revere's ride, the first shots fired in Lexington, the signing of the Declaration of Independence, a…
Temporary American citizens? British audiences, hollywood films and the threat of Americanization in the 1920s
The New Film History
The first major overview of the field of film history in twenty years, this book offers a wide-ranging account of the methods, sources and approaches used by modern film historians. The key areas of r
Americanizing the Movies and 'Movie-Mad' Audiences, 1910-1914
Journal Article Americanizing the Movies and ‘Movie-Mad’ Audiences, 1910-1914 Get access Richard Abel, Americanizing the Movies and ‘Movie-Mad’ Audiences, 1910-1914. Berkeley, CA and London: University of California Press, 2006, 373 pp. Mark Glancy Mark Glancy Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 48, Issue 4, Winter 2007, Pages 543–546, https://doi.org/10.1093/screen/hjm059 Published: 01 December…
What would Bette Davis do?' British reactions to Bette Davis in the 1940s
During the 1940s, Britain had a ‘special relationship’ with Bette Davis. At a time when many British film critics regarded Hollywood stars as merely typecast players, Davis was considered to be a true actress. Audiences also rated Davis's talents highly and while cinemagoing was at its height in the mid 1940s her popularity was truly exceptional. She ranked among the top ten stars at the British box-office for six consecutive years (1942 to 1947)…
British Cinema and The Second World War
Picturegoer
Louis B. Mayer and Irving Thalberg
Louis B. Mayer and Irving Thalberg have each been the subject of several biographies, and at least one book, Samuel Marx’s Mayer and Thalberg: The Make-Believe Saints (1975) centres on their workin
Cinema and Media Studies (7 works) · Art (6 works) · Art history (6 works) · History (5 works) · Media studies (5 works) · Sociology (5 works) · Law (4 works) · Political science (4 works) · European history and politics (3 works) · French Historical and Cultural Studies (3 works)