Jasmijn Van Gorp
Biographic Data
| ID | 3064620 |
|---|---|
| NAME | Jasmijn Van Gorp |
| GIVEN NAMES | Jasmijn |
| FAMILY NAME | Van Gorp |
| SIGNATURE | VAN GORP J |
| AFFILIATIONS | Utrecht University |
| ORCID | 0000-0002-3035-8295 |
| VERIFIED | Yes |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 8 |
| AUTHOR COUNT | 14 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Video Reuse As Routine
In an era of convergence of print, social and broadcast media, videos have emerged as pivotal in news and journalism. By combining insights from journalism studies and archival studies, we investigate how journalists reuse existing videos in their new productions. To this end, we conducted in-depth reconstruction interviews with 25 journalists working for eight regional Public Service Media (PSM) organizations across the Netherlands. By studying …
Recapturing temporal context in the digital archive
When linear television enters the archive, its temporal context tends to become obscured. Based on Dutch TV news, we propose three easy-to-use methods for recapturing this context: visualizing repetitive imagery through screenshots; colour coding the relationship between archived broadcasts and broadcast schedules as printed in newspapers; and colour-coding segments in archival speech transcripts. Together, these methods show how archived televis…
Speech-To-Local Data
Broadcast archives have started to use Automatic Speech Recognition (ASR) to generate transcripts of their audio-visual collections to open up the latter to media professionals and media researchers. In this methodological article, we study the ASR files of Dutch archived television news on the 1986 Chernobyl nuclear disaster. By unpacking ASR’s specificities and exploring methodologies, we examine the repackaging of the Chernobyl nuclear disaste…
Computational cross-media research
This article examines how the ‘refugee crisis’, sparked by the arrival of refugees from the Syrian civil war and other conflicts around the world, was articulated across Dutch television news programs and social media between 2013 and 2018. This crisis has been described as a key catalyst of the radicalization of European political discourse. Crucially, it took shape during a period of profound transformation of the media landscape, in which mass…
The Paradox of Borders
While television has never been fully obtained by national borders, the archives that preserve its heritage have long been positioned within nation-centred frameworks. Through wide-scale digitisation, combined with the internationalisation of our societies, more international users are finding their way to these archives, resulting in a transnational (re)circulation of the collections. This article therefore sets out to understand how transnation…
Introduction
Our special issue explores audio and visual (AV) data as form, method, and practice in the digital humanities. Spurred by recent advances in computing alongside disciplinary expansions of what counts as evidence, audio and visual ways of knowing are enjoying a more prominent place in the field. Whether the creation, analysis, and sharing of audiovisual data or audiovisual ways of communicating scholarly knowledge, scholars are building compelling…
Involving Users in Infrastructure Development
In this contribution we introduce a compilation of articles that reflect on the use of the CLARIAH Media Suite and its impact on research methods, as they were conducted during the CLARIAH research pilot projects (2017-18). The pilot projects fit in a co-development approach in which users are involved in infrastructure development from the start. We discuss how feedback of the pilot researchers was incorporated in the iterative development and t…
Old Stories and New Developments
It is our great pleasure to present this special issue of VIEW Journal of European Television and Culture in honour of Sonja de Leeuw, one of the founding members of the journal. The issue brings together articles that honour Sonja’s inspiring contributions to television history and television historiography
What Is Not in the Archive
This article discusses the pedagogy and outcome of a new assignment we introduced in the course ‘Television History Online’ at Utrecht University. We assigned the students the task to build a canon of a genre of Dutch television and create a video poster on the EUscreen portal consisting of clips that represent part of their canon. In our pedagogy, we argue that it is important to draw students’ attention to what is missing in the archive. Theref…
Modes of self-representation
This study investigates visualized identities of ‘former Yugoslav’ migrant women in the Netherlands. Ten women with roots in Serbia, Bosnia-Herzegovina or Croatia were asked to depict their identities in a series of photographs over the course of one week. Subsequently they were prompted to contextualize their photographs during an individual ‘photo-elicitation’ interview. The author identifies four modes of photographic self-representation by me…
Diaspora organizations, imagined communities and the versatility of diaspora
This article takes the case of Former Yugoslav organizations in the Netherlands to investigate how diaspora organizations are central in constructing identities. Contributing to the growing field of studies about Former Yugoslav diasporas, it explores how diaspora organizations play a role as cultural mediators. Drawing from theories of diaspora, imagined communities and transnationalism, we employ ‘diaspora’ as a versatile tool of analysis, inve…
Looking for What You Are Looking for
In this essay, the author reflects on her first search with the online search system of the Netherlands Institute for Sound and Vision. It was part of a pilot study on how media researchers use the audiovisual archive. Consequently, her search was being logged, video taped and sound recorded, she had to 'think aloud', and all of this in presence of a fellow researcher from computer sciences who observed her search behaviour. By showing how she fo…
Eternal Fandom
Taking a case study approach, this article analyzes the relationships among a local “low brow” music celebrity (Flemish schlager singer Jo Vally), the media (Flemish mainstream and gossip press), and audience (Vally fans), and wider society. Analysis of media coverage of and fans' reactions to the celebrity enables us to enlarge Abercrombie and Longhurst's taxonomy to include media skills. It also contributes to the structure-agency debate in cel…
Inverting film policy
The collapse of the Soviet Union marked the beginning of a search for a national identity in Russia. This article investigates whether the Russian State recognized cinema as a cultural good for nation-building purposes. On the basis of qualitative and quantitative methods, it is demonstrated that after 1994, films with a national claim became more likely than other films to obtain state support. This was not the result of a deliberate policy, but…
Diaspora organizations, imagined communities and the versatility of diaspora
This article takes the case of Former Yugoslav organizations in the Netherlands to investigate how diaspora organizations are central in constructing identities. Contributing to the growing field of studies about Former Yugoslav diasporas, it explores how diaspora organizations play a role as cultural mediators. Drawing from theories of diaspora, imagined communities and transnationalism, we employ ‘diaspora’ as a versatile tool of analysis, inve…
Computational cross-media research
This article examines how the ‘refugee crisis’, sparked by the arrival of refugees from the Syrian civil war and other conflicts around the world, was articulated across Dutch television news programs and social media between 2013 and 2018. This crisis has been described as a key catalyst of the radicalization of European political discourse. Crucially, it took shape during a period of profound transformation of the media landscape, in which mass…
Modes of self-representation
This study investigates visualized identities of ‘former Yugoslav’ migrant women in the Netherlands. Ten women with roots in Serbia, Bosnia-Herzegovina or Croatia were asked to depict their identities in a series of photographs over the course of one week. Subsequently they were prompted to contextualize their photographs during an individual ‘photo-elicitation’ interview. The author identifies four modes of photographic self-representation by me…
Eternal Fandom
Taking a case study approach, this article analyzes the relationships among a local “low brow” music celebrity (Flemish schlager singer Jo Vally), the media (Flemish mainstream and gossip press), and audience (Vally fans), and wider society. Analysis of media coverage of and fans' reactions to the celebrity enables us to enlarge Abercrombie and Longhurst's taxonomy to include media skills. It also contributes to the structure-agency debate in cel…
Inverting film policy
The collapse of the Soviet Union marked the beginning of a search for a national identity in Russia. This article investigates whether the Russian State recognized cinema as a cultural good for nation-building purposes. On the basis of qualitative and quantitative methods, it is demonstrated that after 1994, films with a national claim became more likely than other films to obtain state support. This was not the result of a deliberate policy, but…
Eternal Fandom
Taking a case study approach, this article analyzes the relationships among a local “low brow” music celebrity (Flemish schlager singer Jo Vally), the media (Flemish mainstream and gossip press), and audience (Vally fans), and wider society. Analysis of media coverage of and fans' reactions to the celebrity enables us to enlarge Abercrombie and Longhurst's taxonomy to include media skills. It also contributes to the structure-agency debate in cel…
Inverting film policy
The collapse of the Soviet Union marked the beginning of a search for a national identity in Russia. This article investigates whether the Russian State recognized cinema as a cultural good for nation-building purposes. On the basis of qualitative and quantitative methods, it is demonstrated that after 1994, films with a national claim became more likely than other films to obtain state support. This was not the result of a deliberate policy, but…
Looking for What You Are Looking for
In this essay, the author reflects on her first search with the online search system of the Netherlands Institute for Sound and Vision. It was part of a pilot study on how media researchers use the audiovisual archive. Consequently, her search was being logged, video taped and sound recorded, she had to 'think aloud', and all of this in presence of a fellow researcher from computer sciences who observed her search behaviour. By showing how she fo…
Modes of self-representation
This study investigates visualized identities of ‘former Yugoslav’ migrant women in the Netherlands. Ten women with roots in Serbia, Bosnia-Herzegovina or Croatia were asked to depict their identities in a series of photographs over the course of one week. Subsequently they were prompted to contextualize their photographs during an individual ‘photo-elicitation’ interview. The author identifies four modes of photographic self-representation by me…
Diaspora organizations, imagined communities and the versatility of diaspora
This article takes the case of Former Yugoslav organizations in the Netherlands to investigate how diaspora organizations are central in constructing identities. Contributing to the growing field of studies about Former Yugoslav diasporas, it explores how diaspora organizations play a role as cultural mediators. Drawing from theories of diaspora, imagined communities and transnationalism, we employ ‘diaspora’ as a versatile tool of analysis, inve…
Old Stories and New Developments
It is our great pleasure to present this special issue of VIEW Journal of European Television and Culture in honour of Sonja de Leeuw, one of the founding members of the journal. The issue brings together articles that honour Sonja’s inspiring contributions to television history and television historiography
What Is Not in the Archive
This article discusses the pedagogy and outcome of a new assignment we introduced in the course ‘Television History Online’ at Utrecht University. We assigned the students the task to build a canon of a genre of Dutch television and create a video poster on the EUscreen portal consisting of clips that represent part of their canon. In our pedagogy, we argue that it is important to draw students’ attention to what is missing in the archive. Theref…
Introduction
Our special issue explores audio and visual (AV) data as form, method, and practice in the digital humanities. Spurred by recent advances in computing alongside disciplinary expansions of what counts as evidence, audio and visual ways of knowing are enjoying a more prominent place in the field. Whether the creation, analysis, and sharing of audiovisual data or audiovisual ways of communicating scholarly knowledge, scholars are building compelling…
Involving Users in Infrastructure Development
In this contribution we introduce a compilation of articles that reflect on the use of the CLARIAH Media Suite and its impact on research methods, as they were conducted during the CLARIAH research pilot projects (2017-18). The pilot projects fit in a co-development approach in which users are involved in infrastructure development from the start. We discuss how feedback of the pilot researchers was incorporated in the iterative development and t…
The Paradox of Borders
While television has never been fully obtained by national borders, the archives that preserve its heritage have long been positioned within nation-centred frameworks. Through wide-scale digitisation, combined with the internationalisation of our societies, more international users are finding their way to these archives, resulting in a transnational (re)circulation of the collections. This article therefore sets out to understand how transnation…
Speech-To-Local Data
Broadcast archives have started to use Automatic Speech Recognition (ASR) to generate transcripts of their audio-visual collections to open up the latter to media professionals and media researchers. In this methodological article, we study the ASR files of Dutch archived television news on the 1986 Chernobyl nuclear disaster. By unpacking ASR’s specificities and exploring methodologies, we examine the repackaging of the Chernobyl nuclear disaste…
Computational cross-media research
This article examines how the ‘refugee crisis’, sparked by the arrival of refugees from the Syrian civil war and other conflicts around the world, was articulated across Dutch television news programs and social media between 2013 and 2018. This crisis has been described as a key catalyst of the radicalization of European political discourse. Crucially, it took shape during a period of profound transformation of the media landscape, in which mass…
Video Reuse As Routine
In an era of convergence of print, social and broadcast media, videos have emerged as pivotal in news and journalism. By combining insights from journalism studies and archival studies, we investigate how journalists reuse existing videos in their new productions. To this end, we conducted in-depth reconstruction interviews with 25 journalists working for eight regional Public Service Media (PSM) organizations across the Netherlands. By studying …
Recapturing temporal context in the digital archive
When linear television enters the archive, its temporal context tends to become obscured. Based on Dutch TV news, we propose three easy-to-use methods for recapturing this context: visualizing repetitive imagery through screenshots; colour coding the relationship between archived broadcasts and broadcast schedules as printed in newspapers; and colour-coding segments in archival speech transcripts. Together, these methods show how archived televis…
Political science (7 works) · Sociology (7 works) · Computer Science (5 works) · Law (5 works) · Law (4 works) · Media studies (4 works) · Media Studies and Communication (4 works) · Psychology (4 works) · Art (3 works) · History (3 works)