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Andrew J Bottomley

Biographic Data

ID3064683
NAMEAndrew J Bottomley
GIVEN NAMESAndrew J
FAMILY NAMEBottomley
SIGNATUREBOTTOMLEY A J
AFFILIATIONSUniversity of Wisconsin–Madison
ORCID0000-0003-2894-732X
VERIFIEDYes
TOTAL WORKS10
TOTAL CITATIONS2
AUTHOR COUNT6
EDITOR COUNT4
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Copyright Page

    Michele Hilmes, Andrew J Bottomley•OTHER•The Oxford Handbook of Radio and…•2024

  • Introduction to The Oxford Handbook of Radio and Podcasting

    Michele Hilmes, Andrew J Bottomley•OTHER•The Oxford Handbook of Radio and…•2024

  • About the Companion Website

    Michele Hilmes, Andrew J Bottomley•OTHER•The Oxford Handbook of Radio and…•2024

  • Sensational Voices

    Andrew J Bottomley•CHAPTER•Oxford Handbook of Radio and…•2024

    Since the post-Serial podcasting boom of the late 2010s, intimacy has become podcasting’s most often-remarked-on characteristic—cited as the distinctive feature of the podcast voice and the key element that distinguishes podcasting from radio and other popular media. Podcasters refer so frequently to audio storytelling’s presumed intimacy in interviews, press materials, and other forms of embedded knowledge that it is now conventional wisdom. Yet…

  • The Oxford Handbook of Radio and Podcasting

    Michele Hilmes, Andrew J Bottomley•BOOK•Oxford Handbook of Radio and…•2024

    Radio remains the most accessible and widely available communication medium worldwide, despite technological shifts and a host of upstart challengers. Since its origins in the 1920s, radio has innovated a new world of sound culture—now expanded into the digital realm of podcasting—that is enabling the medium to reach larger audiences than ever before. Yet radio remains one of the least studied of the major areas of communication arts, largely bec…

  • Silenced Sounds: The State of Post-1940 Popular Music in United States Libraries and Archives

    Open Access•Andrew J Bottomley•ARTICLE•Journal of Popular Music Studies•2016

  • The ballad of Alan and Auntie Beeb

    Andrew J Bottomley•ARTICLE•Historical Journal Of Film Radio…•2016

    The prominent US folk music field collector Alan Lomax (1915–2002) had a prolific but overlooked career in radio, including a close working relationship with the BBC during the 1940s and 1950s. Over the course of more than 100 episodes of radio programming, Lomax introduced the British listening public to American as well as English, Irish, Scottish, Welsh and other European folk music styles – popular music traditions associated primarily with t…

  • Podcasting

    Andrew J Bottomley•ARTICLE•Journal of Radio & Audio Media•2015

    Podcasting came of age in 2005, a full decade ago. The roots of podcasting date back to 2000, though, when software developer Dave Winer published RSS 0.92, a new version of the RSS (Rich Site Summ...

  • ‘Home taping is killing music’

    Andrew J Bottomley•ARTICLE•Creative Industries Journal•2015

    In the 1980s, the major record labels in the United States and the United Kingdom publicly confronted consumers over the private copying of music onto blank cassette tapes. Industry trade groups, such as the Recording Industry Association of America and the British Phonographic Industry, mounted publicity campaigns combatting this practice of ‘home taping’, and, in addition, took legal action and lobbied governments for new copyright legislation.…

  • Play It Again

    Andrew J Bottomley•ARTICLE•Popular Music & Society•2015•Cited by: 2•References: 6

    The reissue is a significant yet under-studied aspect of the music industries and popular music culture. The continual resurrection of recordings via reissues alters how the music and musicians of the past are understood in the present. This article develops a theory of rock music reissues, analyzing them as cultural artifacts that transform the originals' historical meaning and cultural status. The influential role of paratextual and extratextua…

  • Play It Again

    Andrew J Bottomley•ARTICLE•Popular Music & Society•2015•Cited by: 2•References: 6

    The reissue is a significant yet under-studied aspect of the music industries and popular music culture. The continual resurrection of recordings via reissues alters how the music and musicians of the past are understood in the present. This article develops a theory of rock music reissues, analyzing them as cultural artifacts that transform the originals' historical meaning and cultural status. The influential role of paratextual and extratextua…

  • Podcasting

    Andrew J Bottomley•ARTICLE•Journal of Radio & Audio Media•2015

    Podcasting came of age in 2005, a full decade ago. The roots of podcasting date back to 2000, though, when software developer Dave Winer published RSS 0.92, a new version of the RSS (Rich Site Summ...

  • ‘Home taping is killing music’

    Andrew J Bottomley•ARTICLE•Creative Industries Journal•2015

    In the 1980s, the major record labels in the United States and the United Kingdom publicly confronted consumers over the private copying of music onto blank cassette tapes. Industry trade groups, such as the Recording Industry Association of America and the British Phonographic Industry, mounted publicity campaigns combatting this practice of ‘home taping’, and, in addition, took legal action and lobbied governments for new copyright legislation.…

  • Play It Again

    Andrew J Bottomley•ARTICLE•Popular Music & Society•2015•Cited by: 2•References: 6

    The reissue is a significant yet under-studied aspect of the music industries and popular music culture. The continual resurrection of recordings via reissues alters how the music and musicians of the past are understood in the present. This article develops a theory of rock music reissues, analyzing them as cultural artifacts that transform the originals' historical meaning and cultural status. The influential role of paratextual and extratextua…

  • Silenced Sounds: The State of Post-1940 Popular Music in United States Libraries and Archives

    Open Access•Andrew J Bottomley•ARTICLE•Journal of Popular Music Studies•2016

  • The ballad of Alan and Auntie Beeb

    Andrew J Bottomley•ARTICLE•Historical Journal Of Film Radio…•2016

    The prominent US folk music field collector Alan Lomax (1915–2002) had a prolific but overlooked career in radio, including a close working relationship with the BBC during the 1940s and 1950s. Over the course of more than 100 episodes of radio programming, Lomax introduced the British listening public to American as well as English, Irish, Scottish, Welsh and other European folk music styles – popular music traditions associated primarily with t…

  • Copyright Page

    Michele Hilmes, Andrew J Bottomley•OTHER•The Oxford Handbook of Radio and…•2024

  • Introduction to The Oxford Handbook of Radio and Podcasting

    Michele Hilmes, Andrew J Bottomley•OTHER•The Oxford Handbook of Radio and…•2024

  • About the Companion Website

    Michele Hilmes, Andrew J Bottomley•OTHER•The Oxford Handbook of Radio and…•2024

  • Sensational Voices

    Andrew J Bottomley•CHAPTER•Oxford Handbook of Radio and…•2024

    Since the post-Serial podcasting boom of the late 2010s, intimacy has become podcasting’s most often-remarked-on characteristic—cited as the distinctive feature of the podcast voice and the key element that distinguishes podcasting from radio and other popular media. Podcasters refer so frequently to audio storytelling’s presumed intimacy in interviews, press materials, and other forms of embedded knowledge that it is now conventional wisdom. Yet…

  • The Oxford Handbook of Radio and Podcasting

    Michele Hilmes, Andrew J Bottomley•BOOK•Oxford Handbook of Radio and…•2024

    Radio remains the most accessible and widely available communication medium worldwide, despite technological shifts and a host of upstart challengers. Since its origins in the 1920s, radio has innovated a new world of sound culture—now expanded into the digital realm of podcasting—that is enabling the medium to reach larger audiences than ever before. Yet radio remains one of the least studied of the major areas of communication arts, largely bec…

Radio, Podcasts, and Digital Media (5 works) · Sociology (5 works) · Art (4 works) · Computer Science (4 works) · History (4 works) · Media studies (4 works) · Music History and Culture (4 works) · Advertising (2 works) · Aesthetics (2 works) · Business (2 works)

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