Kevin M Flanagan
Biographic Data
| ID | 3064754 |
|---|---|
| NAME | Kevin M Flanagan |
| GIVEN NAMES | Kevin M |
| FAMILY NAME | Flanagan |
| SIGNATURE | FLANAGAN K M |
| AFFILIATIONS | University of Pittsburgh |
| ORCID | 0000-0002-8204-7675 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
The Drive-In
Matthew Melia, ed, ReFocus
Architectural documentaries on British television
The mediation of the city, architecture and space is an omnipresent discourse in film studies, but what of architecture on television? What are the discourses and motifs that form an idea of architecture and space in broadcast history? Can a cultural form that produces a programming flow of news, drama, documentary and sport speak to the built environment in a different way, perhaps one more quotidian or revealing than that afforded by the persis…
The hosted architectural documentary on British television
Film and television are uniquely able to convey architectural experience. Through camera movements, editing, framing, tracking through space, and/or isolating details from a larger whole, these moving images produce space. On the one hand they are a decent proxy for the experience of actually being in a place; on the other they provide a representational means of going beyond the capacities of individual experience. Films about architecture can c…
Videogame Adaptation
Even more than novels, movies, or radio broadcasts, videogames provide a logical nexus for adaptation studies because they depend on making older narrative sources more dynamic and interactive. Chapter 25 explores four moments of encounter in videogame adaptation that encourage an active paradigm in adaptation studies: textual analysis that makes texts in one medium playable in another, porting a game to a new console or operating system, linguis…
Alice in Wonderland
This article explores the centrality of Alice in Wonderland: An X-Rated Musical Fantasy (1976) to the history of porn, noting the ways that it interfaces with trends in adult film production and stands as representative of several possible avenues for the future of pornography before the VHS era. In exploring the film’s contested authorship, association with the producing career of Bill Osco, connection to other films that use public domain liter…
‘Green and pleasant land’
Peter Weir
Peter Weir is an ambivalent figure in the history of Australian cinema. John C. Tibbetts's Peter Weir: Interviews provides plenty of insight into this nearly legendary figure, but for all the valua
Don't Look Now
Don't Look Now
The hosted architectural documentary on British television
Film and television are uniquely able to convey architectural experience. Through camera movements, editing, framing, tracking through space, and/or isolating details from a larger whole, these moving images produce space. On the one hand they are a decent proxy for the experience of actually being in a place; on the other they provide a representational means of going beyond the capacities of individual experience. Films about architecture can c…
Don't Look Now
Peter Weir
Peter Weir is an ambivalent figure in the history of Australian cinema. John C. Tibbetts's Peter Weir: Interviews provides plenty of insight into this nearly legendary figure, but for all the valua
‘Green and pleasant land’
Videogame Adaptation
Even more than novels, movies, or radio broadcasts, videogames provide a logical nexus for adaptation studies because they depend on making older narrative sources more dynamic and interactive. Chapter 25 explores four moments of encounter in videogame adaptation that encourage an active paradigm in adaptation studies: textual analysis that makes texts in one medium playable in another, porting a game to a new console or operating system, linguis…
Alice in Wonderland
This article explores the centrality of Alice in Wonderland: An X-Rated Musical Fantasy (1976) to the history of porn, noting the ways that it interfaces with trends in adult film production and stands as representative of several possible avenues for the future of pornography before the VHS era. In exploring the film’s contested authorship, association with the producing career of Bill Osco, connection to other films that use public domain liter…
Architectural documentaries on British television
The mediation of the city, architecture and space is an omnipresent discourse in film studies, but what of architecture on television? What are the discourses and motifs that form an idea of architecture and space in broadcast history? Can a cultural form that produces a programming flow of news, drama, documentary and sport speak to the built environment in a different way, perhaps one more quotidian or revealing than that afforded by the persis…
The hosted architectural documentary on British television
Film and television are uniquely able to convey architectural experience. Through camera movements, editing, framing, tracking through space, and/or isolating details from a larger whole, these moving images produce space. On the one hand they are a decent proxy for the experience of actually being in a place; on the other they provide a representational means of going beyond the capacities of individual experience. Films about architecture can c…
Matthew Melia, ed, ReFocus
The Drive-In
Art (7 works) · Cinema and Media Studies (7 works) · Movie theater (7 works) · Art history (6 works) · History (6 works) · History (4 works) · Shakespeare, Adaptation, and Literary Criticism (4 works) · Aesthetics (3 works) · Computer Science (3 works) · Literature (3 works)