Dilek Kaya
Biographic Data
| ID | 3064791 |
|---|---|
| NAME | Dilek Kaya |
| GIVEN NAMES | Dilek |
| FAMILY NAME | Kaya |
| SIGNATURE | KAYA D |
| AFFILIATIONS | Kaya University |
| ORCID | 0000-0002-7183-7620 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 7 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Gendering the history of cinemagoing in Izmir, Turkey
This article focuses on cinemagoing in Izmir (the third largest city in Turkey) in the 1960s and the 1970s, when the city developed a vibrant cinema culture with its numerous winter and summer cinemas. It attempts to undo the problematic conceptions of homogeneous audiences and cinemagoing experiences by focusing on how gender shaped and constructed the experiences of middle-class audiences. The primary source material for the article is qualitat…
Crossroads (1970) and the origin of Islamic Cinema in Turkey
This article focuses on Birleşen Yollar/Crossroads (Yücel Çakmaklı, 1970), which pioneered the Islamic National Cinema Movement in Turkey. The film discursively constructed Turkish secularist modernization as cosmetic Westernization and promoted the Islamic way of life as the only means to true happiness—a popular theme of Islamic cinema in the late 1980s and 1990s. Although the film-makers discursively posited it as an ‘alternative’ film, they f…
Institutional Intervention in the Distribution and Exhibition of Hollywood Films in Turkey
Institutional Intervention in the Distribution and Exhibition of Hollywood Films in Turkey
Crossroads (1970) and the origin of Islamic Cinema in Turkey
This article focuses on Birleşen Yollar/Crossroads (Yücel Çakmaklı, 1970), which pioneered the Islamic National Cinema Movement in Turkey. The film discursively constructed Turkish secularist modernization as cosmetic Westernization and promoted the Islamic way of life as the only means to true happiness—a popular theme of Islamic cinema in the late 1980s and 1990s. Although the film-makers discursively posited it as an ‘alternative’ film, they f…
Gendering the history of cinemagoing in Izmir, Turkey
This article focuses on cinemagoing in Izmir (the third largest city in Turkey) in the 1960s and the 1970s, when the city developed a vibrant cinema culture with its numerous winter and summer cinemas. It attempts to undo the problematic conceptions of homogeneous audiences and cinemagoing experiences by focusing on how gender shaped and constructed the experiences of middle-class audiences. The primary source material for the article is qualitat…
Art (3 works) · Art history (2 works) · Cinema and Media Studies (2 works) · Gender Studies (2 works) · History (2 works) · Hollywood (2 works) · Law (2 works) · Media studies (2 works) · Movie theater (2 works) · Political science (2 works)