Malte Hagener
Biographic Data
| ID | 3064943 |
|---|---|
| NAME | Malte Hagener |
| GIVEN NAMES | Malte |
| FAMILY NAME | Hagener |
| SIGNATURE | HAGENER M |
| AFFILIATIONS | Philipps University of Marburg |
| ORCID | 0000-0003-4664-5536 |
| VERIFIED | Yes |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 12 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 3 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Approaching a National Film History through Data. Network Analysis in German Film History
The present paper is an attempt at importing network analysis as a method and applying it to a field that has hitherto been examined in different ways: the study of national cinema. The approach was motivated by the perceived conundrum in the existing studies of German cinema that filmhistorical and political history usually do not match. The aim is to open up another perspective on the problem of periodization by looking at the data of film prod…
Digital Film Historiography
Digital methods were slow to make inroads into film studies and particularly into film historiography.There are a number of reasons for this situation of extended latency: as a multimodal object, film requires a complex methodology for analysis which, in its translation into computational and data-driven approaches, calls for an adequately multi-layered theoretical and methodological framework.As a legal entity, film is heavily protected by copyr…
Technics
The Key Debates series was launched in 2010 with the aim of revisiting "the central issues that continue to animate thinking about film and audiovisual media," which we have now done across ten volumes.All of these have followed a pattern of reexamining foundational texts and issues, while also investigating new lines of transmission and interpretation.Our book series' dual interest in foundations and novel lines of inquiry is demonstrated by the…
The State of Post-Cinema
This book approaches the topic of the state of post-cinema from a new direction. The authors explore how film has left the cinema as a fixed site and institution and now appears ubiquitous - in the mu
State of Post-Cinema
The State of Post-Cinema
How the Nouvelle Vague Invented the DVD
Whereas the currently emerging configurations of audiovisualcy in the age of digital networks are often addressed in terms of absolute novelty and innovation, this article wishes to shift the focus slightly, articulating instead the new in terms of the old. This essay proposes the argument that it was within the Nouvelle Vague and the French film culture of the 1960s that the DVD was “invented”. Obviously, this is a contrafactual argument, but if…
The Classical Hollywood Reader
The Filming of Modern Life
Malcolm Turvey, the author of The Filming of Modern Life, is a good candidate for the task of providing a fresh and original perspective on the European film avant garde of the 1920s, a canonized and relatively well-known period in film history. A professor at Sarah Lawrence College, Turvey has previously published Doubting Vision: Film and the Revelationist Tradition,1 an unorthodox study of the theories of Jean Epstein, Dziga Vertov, Béla Baláz…
Cinephilia
Cinephilia
The idea for this anthology originated with a number of discussions and conferences that took place from to in between New York, Amsterdam
Film — An International Bibliography
Film
Cinephilia
The idea for this anthology originated with a number of discussions and conferences that took place from to in between New York, Amsterdam
How the Nouvelle Vague Invented the DVD
Whereas the currently emerging configurations of audiovisualcy in the age of digital networks are often addressed in terms of absolute novelty and innovation, this article wishes to shift the focus slightly, articulating instead the new in terms of the old. This essay proposes the argument that it was within the Nouvelle Vague and the French film culture of the 1960s that the DVD was “invented”. Obviously, this is a contrafactual argument, but if…
The Filming of Modern Life
Malcolm Turvey, the author of The Filming of Modern Life, is a good candidate for the task of providing a fresh and original perspective on the European film avant garde of the 1920s, a canonized and relatively well-known period in film history. A professor at Sarah Lawrence College, Turvey has previously published Doubting Vision: Film and the Revelationist Tradition,1 an unorthodox study of the theories of Jean Epstein, Dziga Vertov, Béla Baláz…
Film — An International Bibliography
Film
Cinephilia
Cinephilia
The idea for this anthology originated with a number of discussions and conferences that took place from to in between New York, Amsterdam
The Filming of Modern Life
Malcolm Turvey, the author of The Filming of Modern Life, is a good candidate for the task of providing a fresh and original perspective on the European film avant garde of the 1920s, a canonized and relatively well-known period in film history. A professor at Sarah Lawrence College, Turvey has previously published Doubting Vision: Film and the Revelationist Tradition,1 an unorthodox study of the theories of Jean Epstein, Dziga Vertov, Béla Baláz…
The Classical Hollywood Reader
How the Nouvelle Vague Invented the DVD
Whereas the currently emerging configurations of audiovisualcy in the age of digital networks are often addressed in terms of absolute novelty and innovation, this article wishes to shift the focus slightly, articulating instead the new in terms of the old. This essay proposes the argument that it was within the Nouvelle Vague and the French film culture of the 1960s that the DVD was “invented”. Obviously, this is a contrafactual argument, but if…
The State of Post-Cinema
This book approaches the topic of the state of post-cinema from a new direction. The authors explore how film has left the cinema as a fixed site and institution and now appears ubiquitous - in the mu
State of Post-Cinema
The State of Post-Cinema
Approaching a National Film History through Data. Network Analysis in German Film History
The present paper is an attempt at importing network analysis as a method and applying it to a field that has hitherto been examined in different ways: the study of national cinema. The approach was motivated by the perceived conundrum in the existing studies of German cinema that filmhistorical and political history usually do not match. The aim is to open up another perspective on the problem of periodization by looking at the data of film prod…
Digital Film Historiography
Digital methods were slow to make inroads into film studies and particularly into film historiography.There are a number of reasons for this situation of extended latency: as a multimodal object, film requires a complex methodology for analysis which, in its translation into computational and data-driven approaches, calls for an adequately multi-layered theoretical and methodological framework.As a legal entity, film is heavily protected by copyr…
Technics
The Key Debates series was launched in 2010 with the aim of revisiting "the central issues that continue to animate thinking about film and audiovisual media," which we have now done across ten volumes.All of these have followed a pattern of reexamining foundational texts and issues, while also investigating new lines of transmission and interpretation.Our book series' dual interest in foundations and novel lines of inquiry is demonstrated by the…
Cinema and Media Studies (9 works) · Art (5 works) · Art history (4 works) · History (4 works) · Computer Science (3 works) · European history and politics (3 works) · Motion pictures (3 works) · Movie theater (3 works) · Sociology (3 works) · Aesthetics (2 works)