Anne-Sofie Hjemdahl
Biographic Data
| ID | 3065580 |
|---|---|
| NAME | Anne-Sofie Hjemdahl |
| GIVEN NAMES | Anne-Sofie |
| FAMILY NAME | Hjemdahl |
| SIGNATURE | HJEMDAHL A |
| AFFILIATIONS | Telemark Research Institute |
| ORCID | 0000-0001-5646-8508 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1970 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Volunteers and their heritage - a heritage from within
This article furthers research on heritage volunteering by focusing on the relationship between the volunteers and the heritage they produce and perform. It explores how volunteers engage with specific aspects of the past. Through an ethnographic study of contemporary heritage volunteers in Norway, we found a deeply personal connection between volunteers and their heritage. To better grasp the heritage produced by volunteers, we propose a concept…
Encountering the machinery of bureaucracy - enacting cultural heritage as facts, maps, and mathematics in environmental impact assessments
Research into Heritage Impact Assessment (HIA) has criticised the process of Environmental Impact Assessment (EIA) as a tool for protecting cultural heritage, claiming that assessments of impacts on cultural heritage become marginalised and fail to inform key decisions during EIA processes. Many suggestions have been made for optimising the process and providing a platform to improve the understanding of cultural heritage. This article aims to en…
Fashion Time
During the first half of the twentieth century the Western fashion industry expanded, new fashion houses were created and the dissemination and distribution of fashion clothing was institutionalized through fashion shows, retail, window displays and fashion photography. At the same time, fashionable dress was established as a field of knowledge within European and Scandinavian museums. This article focuses on the process of bringing fashionable d…
Gallakjole og underbenklær. Om det private i museets kunnskapsprosjekt
The point of departure in this article is a ”private” photo collection from 1956, found in the archives of the Museum of Decorative Arts and Design in Oslo. In this collection the married couple or Bentz Kielland and Edle Due Kielland, the director at the museum and the head of the textile department, document their own wardrobes through photographs and registration cards. e article explores the hybrid character of this material. e focus is on th…
Introduction. Bodyworks
Facing skeletons. Reflections on three Stone Age portraits
The discussions in this article relate to the already existing literature about bodies in museum exhibitions and the tension between humanization and dehumanization, individualization and objectification. It approaches the archaeological exhibition practice called “forensic art”. Forensic art means giving a face and identity to human skeletons through specific methods. The point of departure is three different reconstructions based on the remains…
Facing skeletons. Reflections on three Stone Age portraits
The discussions in this article relate to the already existing literature about bodies in museum exhibitions and the tension between humanization and dehumanization, individualization and objectification. It approaches the archaeological exhibition practice called “forensic art”. Forensic art means giving a face and identity to human skeletons through specific methods. The point of departure is three different reconstructions based on the remains…
Gallakjole og underbenklær. Om det private i museets kunnskapsprosjekt
The point of departure in this article is a ”private” photo collection from 1956, found in the archives of the Museum of Decorative Arts and Design in Oslo. In this collection the married couple or Bentz Kielland and Edle Due Kielland, the director at the museum and the head of the textile department, document their own wardrobes through photographs and registration cards. e article explores the hybrid character of this material. e focus is on th…
Introduction. Bodyworks
Facing skeletons. Reflections on three Stone Age portraits
The discussions in this article relate to the already existing literature about bodies in museum exhibitions and the tension between humanization and dehumanization, individualization and objectification. It approaches the archaeological exhibition practice called “forensic art”. Forensic art means giving a face and identity to human skeletons through specific methods. The point of departure is three different reconstructions based on the remains…
Fashion Time
During the first half of the twentieth century the Western fashion industry expanded, new fashion houses were created and the dissemination and distribution of fashion clothing was institutionalized through fashion shows, retail, window displays and fashion photography. At the same time, fashionable dress was established as a field of knowledge within European and Scandinavian museums. This article focuses on the process of bringing fashionable d…
Encountering the machinery of bureaucracy - enacting cultural heritage as facts, maps, and mathematics in environmental impact assessments
Research into Heritage Impact Assessment (HIA) has criticised the process of Environmental Impact Assessment (EIA) as a tool for protecting cultural heritage, claiming that assessments of impacts on cultural heritage become marginalised and fail to inform key decisions during EIA processes. Many suggestions have been made for optimising the process and providing a platform to improve the understanding of cultural heritage. This article aims to en…
Volunteers and their heritage - a heritage from within
This article furthers research on heritage volunteering by focusing on the relationship between the volunteers and the heritage they produce and perform. It explores how volunteers engage with specific aspects of the past. Through an ethnographic study of contemporary heritage volunteers in Norway, we found a deeply personal connection between volunteers and their heritage. To better grasp the heritage produced by volunteers, we propose a concept…
Archaeology (4 works) · Art (3 works) · Computer Science (3 works) · Cultural heritage (3 works) · History (3 works) · Sociology (3 works) · Visual arts (3 works) · Art, Politics, and Modernism (2 works) · Clothing (2 works) · Fashion and Cultural Textiles (2 works)