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Tony Whyton

Biographic Data

ID3065653
NAMETony Whyton
GIVEN NAMESTony
FAMILY NAMEWhyton
SIGNATUREWHYTON T
AFFILIATIONSRoyal Birmingham Conservatoire, Birmingham City University, Birmingham, United Kingdom
ORCID0000-0002-6745-9911
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS4
AUTHOR COUNT5
EDITOR COUNT1
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2024
H-INDEX2
  • Encountering the Plague

    Wojciech Sowa, Tony Whyton•BOOK•Encountering Plague : Humanities…•2024

    This edited collection features fourteen newly commissioned articles, each of which responds to the theme of plague from different disciplinary perspectives. Contributors focus on the effects of COVID-19 on everyday life, drawing also on insights from different historical experiences of plague as a way of exploring human responses to epidemics, past and present. Each chapter opens with a different illustration that serves as a source for subseque…

  • Space is the place

    Tony Whyton•ARTICLE•International Journal of Heritage…•2020•Cited by: 2•References: 14

    The JPI-Heritage Plus supported Cultural Heritage and Improvised Music in European Festivals (CHIME) project was established to examine the workings of jazz festivals and their relationship to cultural heritage as discursive practice. Jazz festivals occupy a significant – if undervalued – place in the ecologies of Europe’s cultural heritage, with their dynamic and synergetic relationship to spaces and cultural sites. Drawing on a number of case s…

  • Cultural heritage and jazz festivals' special issue editors' introduction

    Tony Whyton, Graham Mckay•ARTICLE•International Journal of Heritage…•2020•References: 5

  • Moving to Higher Ground

    Open Access•Tony Whyton•ARTICLE•European Journal of Musicology•2017

    The 2014 conference ‘Growing Up: Jazz between 1960 and 1980' in Lucerne provided a stimulating environment for the examination of European identity in jazz, and offered several fascinating insights into the musical landscape and changing cultural discourses of jazz during this period in history. This article builds on the overarching theme of the Conference by examining what the concept of ‘growing up' means for jazz within this time period. I ex…

  • Musical genre and gender as factors in higher education learning in music

    Grover Welch, Graham Welch et al.•ARTICLE•Research Papers in Education•2008•Cited by: 2•References: 23

    Educational and psychological research suggests that gender and musical genre can influence musical learning and the development of musical identities, particularly during adolescence. However, there is a relative paucity of educational studies in higher education (HE) concerning the possible impact on musical learning of gender and musical genre, either individually or collectively. As part of a two‐year comparative study funded under the Econom…

  • Four for Trane

    Tony Whyton•ARTICLE•Jazz Perspectives•2007

    This article comments on the paradoxical nature of new art and its relationship to technology, and discusses the impact of iconic recordings on contemporary performance habits. Using four examples of iconic media associated with John Coltrane, I construct a model from which to examine current trends in jazz performance that are influenced both directly and indirectly by recordings. I open \nwith a discussion of how the jazz icon-audience relation…

  • Space is the place

    Tony Whyton•ARTICLE•International Journal of Heritage…•2020•Cited by: 2•References: 14

    The JPI-Heritage Plus supported Cultural Heritage and Improvised Music in European Festivals (CHIME) project was established to examine the workings of jazz festivals and their relationship to cultural heritage as discursive practice. Jazz festivals occupy a significant – if undervalued – place in the ecologies of Europe’s cultural heritage, with their dynamic and synergetic relationship to spaces and cultural sites. Drawing on a number of case s…

  • Musical genre and gender as factors in higher education learning in music

    Grover Welch, Graham Welch et al.•ARTICLE•Research Papers in Education•2008•Cited by: 2•References: 23

    Educational and psychological research suggests that gender and musical genre can influence musical learning and the development of musical identities, particularly during adolescence. However, there is a relative paucity of educational studies in higher education (HE) concerning the possible impact on musical learning of gender and musical genre, either individually or collectively. As part of a two‐year comparative study funded under the Econom…

  • Four for Trane

    Tony Whyton•ARTICLE•Jazz Perspectives•2007

    This article comments on the paradoxical nature of new art and its relationship to technology, and discusses the impact of iconic recordings on contemporary performance habits. Using four examples of iconic media associated with John Coltrane, I construct a model from which to examine current trends in jazz performance that are influenced both directly and indirectly by recordings. I open \nwith a discussion of how the jazz icon-audience relation…

  • Musical genre and gender as factors in higher education learning in music

    Grover Welch, Graham Welch et al.•ARTICLE•Research Papers in Education•2008•Cited by: 2•References: 23

    Educational and psychological research suggests that gender and musical genre can influence musical learning and the development of musical identities, particularly during adolescence. However, there is a relative paucity of educational studies in higher education (HE) concerning the possible impact on musical learning of gender and musical genre, either individually or collectively. As part of a two‐year comparative study funded under the Econom…

  • Moving to Higher Ground

    Open Access•Tony Whyton•ARTICLE•European Journal of Musicology•2017

    The 2014 conference ‘Growing Up: Jazz between 1960 and 1980' in Lucerne provided a stimulating environment for the examination of European identity in jazz, and offered several fascinating insights into the musical landscape and changing cultural discourses of jazz during this period in history. This article builds on the overarching theme of the Conference by examining what the concept of ‘growing up' means for jazz within this time period. I ex…

  • Space is the place

    Tony Whyton•ARTICLE•International Journal of Heritage…•2020•Cited by: 2•References: 14

    The JPI-Heritage Plus supported Cultural Heritage and Improvised Music in European Festivals (CHIME) project was established to examine the workings of jazz festivals and their relationship to cultural heritage as discursive practice. Jazz festivals occupy a significant – if undervalued – place in the ecologies of Europe’s cultural heritage, with their dynamic and synergetic relationship to spaces and cultural sites. Drawing on a number of case s…

  • Cultural heritage and jazz festivals' special issue editors' introduction

    Tony Whyton, Graham Mckay•ARTICLE•International Journal of Heritage…•2020•References: 5

  • Encountering the Plague

    Wojciech Sowa, Tony Whyton•BOOK•Encountering Plague : Humanities…•2024

    This edited collection features fourteen newly commissioned articles, each of which responds to the theme of plague from different disciplinary perspectives. Contributors focus on the effects of COVID-19 on everyday life, drawing also on insights from different historical experiences of plague as a way of exploring human responses to epidemics, past and present. Each chapter opens with a different illustration that serves as a source for subseque…

Art (4 works) · Jazz (4 works) · Visual arts (4 works) · Aesthetics (3 works) · Literature (3 works) · Musical (3 works) · Computer Science (2 works) · Diverse Musicological Studies (2 works) · History (2 works) · Musicology and Musical Analysis (2 works)

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