Vivian P Y Lee
Biographic Data
| ID | 3065661 |
|---|---|
| NAME | Vivian P Y Lee |
| GIVEN NAMES | Vivian P Y |
| FAMILY NAME | Lee |
| SIGNATURE | LEE V P Y |
| AFFILIATIONS | City University of Hong Kong |
| ORCID | 0000-0001-5886-1784 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 9 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 2 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
The City in Flux
Whether appearing as a dramatic setting or as a “protagonist” in itself, Hong Kong’s urban space has inspired the imagination of filmmakers of different generations and artistic orientations. If architecture is the primary denominator of a city’s spatial identity,1 the cinema offers a repertoire of visual vocabularies through which this identity is articulated, contested, and transformed in time. “Space” here connotes both the diegetic configurat…
Vampires in Italian Cinema, 1956-1975
Demonstrates how and why the transnational figure of the vampire was appropriated by Italian genre filmmakers between 1956 and 1975 Actively engages in the ongoing academic debate about the cultural legitimacy of Italian genre cinema Covers unpublished film production data (from the Archivio Centrale dello Stato in Rome), original screenplays (from the Biblioteca Luigi Chiarini in Rome), cinematic paratexts and vampire-themed paraliterature (from…
The Other Side of Glamour
Since its inception more than a century ago, Hong Kong cinema has been a pre-eminent form of local entertainment and a site of ideological contentions propelled by colonial, national and international politics at different historical junctures. The Other Side of Glamour is a study of the historical development of the left-wing film establishment in Hong Kong. In particular, it seeks to reconstruct a more dynamic picture of left-wing film producti…
Relocalising Hong Kong Cinema
This paper seeks to unpack the politics of the local in post-CEPA (Closer Economic Partnership Arrangement) Hong Kong through the lens of Hong Kong cinema as a contested site of cultural production
Postcolonial cultural governance
This paper seeks to unpack the politics of heritage preservation in post-1997 Hong Kong. Referring to international frameworks on heritage preservation, it seeks to position Hong Kong’s cultural resource management on par with international discourses for the advancement of heritage governance. Debates surrounding heritage are indeed a part of the wider picture of Hong Kong’s cultural and identity politics and the Hong Kong-China relationship. By…
Global coloniality and the Asian century
No abstract available
East Asian Cinemas
This book is an original volume of essays that sheds new and critical light on current and emerging filmmaking trends and practices in China, Taiwan, Hong Kong, Japan and South Korea. A timely and imp
East Asian Cinemas
Introduction
The global popularity of films from East Asia has drawn critical attention to the overlapping territories of national and transnational cinemas. The phenomenal success of East Asia’s popular cultural products in capturing Asian and Western markets has prompted critical rethinking of the epistemology of “Asian culture” and the geopolitical importance of the region as an intermediary between the local and the global.1 Meanwhile, an expanding body o…
Hong Kong Cinema Since 1997
Taking as its point of departure the three recurrent themes of nostalgia, memory and local histories, this book is an attempt to map out a new poetics - the 'post-nostalgic imagination' - in Hong Kong
Postcolonial cultural governance
This paper seeks to unpack the politics of heritage preservation in post-1997 Hong Kong. Referring to international frameworks on heritage preservation, it seeks to position Hong Kong’s cultural resource management on par with international discourses for the advancement of heritage governance. Debates surrounding heritage are indeed a part of the wider picture of Hong Kong’s cultural and identity politics and the Hong Kong-China relationship. By…
Global coloniality and the Asian century
No abstract available
Hong Kong Cinema Since 1997
Taking as its point of departure the three recurrent themes of nostalgia, memory and local histories, this book is an attempt to map out a new poetics - the 'post-nostalgic imagination' - in Hong Kong
East Asian Cinemas
This book is an original volume of essays that sheds new and critical light on current and emerging filmmaking trends and practices in China, Taiwan, Hong Kong, Japan and South Korea. A timely and imp
East Asian Cinemas
Introduction
The global popularity of films from East Asia has drawn critical attention to the overlapping territories of national and transnational cinemas. The phenomenal success of East Asia’s popular cultural products in capturing Asian and Western markets has prompted critical rethinking of the epistemology of “Asian culture” and the geopolitical importance of the region as an intermediary between the local and the global.1 Meanwhile, an expanding body o…
Global coloniality and the Asian century
No abstract available
Relocalising Hong Kong Cinema
This paper seeks to unpack the politics of the local in post-CEPA (Closer Economic Partnership Arrangement) Hong Kong through the lens of Hong Kong cinema as a contested site of cultural production
Postcolonial cultural governance
This paper seeks to unpack the politics of heritage preservation in post-1997 Hong Kong. Referring to international frameworks on heritage preservation, it seeks to position Hong Kong’s cultural resource management on par with international discourses for the advancement of heritage governance. Debates surrounding heritage are indeed a part of the wider picture of Hong Kong’s cultural and identity politics and the Hong Kong-China relationship. By…
Vampires in Italian Cinema, 1956-1975
Demonstrates how and why the transnational figure of the vampire was appropriated by Italian genre filmmakers between 1956 and 1975 Actively engages in the ongoing academic debate about the cultural legitimacy of Italian genre cinema Covers unpublished film production data (from the Archivio Centrale dello Stato in Rome), original screenplays (from the Biblioteca Luigi Chiarini in Rome), cinematic paratexts and vampire-themed paraliterature (from…
The Other Side of Glamour
Since its inception more than a century ago, Hong Kong cinema has been a pre-eminent form of local entertainment and a site of ideological contentions propelled by colonial, national and international politics at different historical junctures. The Other Side of Glamour is a study of the historical development of the left-wing film establishment in Hong Kong. In particular, it seeks to reconstruct a more dynamic picture of left-wing film producti…
The City in Flux
Whether appearing as a dramatic setting or as a “protagonist” in itself, Hong Kong’s urban space has inspired the imagination of filmmakers of different generations and artistic orientations. If architecture is the primary denominator of a city’s spatial identity,1 the cinema offers a repertoire of visual vocabularies through which this identity is articulated, contested, and transformed in time. “Space” here connotes both the diegetic configurat…
History (9 works) · Movie theater (8 works) · Art history (7 works) · Hong Kong and Taiwan Politics (7 works) · Political science (7 works) · Sociology (7 works) · Media studies (5 works) · Archaeology (4 works) · Art (4 works) · Geography (4 works)