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Fanny Ming-Yan Chung

Biographic Data

ID3065835
NAMEFanny Ming-Yan Chung
GIVEN NAMESFanny Ming-Yan
FAMILY NAMEChung
SIGNATURECHUNG F M
AFFILIATIONSCultural Management, Faculty of Arts, The Chinese University of Hong Kong, Shatin, Hong Kong
ORCID0000-0003-3267-2795
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS6
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2026
H-INDEX2
  • Engaging Young Learners

    Open Access•Fanny Ming-Yan Chung, Fanny Ming Yan Chung•ARTICLE•Education Sciences•2026

    While there has been a recent focus on reforming kindergarten curricula to emphasize a play-based learning (PBL) approach, a lingering dichotomy remains between play-based learning and pedagogical instruction aimed at academic preparation. Early music education is a critical component of the current policy emphasis on arts education and PBL, yet there is scarce research on play-based pedagogy in music education, particularly regarding children’s …

  • Self-Efficacy of Preschool Teachers in Content Knowledge and Pedagogical Content Knowledge for Implementing Musical Play

    Open Access•Fanny Ming-Yan Chung, Yan Lam Ho•ARTICLE•International Journal of Music…•2026

    Studies indicate that musical play enhances children’s musical and overall development. In Hong Kong, “play” has been officially recommended as the focus of the preschool curriculum, advocating for musical play in music education. Utilizing Bandura’s self-efficacy theory, this study examined self-efficacy beliefs among Hong Kong preschool teachers regarding their content knowledge and pedagogical content knowledge for implementing musical play. I…

  • Utilising technology as a transmission strategy in intangible cultural heritage

    Fanny Ming-Yan Chung•ARTICLE•International Journal of Heritage…•2024•Cited by: 2•References: 39

    Globalised technological advancements have radically transformed how intangible cultural heritage (ICH) is inherited in contemporary society. Despite being recognised as a Human ICH by the United Nations Educational, Scientific, and Cultural Organisation, Cantonese opera is facing existential crises attributed to an ageing demographic and shrinking audience base. To survive in a rapidly changing sociocultural landscape, Cantonese opera performanc…

  • Safeguarding traditional theatre amid trauma

    Fanny Ming-Yan Chung•ARTICLE•International Journal of Heritage…•2022•Cited by: 2•References: 34

    Cantonese opera was inscribed as a Human Intangible Cultural Heritage by UNESCO in 2009. The closure of world heritage properties and performance venues due to the global pandemic has resulted in a global employment crisis and the subsequent departure of many seasoned Cantonese opera artists, inarguably threatening the sustainability of cultural heritage development and disrupting the transmission process. This paper investigates the intertwined …

  • Developing Audiences Through Outreach and Education in the Major Performing Arts Institutions of Hong Kong

    Open Access•Fanny Ming-Yan Chung•ARTICLE•Fudan Journal of the Humanities…•2021

  • Translating Culture-Bound Elements

    Open Access•Fanny Ming-Yan Chung•ARTICLE•Fudan Journal of the Humanities…•2021•Cited by: 2•References: 4

  • Utilising technology as a transmission strategy in intangible cultural heritage

    Fanny Ming-Yan Chung•ARTICLE•International Journal of Heritage…•2024•Cited by: 2•References: 39

    Globalised technological advancements have radically transformed how intangible cultural heritage (ICH) is inherited in contemporary society. Despite being recognised as a Human ICH by the United Nations Educational, Scientific, and Cultural Organisation, Cantonese opera is facing existential crises attributed to an ageing demographic and shrinking audience base. To survive in a rapidly changing sociocultural landscape, Cantonese opera performanc…

  • Safeguarding traditional theatre amid trauma

    Fanny Ming-Yan Chung•ARTICLE•International Journal of Heritage…•2022•Cited by: 2•References: 34

    Cantonese opera was inscribed as a Human Intangible Cultural Heritage by UNESCO in 2009. The closure of world heritage properties and performance venues due to the global pandemic has resulted in a global employment crisis and the subsequent departure of many seasoned Cantonese opera artists, inarguably threatening the sustainability of cultural heritage development and disrupting the transmission process. This paper investigates the intertwined …

  • Translating Culture-Bound Elements

    Open Access•Fanny Ming-Yan Chung•ARTICLE•Fudan Journal of the Humanities…•2021•Cited by: 2•References: 4

  • Developing Audiences Through Outreach and Education in the Major Performing Arts Institutions of Hong Kong

    Open Access•Fanny Ming-Yan Chung•ARTICLE•Fudan Journal of the Humanities…•2021

  • Translating Culture-Bound Elements

    Open Access•Fanny Ming-Yan Chung•ARTICLE•Fudan Journal of the Humanities…•2021•Cited by: 2•References: 4

  • Safeguarding traditional theatre amid trauma

    Fanny Ming-Yan Chung•ARTICLE•International Journal of Heritage…•2022•Cited by: 2•References: 34

    Cantonese opera was inscribed as a Human Intangible Cultural Heritage by UNESCO in 2009. The closure of world heritage properties and performance venues due to the global pandemic has resulted in a global employment crisis and the subsequent departure of many seasoned Cantonese opera artists, inarguably threatening the sustainability of cultural heritage development and disrupting the transmission process. This paper investigates the intertwined …

  • Utilising technology as a transmission strategy in intangible cultural heritage

    Fanny Ming-Yan Chung•ARTICLE•International Journal of Heritage…•2024•Cited by: 2•References: 39

    Globalised technological advancements have radically transformed how intangible cultural heritage (ICH) is inherited in contemporary society. Despite being recognised as a Human ICH by the United Nations Educational, Scientific, and Cultural Organisation, Cantonese opera is facing existential crises attributed to an ageing demographic and shrinking audience base. To survive in a rapidly changing sociocultural landscape, Cantonese opera performanc…

  • Engaging Young Learners

    Open Access•Fanny Ming-Yan Chung, Fanny Ming Yan Chung•ARTICLE•Education Sciences•2026

    While there has been a recent focus on reforming kindergarten curricula to emphasize a play-based learning (PBL) approach, a lingering dichotomy remains between play-based learning and pedagogical instruction aimed at academic preparation. Early music education is a critical component of the current policy emphasis on arts education and PBL, yet there is scarce research on play-based pedagogy in music education, particularly regarding children’s …

  • Self-Efficacy of Preschool Teachers in Content Knowledge and Pedagogical Content Knowledge for Implementing Musical Play

    Open Access•Fanny Ming-Yan Chung, Yan Lam Ho•ARTICLE•International Journal of Music…•2026

    Studies indicate that musical play enhances children’s musical and overall development. In Hong Kong, “play” has been officially recommended as the focus of the preschool curriculum, advocating for musical play in music education. Utilizing Bandura’s self-efficacy theory, this study examined self-efficacy beliefs among Hong Kong preschool teachers regarding their content knowledge and pedagogical content knowledge for implementing musical play. I…

Cultural heritage (3 works) · History (3 works) · Political science (3 works) · Sociology (3 works) · The arts (3 works) · Aesthetics (2 works) · Archaeology (2 works) · Art (2 works) · Diverse Music Education Insights (2 works) · Early Childhood Education and Development (2 works)

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