Nadja Valentinčič Furlan
Biographic Data
| ID | 3066068 |
|---|---|
| NAME | Nadja Valentinčič Furlan |
| GIVEN NAMES | Nadja Valentinčič |
| FAMILY NAME | Furlan |
| SIGNATURE | FURLAN N V |
| AFFILIATIONS | Slovenski Etnografski Muzej |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Methods and ethics of visual ethnography in the production of experiential and participatory films on intangible heritage
The most characteristic films within the UNESCO safeguarding paradigm of intangible heritage are the filmsFootnote1 in the nomination files, published on the UNESCO website after the elements are inscribed on the lists (UNESCO n.d.a. ICH Lists). Visual analysis has revealed the strong predominance of top-down, word-and-sentence-based illustrative films with the etic off-commentaries of professionals. The article calls for films produced within th…
Communicating Knowledge and Identities Audiovisually in Exhibitions: Participatory Approaches at the Slovene Ethnographic Museum
Museologist Eilean Hooper-Greenhill's concept of 'post-museum' eliminates the difference between high, popular and folk culture. With the recognition that each truth is only partial, depending on the interpreter, the curator's interpretation has ceased to be privileged. The museum has lost its authority over the production of knowledge
No prominent works on this page.
Communicating Knowledge and Identities Audiovisually in Exhibitions: Participatory Approaches at the Slovene Ethnographic Museum
Museologist Eilean Hooper-Greenhill's concept of 'post-museum' eliminates the difference between high, popular and folk culture. With the recognition that each truth is only partial, depending on the interpreter, the curator's interpretation has ceased to be privileged. The museum has lost its authority over the production of knowledge
Methods and ethics of visual ethnography in the production of experiential and participatory films on intangible heritage
The most characteristic films within the UNESCO safeguarding paradigm of intangible heritage are the filmsFootnote1 in the nomination files, published on the UNESCO website after the elements are inscribed on the lists (UNESCO n.d.a. ICH Lists). Visual analysis has revealed the strong predominance of top-down, word-and-sentence-based illustrative films with the etic off-commentaries of professionals. The article calls for films produced within th…
Anthropology (2 works) · Art (2 works) · Citizen journalism (2 works) · Computer Science (2 works) · Cultural Heritage Management and Preservation (2 works) · Ethnography (2 works) · Museums and Cultural Heritage (2 works) · Sociology (2 works) · 3D Surveying and Cultural Heritage (1 works) · Aesthetics (1 works)