Robert Weimann
Biographic Data
| ID | 306950 |
|---|---|
| NAME | Robert Weimann |
| GIVEN NAMES | Robert |
| FAMILY NAME | Weimann |
| SIGNATURE | WEIMANN R |
| AFFILIATIONS | Humboldt University; East Berlin, GDR |
| VERIFIED | No |
| TOTAL WORKS | 21 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 21 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1963 |
| LATEST PUBLICATION YEAR | 2009 |
| H-INDEX | 1 |
Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre
Shakespeare and the Power of Performance: Stage and Page in the Elizabethan Theatre
Authority and Representation in Early Modern Discourse
Thresholds to Memory and Commodity in Shakespeare's Endings
Research Article| January 01 1996 Thresholds to Memory and Commodity in Shakespeare's Endings Robert Weimann Robert Weimann Search for other works by this author on: This Site PubMed Google Scholar Representations (1996) 53: 1–20. https://doi.org/10.2307/2928668 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site…
Textual Authority and Performative Agency: The Uses of Disguise in Shakespeare's Theater
Robert Weimann, Textual Authority and Performative Agency: The Uses of Disguise in Shakespeare's Theater, New Literary History, Vol. 25, No. 4, 25th Anniversary Issue (Part 2) (Autumn, 1994), pp. 789-808
(Post)Modernity and Representation: Issues of Authority, Power, Performativity
Robert Weimann, (Post)Modernity and Representation: Issues of Authority, Power, Performativity, New Literary History, Vol. 23, No. 4, Papers from the Commonwealth Center for Literary and Cultural Change (Autumn, 1992), pp. 955-981
Realism, Ideology, and the Novel in America (1886-1896): Changing Perspectives in the Work of Mark Twain, W. D. Howells, and Henry James
Robert Weimann, Realism, Ideology, and the Novel in America (1886-1896): Changing Perspectives in the Work of Mark Twain, W. D. Howells, and Henry James, boundary 2, Vol. 17, No. 1, New Americanists: Revisionist Interventions into the Canon (Spring, 1990), pp. 189-210
Cultural change, communication and the space for art
Shakespeare (De)Canonized: Conflicting Uses of "Authority" and "Representation
text and, hence, its canonical status as potential classic are due neither to hidden power of establishment institutions nor to continuity of some Kantian interesseloses Wohlgefallen vis-a-vis timeless virtue of an artful object, Shakespearean Moniment, without tombe (to use Ben Jonson's phrase from First Folio) must raise host of problems from point of view of new literary history. At this date, it may appear obvious that survival capacity of te…
Text, Author-Function, and Appropriation in Modern Narrative: Toward a Sociology of Representation
History and the Issue of Authority in Representation: The Elizabethan Theater and the Reformation
LT ET US BEGIN with the theoretical question of whether, and to what extent, the issue of authority in can be historicized, in the sense that it can be illuminated through its relation to history as a changeful ensemble of discursive and nondiscursive conditions and activities. This question involves an understanding of authority as-briefly-both a textual and an existential court of appeal, as an issue which, linking (or dividing) the forces of s…
Fabula and Historia: The Crisis of the "Universall Consideration" in The Unfortunate Traveller
Research Article| October 01 1984 Fabula and Historia: The Crisis of the "Universall Consideration" in The Unfortunate Traveller Robert Weimann Robert Weimann Search for other works by this author on: This Site PubMed Google Scholar Representations (1984) 8: 14–29. https://doi.org/10.2307/2928556 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Ico…
"Appropriation" and Modern History in Renaissance Prose Narrative
Naissance de la modernite dans le recit en prose a la Renaissance: 1. La mimesis et l'appropriation| 2. L'appropriation comme Aneignung. 3. La fonction auctoriale et la production de la signification dans l'historiographie| 4. Le nouveau mode de lecture| 5. Le probleme du personnage
Shakespeare and Marxist Methodology
"New Criticism" und die Entwicklung burgerlicher Literaturwissenschaft: Geschichte und Kritik autonomer Interpretationsmethoden
Tradition in der Literaturgeschichte
Shakespeare and the Study of Metaphor
HAVE CHOSEN and the study of as my subject partly because it provides us with two points of reference which, although obvious in their connection, have all too rarely been seen together. One is the work of a great poet and dramatist, the study of which involves a sense of history and practical criticism, the other is of a more theoretical nature: it refers to problems of method and approach and, of course, of theory in the study of metaphor. Both…
French Structuralism and Literary History: Some Critiques and Reconsiderations
WHEN Ferdinand de Saussure developed a synchronic mode 0 of studies (to complement rather than to superSsede the diachronic approach), it was hard to predict that from it would emerge a crucial challenge to the traditional methods of historical philology as well as a profound reaction against the historical orientation of the social sciences. The historical tradition in romantic and positivist philology had, by and large, reflected the needs and …
Past Significance and Present Meaning in Literary History
OVER the last 30 years the critique of the historical method has, in the West, achieved considerable dimensions, but perhaps the time has now come to re-assess the nature and the object of this critique, and from there to proceed to some re-appraisal of the possibilities and limitations of literary history. If, in the United States, the historical study of literature is to achieve a new sense of direction and purpose, it must first be prepared to…
"New Criticism" und die Entwicklung burgerlicher Literaturwissenschaft
"New Criticism" und Die Entwicklung Burgerlicher Literaturwissenschaft: Geschichte und Kritik Neuer Interpretationsmethoden
Text, Author-Function, and Appropriation in Modern Narrative: Toward a Sociology of Representation
Shakespeare (De)Canonized: Conflicting Uses of "Authority" and "Representation
text and, hence, its canonical status as potential classic are due neither to hidden power of establishment institutions nor to continuity of some Kantian interesseloses Wohlgefallen vis-a-vis timeless virtue of an artful object, Shakespearean Moniment, without tombe (to use Ben Jonson's phrase from First Folio) must raise host of problems from point of view of new literary history. At this date, it may appear obvious that survival capacity of te…
French Structuralism and Literary History: Some Critiques and Reconsiderations
WHEN Ferdinand de Saussure developed a synchronic mode 0 of studies (to complement rather than to superSsede the diachronic approach), it was hard to predict that from it would emerge a crucial challenge to the traditional methods of historical philology as well as a profound reaction against the historical orientation of the social sciences. The historical tradition in romantic and positivist philology had, by and large, reflected the needs and …
"New Criticism" und Die Entwicklung Burgerlicher Literaturwissenschaft: Geschichte und Kritik Neuer Interpretationsmethoden
"New Criticism" und die Entwicklung burgerlicher Literaturwissenschaft
Past Significance and Present Meaning in Literary History
OVER the last 30 years the critique of the historical method has, in the West, achieved considerable dimensions, but perhaps the time has now come to re-assess the nature and the object of this critique, and from there to proceed to some re-appraisal of the possibilities and limitations of literary history. If, in the United States, the historical study of literature is to achieve a new sense of direction and purpose, it must first be prepared to…
French Structuralism and Literary History: Some Critiques and Reconsiderations
WHEN Ferdinand de Saussure developed a synchronic mode 0 of studies (to complement rather than to superSsede the diachronic approach), it was hard to predict that from it would emerge a crucial challenge to the traditional methods of historical philology as well as a profound reaction against the historical orientation of the social sciences. The historical tradition in romantic and positivist philology had, by and large, reflected the needs and …
Tradition in der Literaturgeschichte
Shakespeare and the Study of Metaphor
HAVE CHOSEN and the study of as my subject partly because it provides us with two points of reference which, although obvious in their connection, have all too rarely been seen together. One is the work of a great poet and dramatist, the study of which involves a sense of history and practical criticism, the other is of a more theoretical nature: it refers to problems of method and approach and, of course, of theory in the study of metaphor. Both…
"New Criticism" und die Entwicklung burgerlicher Literaturwissenschaft: Geschichte und Kritik autonomer Interpretationsmethoden
Shakespeare and Marxist Methodology
"Appropriation" and Modern History in Renaissance Prose Narrative
Naissance de la modernite dans le recit en prose a la Renaissance: 1. La mimesis et l'appropriation| 2. L'appropriation comme Aneignung. 3. La fonction auctoriale et la production de la signification dans l'historiographie| 4. Le nouveau mode de lecture| 5. Le probleme du personnage
Fabula and Historia: The Crisis of the "Universall Consideration" in The Unfortunate Traveller
Research Article| October 01 1984 Fabula and Historia: The Crisis of the "Universall Consideration" in The Unfortunate Traveller Robert Weimann Robert Weimann Search for other works by this author on: This Site PubMed Google Scholar Representations (1984) 8: 14–29. https://doi.org/10.2307/2928556 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Ico…
History and the Issue of Authority in Representation: The Elizabethan Theater and the Reformation
LT ET US BEGIN with the theoretical question of whether, and to what extent, the issue of authority in can be historicized, in the sense that it can be illuminated through its relation to history as a changeful ensemble of discursive and nondiscursive conditions and activities. This question involves an understanding of authority as-briefly-both a textual and an existential court of appeal, as an issue which, linking (or dividing) the forces of s…
Shakespeare (De)Canonized: Conflicting Uses of "Authority" and "Representation
text and, hence, its canonical status as potential classic are due neither to hidden power of establishment institutions nor to continuity of some Kantian interesseloses Wohlgefallen vis-a-vis timeless virtue of an artful object, Shakespearean Moniment, without tombe (to use Ben Jonson's phrase from First Folio) must raise host of problems from point of view of new literary history. At this date, it may appear obvious that survival capacity of te…
Text, Author-Function, and Appropriation in Modern Narrative: Toward a Sociology of Representation
Realism, Ideology, and the Novel in America (1886-1896): Changing Perspectives in the Work of Mark Twain, W. D. Howells, and Henry James
Robert Weimann, Realism, Ideology, and the Novel in America (1886-1896): Changing Perspectives in the Work of Mark Twain, W. D. Howells, and Henry James, boundary 2, Vol. 17, No. 1, New Americanists: Revisionist Interventions into the Canon (Spring, 1990), pp. 189-210
Cultural change, communication and the space for art
(Post)Modernity and Representation: Issues of Authority, Power, Performativity
Robert Weimann, (Post)Modernity and Representation: Issues of Authority, Power, Performativity, New Literary History, Vol. 23, No. 4, Papers from the Commonwealth Center for Literary and Cultural Change (Autumn, 1992), pp. 955-981
Textual Authority and Performative Agency: The Uses of Disguise in Shakespeare's Theater
Robert Weimann, Textual Authority and Performative Agency: The Uses of Disguise in Shakespeare's Theater, New Literary History, Vol. 25, No. 4, 25th Anniversary Issue (Part 2) (Autumn, 1994), pp. 789-808
Authority and Representation in Early Modern Discourse
Thresholds to Memory and Commodity in Shakespeare's Endings
Research Article| January 01 1996 Thresholds to Memory and Commodity in Shakespeare's Endings Robert Weimann Robert Weimann Search for other works by this author on: This Site PubMed Google Scholar Representations (1996) 53: 1–20. https://doi.org/10.2307/2928668 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site…
Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre
Shakespeare and the Power of Performance: Stage and Page in the Elizabethan Theatre
Art (16 works) · Philosophy (16 works) · Literature (12 works) · Political science (10 works) · Law (9 works) · History (8 works) · Politics (8 works) · Aesthetics (7 works) · Epistemology (7 works) · Shakespeare, Adaptation, and Literary Criticism (7 works)