Fiona Andreallo
Biographic Data
| ID | 3079461 |
|---|---|
| NAME | Fiona Andreallo |
| GIVEN NAMES | Fiona |
| FAMILY NAME | Andreallo |
| SIGNATURE | ANDREALLO F |
| AFFILIATIONS | The University of Sydney |
| ORCID | 0000-0003-1754-9369 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
What Other Movement Is There: Rethinking Human-Robot Interaction through the Lens of Dance Performance
The way robots move often evokes horror. Dance—as an embodied, movement-based art form open to possibility—can expand motion-based Human-Robot Interaction (HRI) beyond popular approaches based on anthropomorphism and late-capitalist efficiency. The “super-machinic” robotic system coopts human-centered movement and perpetuates neoliberal capitalist agendas. Dance offers a provocation for HRI and an invitation to reimagine how we move
Eye Machines: Robot Eye, Vision and Gaze
Human–Robot Companionship: Cultural Ideas, Limitations, and Aspirations. An Analysis of Sex Robot Marketing Videos
As society moves swiftly towards incorporating an increased number of social robots, the need for a deeper cultural understanding of companionship as a critical social aspect of human–robot connection is urgent. This cultural study examines how three of the most popular and publicly available sex robot marketing videos mobilise the meaning of companionship. Videos of "Roxxxy", “Harmony”, and “Emma” were examined employing a social semiotic discou…
Robotic Faciality: The Philosophy, Science and Art of Robot Faces
Displaying and negotiating identity through the hair bow: A case study of child celebrity JoJo Siwa and her social media fans
This cultural case study examines the hair bow as a key element of identification and gender performance for child celebrity JoJo Siwa and her fans. Siwa fans are represented as exclusively female and include girls (newborn–12 years old) and their mothers identifying from the geographical locations of United States, United Kingdom, Australia and New Zealand. The methods of this research include social semiotic discourse analysis complemented by a…
The selfie generation: A Transformation of Visual Social Relationships
The selfie generation is a term commonly used to describe people born after 1981 because of the supposed proliferation of selfies they take daily. If Selfies indeed define a generation of people, then they require close consideration as an evolution of social interaction. This interdisciplinary study focuses on photography as performance of looking involving social relationships between people. I ask "How might selfies suggest a transformation of…
No prominent works on this page.
The selfie generation: A Transformation of Visual Social Relationships
The selfie generation is a term commonly used to describe people born after 1981 because of the supposed proliferation of selfies they take daily. If Selfies indeed define a generation of people, then they require close consideration as an evolution of social interaction. This interdisciplinary study focuses on photography as performance of looking involving social relationships between people. I ask "How might selfies suggest a transformation of…
Displaying and negotiating identity through the hair bow: A case study of child celebrity JoJo Siwa and her social media fans
This cultural case study examines the hair bow as a key element of identification and gender performance for child celebrity JoJo Siwa and her fans. Siwa fans are represented as exclusively female and include girls (newborn–12 years old) and their mothers identifying from the geographical locations of United States, United Kingdom, Australia and New Zealand. The methods of this research include social semiotic discourse analysis complemented by a…
Robotic Faciality: The Philosophy, Science and Art of Robot Faces
Eye Machines: Robot Eye, Vision and Gaze
Human–Robot Companionship: Cultural Ideas, Limitations, and Aspirations. An Analysis of Sex Robot Marketing Videos
As society moves swiftly towards incorporating an increased number of social robots, the need for a deeper cultural understanding of companionship as a critical social aspect of human–robot connection is urgent. This cultural study examines how three of the most popular and publicly available sex robot marketing videos mobilise the meaning of companionship. Videos of "Roxxxy", “Harmony”, and “Emma” were examined employing a social semiotic discou…
What Other Movement Is There: Rethinking Human-Robot Interaction through the Lens of Dance Performance
The way robots move often evokes horror. Dance—as an embodied, movement-based art form open to possibility—can expand motion-based Human-Robot Interaction (HRI) beyond popular approaches based on anthropomorphism and late-capitalist efficiency. The “super-machinic” robotic system coopts human-centered movement and perpetuates neoliberal capitalist agendas. Dance offers a provocation for HRI and an invitation to reimagine how we move
Psychology (5 works) · Sociology (5 works) · Aesthetics (3 works) · Art (3 works) · Artificial Intelligence (3 works) · Computer Science (3 works) · Face Recognition and Perception (2 works) · Gender Studies (2 works) · Gender, Feminism, and Media (2 works) · Human–computer interaction (2 works)