Samantha Lindop
Biographic Data
| ID | 3079775 |
|---|---|
| NAME | Samantha Lindop |
| GIVEN NAMES | Samantha |
| FAMILY NAME | Lindop |
| SIGNATURE | LINDOP S |
| AFFILIATIONS | The University of Queensland |
| ORCID | 0000-0002-7772-3077 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Holograms, (Dis-) Embodied Intimacy, and Posthumanism in an Age of Ubiquitous Computing
As computational technology becomes unobtrusive and ubiquitous, interconnections between humans and software are increasingly seamless, challenging clear demarcations between organic and synthetic, material and immaterial. Central to these innovations are theories of posthumanism and scrutiny of the self in relation to technology. Posthumanism signifies a continuum of human existence that involves shaping and being shaped by the environment and i…
Neoliberalism and the undead gothic subject in Daybreakers
The vampire of classic gothic fiction has long been recognized as allegory for industrial capitalism of the late 1800s – an assertion influenced by Karl Marx’s apt description of capitalism as vampirish. Indeed, Dracula is a true monopolist – a rational entrepreneur who is driven to accumulate, expand, and suck the living of their toil. Accordingly, if this is the case, what does the vampire of modern economic practices and political strategies l…
Violent women in contemporary cinema
Gender and Popular Culture
Gender and Popular Culture
Violent women in contemporary cinema
Neoliberalism and the undead gothic subject in Daybreakers
The vampire of classic gothic fiction has long been recognized as allegory for industrial capitalism of the late 1800s – an assertion influenced by Karl Marx’s apt description of capitalism as vampirish. Indeed, Dracula is a true monopolist – a rational entrepreneur who is driven to accumulate, expand, and suck the living of their toil. Accordingly, if this is the case, what does the vampire of modern economic practices and political strategies l…
Holograms, (Dis-) Embodied Intimacy, and Posthumanism in an Age of Ubiquitous Computing
As computational technology becomes unobtrusive and ubiquitous, interconnections between humans and software are increasingly seamless, challenging clear demarcations between organic and synthetic, material and immaterial. Central to these innovations are theories of posthumanism and scrutiny of the self in relation to technology. Posthumanism signifies a continuum of human existence that involves shaping and being shaped by the environment and i…
Art (4 works) · Aesthetics (3 works) · Sociology (3 works) · Political science (2 works) · Allegory (1 works) · Art history (1 works) · Artificial Intelligence (1 works) · Asian Culture and Media Studies (1 works) · Assertion (1 works) · Augmented Reality Applications (1 works)