Oğuz Kayır
Biographic Data
| ID | 3080473 |
|---|---|
| NAME | Oğuz Kayır |
| GIVEN NAMES | Oğuz |
| FAMILY NAME | Kayır |
| SIGNATURE | KAYIR O |
| AFFILIATIONS | University of Michigan |
| ORCID | 0000-0002-3918-4658 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Against the Singular Feminine
Corporeal topographies
This article takes a closer look at a selection of body-oriented art practices by two artists - Mona Hatoum and Amal Kenawy - to unearth how women artists render female corporeality as a topographical map. Interdisciplinary in nature, these artists' earlier practices explore corporeality to underscore how their gender, far from being a static phenomenon, is in fact a series of processes that are co-constituted via a multitude of material, sociopo…
Hatim El-Hibri, Visions of Beirut
Reconfiguring Senegalese filmmakers as Griots
This article aims to designate the notion of ‘ Griot ’ – the oral transmitter of history in West African cultures to the eclectic filmmakers from the post-independence period of Francophone Senegal who utilized film as an instrument to reassemble their nation’s lost image and carve an independent national identity that seeks liberation from the remnants of French imperial rule. Figuratively performing as Griots in the postcolonial film corpus, di…
Reconfiguring Senegalese filmmakers as Griots
This article aims to designate the notion of ‘ Griot ’ – the oral transmitter of history in West African cultures to the eclectic filmmakers from the post-independence period of Francophone Senegal who utilized film as an instrument to reassemble their nation’s lost image and carve an independent national identity that seeks liberation from the remnants of French imperial rule. Figuratively performing as Griots in the postcolonial film corpus, di…
Reconfiguring Senegalese filmmakers as Griots
This article aims to designate the notion of ‘ Griot ’ – the oral transmitter of history in West African cultures to the eclectic filmmakers from the post-independence period of Francophone Senegal who utilized film as an instrument to reassemble their nation’s lost image and carve an independent national identity that seeks liberation from the remnants of French imperial rule. Figuratively performing as Griots in the postcolonial film corpus, di…
Hatim El-Hibri, Visions of Beirut
Corporeal topographies
This article takes a closer look at a selection of body-oriented art practices by two artists - Mona Hatoum and Amal Kenawy - to unearth how women artists render female corporeality as a topographical map. Interdisciplinary in nature, these artists' earlier practices explore corporeality to underscore how their gender, far from being a static phenomenon, is in fact a series of processes that are co-constituted via a multitude of material, sociopo…
Against the Singular Feminine
Aesthetics (3 works) · Art (3 works) · Sociology (3 works) · Anthropology (2 works) · Art history (2 works) · Gender Studies (2 works) · Political science (2 works) · African history and culture studies (1 work) · Art, Politics, and Modernism (1 work) · Cinema and Media Studies (1 work)