Claudia Kappenberg
Biographic Data
| ID | 3080519 |
|---|---|
| NAME | Claudia Kappenberg |
| GIVEN NAMES | Claudia |
| FAMILY NAME | Kappenberg |
| SIGNATURE | KAPPENBERG C |
| AFFILIATIONS | University of Brighton |
| ORCID | 0000-0003-0158-6472 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Grounded
In this article, Claudia Kappenberg (University of Brighton, UK) and Fiontán Moran (Tate Modern, UK) reflect on the curation of a one-off online Screendance festival which they co-devised in summer 2020. Kappenberg had secured financial support from a Covid Recovery Fund set up by the University of Brighton with the aim of initiating regional recovery projects from any academic discipline or field of research. Due to a nationwide lockdown all art…
Reflecting on grounded
Like much of the United Kingdom, arts communities in the South East were largely paralysed during the lockdown in spring 2020 through the temporary closure of venues in Brighton, the Towner Eastbourne, the De La Warr Pavilion Bexhill, Hastings Contemporary and Hastings Museum, and numerous smaller arts, music and theatre venues along the coast. Many gallery staff were on furlough and online content tended to be provided by larger institutions els…
A Report on the Screendance Symposium
No abstract availableThis report was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press. It is made available here with the kind permission of Parallel Press
Screendance
No abstract availableThis editorial was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 1 (2010), Parallel Press. It is made available here with the kind permission of Parallel Press
IJSD Volume 7 2016 All This
The full issue of IJSD vol. 7 (2016).Please note: For the best offline reading experience, please print double-sided on 8.5x11 paper. Links to online sources are live in the PDF if read onscreen
A report on the AHRC Screendance Network and Screendance Symposium University of Brighton, 4 th Feb 2011
Does screendance need to look like dance
This is an edited version of a paper, which was first presented at the American Dance Festival (ADF, 2008), Screendance State of the Art 2, Duke University, North Carolina, and re-presented at the symposium, Exploring the Screen as a Site for Choreography (2009), Department of Drama, Theatre, Film and Television, University of Bristol UK, before being published in the International Journal of Performance Arts and Digital Media (2009). Drawing on …
No prominent works on this page.
Does screendance need to look like dance
This is an edited version of a paper, which was first presented at the American Dance Festival (ADF, 2008), Screendance State of the Art 2, Duke University, North Carolina, and re-presented at the symposium, Exploring the Screen as a Site for Choreography (2009), Department of Drama, Theatre, Film and Television, University of Bristol UK, before being published in the International Journal of Performance Arts and Digital Media (2009). Drawing on …
A report on the AHRC Screendance Network and Screendance Symposium University of Brighton, 4 th Feb 2011
IJSD Volume 7 2016 All This
The full issue of IJSD vol. 7 (2016).Please note: For the best offline reading experience, please print double-sided on 8.5x11 paper. Links to online sources are live in the PDF if read onscreen
Screendance
No abstract availableThis editorial was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 1 (2010), Parallel Press. It is made available here with the kind permission of Parallel Press
A Report on the Screendance Symposium
No abstract availableThis report was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press. It is made available here with the kind permission of Parallel Press
Reflecting on grounded
Like much of the United Kingdom, arts communities in the South East were largely paralysed during the lockdown in spring 2020 through the temporary closure of venues in Brighton, the Towner Eastbourne, the De La Warr Pavilion Bexhill, Hastings Contemporary and Hastings Museum, and numerous smaller arts, music and theatre venues along the coast. Many gallery staff were on furlough and online content tended to be provided by larger institutions els…
Grounded
In this article, Claudia Kappenberg (University of Brighton, UK) and Fiontán Moran (Tate Modern, UK) reflect on the curation of a one-off online Screendance festival which they co-devised in summer 2020. Kappenberg had secured financial support from a Covid Recovery Fund set up by the University of Brighton with the aim of initiating regional recovery projects from any academic discipline or field of research. Due to a nationwide lockdown all art…
Computer Science (4 works) · Art history (3 works) · Asian Culture and Media Studies (3 works) · Cinema and Media Studies (3 works) · Digital Games and Media (3 works) · Diversity and Impact of Dance (3 works) · History (3 works) · Law (3 works) · Library science (3 works) · Political science (3 works)