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Sefy Hendler

Biographic Data

ID3080656
NAMESefy Hendler
GIVEN NAMESSefy
FAMILY NAMEHendler
SIGNATUREHENDLER S
AFFILIATIONSArt History Department, The Genia Schreiber University Art Gallery, Tel Aviv University, Tel Aviv, Israel
ORCID0000-0001-6455-0819
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS2
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2022
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Curating the Unexpected

    Open Access•Tamar Mayer, Sefy Hendler et al.•ARTICLE•Curator The Museum Journal•2026

    A monumental work by French artist Stéphane Thidet became the nexus for an unexpected interaction between an art installation and wildlife. “Weeping Stones,” which presents a desert‐like world, devoid of greenery, was featured in an exhibition we co‐curated at the Genia Schreiber University Gallery, Tel Aviv, Israel, in January 2020. During a year of recurring lockdowns, we decided to keep the installation running—even though our gallery was empt…

  • Cellini’s Dog

    Sefy Hendler•ARTICLE•I Tatti Studies•2023

  • Growing with Covid

    Tamar Mayer, Sefy Hendler•ARTICLE•Museum Management and Curatorship•2022•Cited by: 2•References: 15

    This essay proposes an alternative curatorial approach in response to the Covid-19 crisis that has shaken the art world and its institutions. It analyzes an exhibition that opened shortly before the pandemic and reflects on the curators’ choice to consider Covid not merely a limitation or constraint, but also as an opportunity to reevaluate curatorial practices within a university gallery.The exhibition Plan(e)t focuses on the relationships betwe…

  • Growing with Covid

    Tamar Mayer, Sefy Hendler•ARTICLE•Museum Management and Curatorship•2022•Cited by: 2•References: 15

    This essay proposes an alternative curatorial approach in response to the Covid-19 crisis that has shaken the art world and its institutions. It analyzes an exhibition that opened shortly before the pandemic and reflects on the curators’ choice to consider Covid not merely a limitation or constraint, but also as an opportunity to reevaluate curatorial practices within a university gallery.The exhibition Plan(e)t focuses on the relationships betwe…

  • Growing with Covid

    Tamar Mayer, Sefy Hendler•ARTICLE•Museum Management and Curatorship•2022•Cited by: 2•References: 15

    This essay proposes an alternative curatorial approach in response to the Covid-19 crisis that has shaken the art world and its institutions. It analyzes an exhibition that opened shortly before the pandemic and reflects on the curators’ choice to consider Covid not merely a limitation or constraint, but also as an opportunity to reevaluate curatorial practices within a university gallery.The exhibition Plan(e)t focuses on the relationships betwe…

  • Cellini’s Dog

    Sefy Hendler•ARTICLE•I Tatti Studies•2023

  • Curating the Unexpected

    Open Access•Tamar Mayer, Sefy Hendler et al.•ARTICLE•Curator The Museum Journal•2026

    A monumental work by French artist Stéphane Thidet became the nexus for an unexpected interaction between an art installation and wildlife. “Weeping Stones,” which presents a desert‐like world, devoid of greenery, was featured in an exhibition we co‐curated at the Genia Schreiber University Gallery, Tel Aviv, Israel, in January 2020. During a year of recurring lockdowns, we decided to keep the installation running—even though our gallery was empt…

Art (2 works) · Exhibition (2 works) · Museums and Cultural Heritage (2 works) · 2019-20 coronavirus outbreak (1 work) · Aesthetic Perception and Analysis (1 work) · Aesthetics (1 work) · Animal and Plant Science Education (1 work) · Archaeology (1 work) · Art history (1 work) · Byzantine Studies and History (1 work)

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