Luca Antoniazzi
Biographic Data
| ID | 3080759 |
|---|---|
| NAME | Luca Antoniazzi |
| GIVEN NAMES | Luca |
| FAMILY NAME | Antoniazzi |
| SIGNATURE | ANTONIAZZI L |
| AFFILIATIONS | University of Bologna |
| ORCID | 0000-0003-0437-0511 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 6 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 2 |
Missed opportunities? An analysis of Italy’s policy response to Covid-19 in cinema and the performing arts 1
Focusing specifically on the case of Italy, this paper contributes to the ongoing debates on cultural policy in Europe relating to the Covid-19 pandemic and more broadly to debates on cultural policy change. Italy represents a particularly compelling case, as it was among the first countries to be severely affected by the pandemic and to implement response initiatives. Methodologically, the paper is based on the analysis of policy documents and p…
Media-political inroads for Europeanising national cultural public spheres
This article discusses whether European or national-level media policies are suitable for facilitating a Europeanisation of national cultural public spheres. It is argued that current EU media policy initiatives and the activities of globally operating private corporations (e.g. Netflix and HBO) cannot achieve transnational cultural co-imbrication, strengthen horizontal ties among citizens from different countries, or increase the social inclusiv…
VoD platforms and the diversity of European culture
This article explores the internet circulation of crime drama and the implications for European popular culture. It focuses on scripted television formats as potentially commercially sustainable vehicles of cultural hybridization. The research finds that although quantitatively speaking crime format localizations are a tiny portion of what is currently produced in Europe, these products still hold the potential to disseminate interesting stories …
Global distribution and ‘national mediations’ of ready-made TV shows in foreign markets
The increasing internationalisation of cultural industries, including television, is a salient topic within Media Studies. Substantial research efforts have been focused on the increasing volume of content circulating among different countries, on the economic and socio-cultural forces driving its distribution, and on global TV markets and format adaptations. In different contexts, the multichannel environment and global digital platforms can eit…
Midsomer Murders AKA L’ispettore Barnaby
This article looks at the process of national mediation of the British TV series Midsomer Murders (1997–present), which has been broadcast on Italian television since 2003 under the title L’ispettore Barnaby . The programme has enjoyed considerable popularity in Italy since its early days and it is still broadcast regularly. The programme was deemed to be an interesting case study in investigating national mediation as it is strongly characterize…
Digital preservation and the sustainability of film heritage
This paper addresses the lack of published work on the preservation of digital materials within European film heritage institutions (FHIs).11 This paper is based on a rework of a chapter of my PhD thesis (Antoniazzi, 2017b Antoniazzi, L. (2017b). The sustainability of film heritage: Cultural policy, digitalisation and value (Doctoral dissertation). University of Leeds, Leeds. [Google Scholar]). Data collection and analysis have been carried out b…
Film heritage and neoliberalism
This paper analyses the impact of neoliberal policies on the film heritage sector at the European level. I first describe the specific debate to which this paper contributes, a conversation that deals with the relationship between neoliberalism and digital technology. With the aim of expanding the horizon of the debate beyond technology, I adopt an analytical framework that draws on the contribution of critical cultural policy scholars who have p…
Media-political inroads for Europeanising national cultural public spheres
This article discusses whether European or national-level media policies are suitable for facilitating a Europeanisation of national cultural public spheres. It is argued that current EU media policy initiatives and the activities of globally operating private corporations (e.g. Netflix and HBO) cannot achieve transnational cultural co-imbrication, strengthen horizontal ties among citizens from different countries, or increase the social inclusiv…
VoD platforms and the diversity of European culture
This article explores the internet circulation of crime drama and the implications for European popular culture. It focuses on scripted television formats as potentially commercially sustainable vehicles of cultural hybridization. The research finds that although quantitatively speaking crime format localizations are a tiny portion of what is currently produced in Europe, these products still hold the potential to disseminate interesting stories …
Film heritage and neoliberalism
This paper analyses the impact of neoliberal policies on the film heritage sector at the European level. I first describe the specific debate to which this paper contributes, a conversation that deals with the relationship between neoliberalism and digital technology. With the aim of expanding the horizon of the debate beyond technology, I adopt an analytical framework that draws on the contribution of critical cultural policy scholars who have p…
Global distribution and ‘national mediations’ of ready-made TV shows in foreign markets
The increasing internationalisation of cultural industries, including television, is a salient topic within Media Studies. Substantial research efforts have been focused on the increasing volume of content circulating among different countries, on the economic and socio-cultural forces driving its distribution, and on global TV markets and format adaptations. In different contexts, the multichannel environment and global digital platforms can eit…
Midsomer Murders AKA L’ispettore Barnaby
This article looks at the process of national mediation of the British TV series Midsomer Murders (1997–present), which has been broadcast on Italian television since 2003 under the title L’ispettore Barnaby . The programme has enjoyed considerable popularity in Italy since its early days and it is still broadcast regularly. The programme was deemed to be an interesting case study in investigating national mediation as it is strongly characterize…
Digital preservation and the sustainability of film heritage
This paper addresses the lack of published work on the preservation of digital materials within European film heritage institutions (FHIs).11 This paper is based on a rework of a chapter of my PhD thesis (Antoniazzi, 2017b Antoniazzi, L. (2017b). The sustainability of film heritage: Cultural policy, digitalisation and value (Doctoral dissertation). University of Leeds, Leeds. [Google Scholar]). Data collection and analysis have been carried out b…
Media-political inroads for Europeanising national cultural public spheres
This article discusses whether European or national-level media policies are suitable for facilitating a Europeanisation of national cultural public spheres. It is argued that current EU media policy initiatives and the activities of globally operating private corporations (e.g. Netflix and HBO) cannot achieve transnational cultural co-imbrication, strengthen horizontal ties among citizens from different countries, or increase the social inclusiv…
VoD platforms and the diversity of European culture
This article explores the internet circulation of crime drama and the implications for European popular culture. It focuses on scripted television formats as potentially commercially sustainable vehicles of cultural hybridization. The research finds that although quantitatively speaking crime format localizations are a tiny portion of what is currently produced in Europe, these products still hold the potential to disseminate interesting stories …
Missed opportunities? An analysis of Italy’s policy response to Covid-19 in cinema and the performing arts 1
Focusing specifically on the case of Italy, this paper contributes to the ongoing debates on cultural policy in Europe relating to the Covid-19 pandemic and more broadly to debates on cultural policy change. Italy represents a particularly compelling case, as it was among the first countries to be severely affected by the pandemic and to implement response initiatives. Methodologically, the paper is based on the analysis of policy documents and p…
Political science (5 works) · Cinema and Media Studies (4 works) · Cultural Industries and Urban Development (4 works) · Law (4 works) · Business (3 works) · Computer Science (3 works) · Media Studies and Communication (3 works) · Sociology (3 works) · Advertising (2 works) · Cultural heritage (2 works)