Sigrid Røyseng
Datos Biográficos
| ID | 3080976 |
|---|---|
| NOMBRE | Sigrid Røyseng |
| NOMBRES | Sigrid |
| APELLIDO | Røyseng |
| FIRMA | RØYSENG S |
| AFILIACIONES | Norwegian Academy of Music |
| ORCID | 0000-0001-7767-6840 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 19 |
| TOTAL DE CITAS | 33 |
| TOTAL COMO AUTOR | 19 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2000 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2026 |
| ÍNDICE H | 2 |
Musicians’ Professional Resilience as a Multi-layered Resource
Creating a career as a professional musician includes dealing with several uncertainties. Many musicians are facing unstable economic conditions in a highly competitive occupation concerning work opportunities, income and employment. In addition, several external crises have affected the working conditions of professional musicians during recent years. The COVID-19 pandemic, the war in Ukraine, the associated energy crisis and following inflation…
Leadership Emergence in the Arts
Based on the leadership literature, this paper aims to investigate personality traits and motivation to lead in administrative leaders and non-leaders in the field of art, in a Norwegian context. Data was gathered from 141 administrative leaders from music and arts schools, and from 213 performing artists. For comparison purposes, a sample of 83 corporate leaders and 69 non-leaders was collected. The results indicate that motivation to lead among…
Cultural policy, politicians and the logic of appropriateness
Institutional change in higher music education
Institutional change is being called for to renew higher music education (HME). But what institutional pressures, specifically, are driving these calls, and how are HME organisations responding to pressures to change? By turning to institutional theory, we lean on the concept of institutional isomorphism to shed light on how HME organisations may be navigating pressures to appear legitimate in the field to secure organisational survival. Drawing …
The cultural dissonance of sustainable live music
This article explores the complexities of how environmentally conscious policies and values, often associated with 'going green', create cross-pressures for musicians.Successful musicians' careers have long been associated with values related to international activities and arenas and extensive touring that requires travelling.The article uses the concept of 'cultural dissonance' to describe cross-pressures that arise when musicians must navigate…
Moral economies in the community of Norwegian folk music practices
This article investigates the moral outlooks and obligations that are intertwined in the teaching and learning processes of the traditional folk music community in Norway and how moral aspects affect the development of professional identities. Theoretically, we combine the concept of a community of practice with a moral economy perspective. This allows us to see that professional folk musicians are positioned between two different moral economies…
The moral economy of the cultural sector
The aim of this article is to deepen our understanding of the moral outlook that characterizes cultural organizations as political actors. Through a review of contributions to a public consultation on cultural policy in Norway, we seek to elucidate the moral economy these actors bring to bear on their relations to the state. More specifically, we focus on the actors’ understandings of the state’s moral obligations towards the cultural sector and …
Musikerne, bransjen og samfunnet
Musikerne er den største gruppen av kunstnere i Norge, og denne boka handler om dem. Musikere arbeider på mange ulike arenaer, inntar et bredt spekter av yrkesroller og uttrykker seg i mange forskjellige sjangre. Du opplever dem på klubb- og konsertscener nasjonalt og internasjonalt. Du finner dem på podiet i de store orkestrene og i orkestergrava når musikal, teater, dans og opera står på programmet. Du møter dem som lærere i kulturskolen, grunn…
Artists and Online Dissemination
This article analyzes visual artists’ response to online sales and dissemination technologies by mapping the range of corresponding positions and position-takings by professional artists in Norway. We consider whether artists’ responses align with traditional logics of artistic consecration identified in Bourdieu’s accounts of the field of cultural production, and how these responses correspond to Rogers’ theory of diffusion of innovations. Emplo…
Public art debates as boundary struggles
This article investigates the symbolic boundaries that are at play in controversies over public art projects and the criteria different groups of actors, (e.g. artists, art experts, bureaucrats, and local communities), use when evaluating public art. This investigation shed light on how art, artistic autonomy, and public spaces are subject to ”boundary struggles” in which the identities and worth of different social groups and the value of art in…
Museum leaders' perspectives on social media
In the context of the shift towards participatory practices within museums, museum engagement with social media represents a form of organizational change. This study approaches social media and the corresponding organizational change from a museum leader’s perspective, utilizing data from a broad cross-section of 82 museums in Norway. We address how the characteristics of a museum and its leader impact social media attitudes, behaviors and inten…
Fields of gold
This article discusses the methodological implications of the relations we have to our object of study as cultural policy researchers. We ask: What research relations we typically are part of and what social dimensions structure these relations? These questions are discussed by comparing field experiences from two cultural forms that can be characterized as polar opposites when it comes to the degree to which they are legitimized: contemporary op…
The social contract of artists in the era of cultural industries
The aim of this paper is to analyse the growing emphasis on the concepts of the experience economy, creative industries, and cultural industries as ways in which the social contract of artists is negotiated. What expectations are directed towards the artistic profession and how is the contribution of artists to society and their work conditions constructed by these concepts? The paper applies the concept of social contract from the sociology of p…
Michel Foucault, The birth of biopolitics
Pierre Bourdieu, The field of cultural production: essays on art and literature - 1
Hva er kulturpolitikk og kulturpolitisk forskning? - Innledning 1/2014
Artists in an Iron Cage? Artists’ Work in Performing Arts Institutions
This article discusses artists’ work in performing arts institutions in Norway. Many scholars describe Nordic performing arts institutions as slow-moving and heavy “art factories,” where artistic creativity is almost suffocated within bureaucratic “prisons.” The general problem that we raise in the article is whether this pessimistic picture of the relation between state control, market influence, and artistic work is relevant for studying the pe…
How to study art worlds
by Hans van Maanen, Amsterdam, Amsterdam University Press, 2009, 311 pp., £30.00 (paperback), ISBN 978‐90‐896‐4152‐6 What is the social function of art? What are the specific values that art brings
Young Artists and the Charismatic Myth
This article focuses on artist identities in contemporary culture. In particular, the authors have studied how young Norwegian artists identify with the term “artist” in general and the charismatic myth of the artist in particular. It is argued that it is fruitful to treat the charismatic myth of the artist as a discourse that must be analysed in relation to specific social and cultural contexts and potentially under continuous reconstruction. Th…
Scientific approaches to the arts
Young Artists and the Charismatic Myth
This article focuses on artist identities in contemporary culture. In particular, the authors have studied how young Norwegian artists identify with the term “artist” in general and the charismatic myth of the artist in particular. It is argued that it is fruitful to treat the charismatic myth of the artist as a discourse that must be analysed in relation to specific social and cultural contexts and potentially under continuous reconstruction. Th…
Museum leaders' perspectives on social media
In the context of the shift towards participatory practices within museums, museum engagement with social media represents a form of organizational change. This study approaches social media and the corresponding organizational change from a museum leader’s perspective, utilizing data from a broad cross-section of 82 museums in Norway. We address how the characteristics of a museum and its leader impact social media attitudes, behaviors and inten…
The moral economy of the cultural sector
The aim of this article is to deepen our understanding of the moral outlook that characterizes cultural organizations as political actors. Through a review of contributions to a public consultation on cultural policy in Norway, we seek to elucidate the moral economy these actors bring to bear on their relations to the state. More specifically, we focus on the actors’ understandings of the state’s moral obligations towards the cultural sector and …
Fields of gold
This article discusses the methodological implications of the relations we have to our object of study as cultural policy researchers. We ask: What research relations we typically are part of and what social dimensions structure these relations? These questions are discussed by comparing field experiences from two cultural forms that can be characterized as polar opposites when it comes to the degree to which they are legitimized: contemporary op…
How to study art worlds
by Hans van Maanen, Amsterdam, Amsterdam University Press, 2009, 311 pp., £30.00 (paperback), ISBN 978‐90‐896‐4152‐6 What is the social function of art? What are the specific values that art brings
Scientific approaches to the arts
Young Artists and the Charismatic Myth
This article focuses on artist identities in contemporary culture. In particular, the authors have studied how young Norwegian artists identify with the term “artist” in general and the charismatic myth of the artist in particular. It is argued that it is fruitful to treat the charismatic myth of the artist as a discourse that must be analysed in relation to specific social and cultural contexts and potentially under continuous reconstruction. Th…
How to study art worlds
by Hans van Maanen, Amsterdam, Amsterdam University Press, 2009, 311 pp., £30.00 (paperback), ISBN 978‐90‐896‐4152‐6 What is the social function of art? What are the specific values that art brings
Artists in an Iron Cage? Artists’ Work in Performing Arts Institutions
This article discusses artists’ work in performing arts institutions in Norway. Many scholars describe Nordic performing arts institutions as slow-moving and heavy “art factories,” where artistic creativity is almost suffocated within bureaucratic “prisons.” The general problem that we raise in the article is whether this pessimistic picture of the relation between state control, market influence, and artistic work is relevant for studying the pe…
Michel Foucault, The birth of biopolitics
Pierre Bourdieu, The field of cultural production: essays on art and literature - 1
Hva er kulturpolitikk og kulturpolitisk forskning? - Innledning 1/2014
The social contract of artists in the era of cultural industries
The aim of this paper is to analyse the growing emphasis on the concepts of the experience economy, creative industries, and cultural industries as ways in which the social contract of artists is negotiated. What expectations are directed towards the artistic profession and how is the contribution of artists to society and their work conditions constructed by these concepts? The paper applies the concept of social contract from the sociology of p…
Fields of gold
This article discusses the methodological implications of the relations we have to our object of study as cultural policy researchers. We ask: What research relations we typically are part of and what social dimensions structure these relations? These questions are discussed by comparing field experiences from two cultural forms that can be characterized as polar opposites when it comes to the degree to which they are legitimized: contemporary op…
Museum leaders' perspectives on social media
In the context of the shift towards participatory practices within museums, museum engagement with social media represents a form of organizational change. This study approaches social media and the corresponding organizational change from a museum leader’s perspective, utilizing data from a broad cross-section of 82 museums in Norway. We address how the characteristics of a museum and its leader impact social media attitudes, behaviors and inten…
Public art debates as boundary struggles
This article investigates the symbolic boundaries that are at play in controversies over public art projects and the criteria different groups of actors, (e.g. artists, art experts, bureaucrats, and local communities), use when evaluating public art. This investigation shed light on how art, artistic autonomy, and public spaces are subject to ”boundary struggles” in which the identities and worth of different social groups and the value of art in…
Musikerne, bransjen og samfunnet
Musikerne er den største gruppen av kunstnere i Norge, og denne boka handler om dem. Musikere arbeider på mange ulike arenaer, inntar et bredt spekter av yrkesroller og uttrykker seg i mange forskjellige sjangre. Du opplever dem på klubb- og konsertscener nasjonalt og internasjonalt. Du finner dem på podiet i de store orkestrene og i orkestergrava når musikal, teater, dans og opera står på programmet. Du møter dem som lærere i kulturskolen, grunn…
Artists and Online Dissemination
This article analyzes visual artists’ response to online sales and dissemination technologies by mapping the range of corresponding positions and position-takings by professional artists in Norway. We consider whether artists’ responses align with traditional logics of artistic consecration identified in Bourdieu’s accounts of the field of cultural production, and how these responses correspond to Rogers’ theory of diffusion of innovations. Emplo…
Moral economies in the community of Norwegian folk music practices
This article investigates the moral outlooks and obligations that are intertwined in the teaching and learning processes of the traditional folk music community in Norway and how moral aspects affect the development of professional identities. Theoretically, we combine the concept of a community of practice with a moral economy perspective. This allows us to see that professional folk musicians are positioned between two different moral economies…
The moral economy of the cultural sector
The aim of this article is to deepen our understanding of the moral outlook that characterizes cultural organizations as political actors. Through a review of contributions to a public consultation on cultural policy in Norway, we seek to elucidate the moral economy these actors bring to bear on their relations to the state. More specifically, we focus on the actors’ understandings of the state’s moral obligations towards the cultural sector and …
Institutional change in higher music education
Institutional change is being called for to renew higher music education (HME). But what institutional pressures, specifically, are driving these calls, and how are HME organisations responding to pressures to change? By turning to institutional theory, we lean on the concept of institutional isomorphism to shed light on how HME organisations may be navigating pressures to appear legitimate in the field to secure organisational survival. Drawing …
The cultural dissonance of sustainable live music
This article explores the complexities of how environmentally conscious policies and values, often associated with 'going green', create cross-pressures for musicians.Successful musicians' careers have long been associated with values related to international activities and arenas and extensive touring that requires travelling.The article uses the concept of 'cultural dissonance' to describe cross-pressures that arise when musicians must navigate…
Cultural policy, politicians and the logic of appropriateness
Musicians’ Professional Resilience as a Multi-layered Resource
Creating a career as a professional musician includes dealing with several uncertainties. Many musicians are facing unstable economic conditions in a highly competitive occupation concerning work opportunities, income and employment. In addition, several external crises have affected the working conditions of professional musicians during recent years. The COVID-19 pandemic, the war in Ukraine, the associated energy crisis and following inflation…
Leadership Emergence in the Arts
Based on the leadership literature, this paper aims to investigate personality traits and motivation to lead in administrative leaders and non-leaders in the field of art, in a Norwegian context. Data was gathered from 141 administrative leaders from music and arts schools, and from 213 performing artists. For comparison purposes, a sample of 83 corporate leaders and 69 non-leaders was collected. The results indicate that motivation to lead among…
Sociology (14 obras) · Political science (13 obras) · Cultural Industries and Urban Development (11 obras) · Art (10 obras) · Social and Cultural Dynamics (10 obras) · Law (8 obras) · Aesthetics (6 obras) · Law (6 obras) · Visual arts (6 obras) · Cultural policy (5 obras)