Juliana Botero-Mejía
Biographic Data
| ID | 3081089 |
|---|---|
| NAME | Juliana Botero-Mejía |
| GIVEN NAMES | Juliana |
| FAMILY NAME | Botero-Mejía |
| SIGNATURE | BOTERO-MEJÍA J |
| AFFILIATIONS | Museo de Memoria, Centro Nacional de Memoria Histórica, Bogotá, Colombia |
| ORCID | 0000-0003-2922-7770 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Curatorship for meaning making: Contributions towards symbolic reparation at the Museum of Memory of Colombia
This article examines via case study research the ways in which diverse actors made sense and gave meaning to an exhibition related to armed conflict and reparation in Colombia. Voces para transformar a Colombia (Voices for the Transformation of Colombia, 2018) was a temporary, ‘living museum’ which presented the Museum of Memorýs storyline (a national museum still in planning) to the public. This museum was recently ordered by the Law for Victim…
Velorios, santos y marimbas en el Museo Nacional de Colombia: De quién es el patrimonio de la Nación
In this article we will reflect on two temporal exhibitions held in the premises of the National Museum of Colombia, from discussions about multiculturalism, patrimonial appropriation processes, the new museology and politics of representation. First, we will consider the case of Velorios y santos vivos. Comunidades negras, afrocolombianas, raizales y palenqueras and, on the other hand, Del monumento al pensamiento. Patrimonio de Colombia para la…
Curatorship for meaning making: Contributions towards symbolic reparation at the Museum of Memory of Colombia
This article examines via case study research the ways in which diverse actors made sense and gave meaning to an exhibition related to armed conflict and reparation in Colombia. Voces para transformar a Colombia (Voices for the Transformation of Colombia, 2018) was a temporary, ‘living museum’ which presented the Museum of Memorýs storyline (a national museum still in planning) to the public. This museum was recently ordered by the Law for Victim…
Velorios, santos y marimbas en el Museo Nacional de Colombia: De quién es el patrimonio de la Nación
In this article we will reflect on two temporal exhibitions held in the premises of the National Museum of Colombia, from discussions about multiculturalism, patrimonial appropriation processes, the new museology and politics of representation. First, we will consider the case of Velorios y santos vivos. Comunidades negras, afrocolombianas, raizales y palenqueras and, on the other hand, Del monumento al pensamiento. Patrimonio de Colombia para la…
Curatorship for meaning making: Contributions towards symbolic reparation at the Museum of Memory of Colombia
This article examines via case study research the ways in which diverse actors made sense and gave meaning to an exhibition related to armed conflict and reparation in Colombia. Voces para transformar a Colombia (Voices for the Transformation of Colombia, 2018) was a temporary, ‘living museum’ which presented the Museum of Memorýs storyline (a national museum still in planning) to the public. This museum was recently ordered by the Law for Victim…
Art (2 works) · Exhibition (2 works) · Law (2 works) · Political science (2 works) · Sociology (2 works) · Visual arts (2 works) · Afro-Latin American Studies (1 works) · Appropriation (1 works) · Art history (1 works) · Constitution (1 works)