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Marcel Van Den Haak

Biographic Data

ID3081146
NAMEMarcel Van Den Haak
GIVEN NAMESMarcel Van Den
FAMILY NAMEHaak
SIGNATUREVAN DEN HAAK M
AFFILIATIONSRadboud University Nijmegen
ORCID0000-0001-9162-7682
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS21
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2025
H-INDEX3
  • I had to open my eyes”—A narrative approach to studying the process of adult belief change

    Open Access•Marcel Van Den Haak, Kamile Grusauskaite•ARTICLE•Political Psychology•2025•Cited by: 1•References: 41

    Why do people, socialized and sedimented in their political beliefs, change their convictions in adulthood? Belief change has a long history of research in the social sciences. Yet, in quantitative research, belief change is studied largely through cognitive and behavioral lenses, that, however valuable, struggle to capture how people themselves experience and narrate transformation and how this is made meaningful and sustained as a social proces…

  • Challenging the Autonomy of Art

    Open Access•Marcel Van Den Haak•ARTICLE•Journal of Cultural Analysis and…•2024•References: 14

    In recent years art is often being criticised from a politically progressive perspective, such as on sexism and racism. Such ethical critique collides with two dogmas of the artistic field: its emphasis on aesthetic evaluations and the autonomy of art. These dogmas, having emerged during the nineteenth century, are often challenged by both (upcoming) members of the artistic field and outsiders. This paper aims to sociologically analyse current de…

  • I cringe at the slave portions’

    Open Access•Marcel Van Den Haak, L Plate et al.•ARTICLE•International Journal of Cultural…•2023•Cited by: 2•References: 5

    In recent years an increasing number of cultural products have come under fire for moral or political reasons, such as racist or sexist content, in the mainstream (White) public sphere. An outstanding example is the classic 1939 film Gone with the Wind ( GWTW), which is loved by many but also strongly criticised for glorifying the American Antebellum South and ignoring the inhumanity of slavery. This case study explores how fans of the film (and …

  • Arttothepeople? An exploration of Instagram's unfulfilled potential for democratising museums

    Open Access•Greta Bosello, Marcel Van Den Haak•ARTICLE•Museum Management and Curatorship•2022•Cited by: 5•References: 34

    Contains fulltext : 246772.pdf (Publisher’s version ) (Open Access)

  • Putting Radiohead Next to Bach.’ Perceptions of Cultural Hierarchy Unravelled with a Ranking Task

    Open Access•Marcel Van Den Haak•ARTICLE•Journal of Cultural Analysis and…•2020•Cited by: 4•References: 11

    Although cultural hierarchy is a social construction – the result of ever changing distinction practices by elites – the consequential division between ‘high culture’ and ‘low culture’ is often either taken for granted as a fixed opposition, or disputed because of waning boundaries. To what extent individuals of different status groups adhere to such hierarchy is not known, nor whether changed cultural taste patterns result in alternate perceptio…

  • Struggling with distinction

    Open Access•Marcel Van Den Haak, Nico Wilterdink•ARTICLE•European Journal of Cultural…•2019•Cited by: 9•References: 10

    In research on cultural taste and distinction, inconsistent and ambivalent attitudes towards hierarchy versus equality have largely been ignored. This study shows, by means of in-depth interviews with 90 Dutch people on their own and others’ cultural tastes, that both a hierarchical and an egalitarian repertoire appear in people’s narratives, and that these repertoires are often used simultaneously. People still distinguish culturally from others…

  • Struggling with distinction

    Open Access•Marcel Van Den Haak, Nico Wilterdink•ARTICLE•European Journal of Cultural…•2019•Cited by: 9•References: 10

    In research on cultural taste and distinction, inconsistent and ambivalent attitudes towards hierarchy versus equality have largely been ignored. This study shows, by means of in-depth interviews with 90 Dutch people on their own and others’ cultural tastes, that both a hierarchical and an egalitarian repertoire appear in people’s narratives, and that these repertoires are often used simultaneously. People still distinguish culturally from others…

  • Arttothepeople? An exploration of Instagram's unfulfilled potential for democratising museums

    Open Access•Greta Bosello, Marcel Van Den Haak•ARTICLE•Museum Management and Curatorship•2022•Cited by: 5•References: 34

    Contains fulltext : 246772.pdf (Publisher’s version ) (Open Access)

  • Putting Radiohead Next to Bach.’ Perceptions of Cultural Hierarchy Unravelled with a Ranking Task

    Open Access•Marcel Van Den Haak•ARTICLE•Journal of Cultural Analysis and…•2020•Cited by: 4•References: 11

    Although cultural hierarchy is a social construction – the result of ever changing distinction practices by elites – the consequential division between ‘high culture’ and ‘low culture’ is often either taken for granted as a fixed opposition, or disputed because of waning boundaries. To what extent individuals of different status groups adhere to such hierarchy is not known, nor whether changed cultural taste patterns result in alternate perceptio…

  • I cringe at the slave portions’

    Open Access•Marcel Van Den Haak, L Plate et al.•ARTICLE•International Journal of Cultural…•2023•Cited by: 2•References: 5

    In recent years an increasing number of cultural products have come under fire for moral or political reasons, such as racist or sexist content, in the mainstream (White) public sphere. An outstanding example is the classic 1939 film Gone with the Wind ( GWTW), which is loved by many but also strongly criticised for glorifying the American Antebellum South and ignoring the inhumanity of slavery. This case study explores how fans of the film (and …

  • I had to open my eyes”—A narrative approach to studying the process of adult belief change

    Open Access•Marcel Van Den Haak, Kamile Grusauskaite•ARTICLE•Political Psychology•2025•Cited by: 1•References: 41

    Why do people, socialized and sedimented in their political beliefs, change their convictions in adulthood? Belief change has a long history of research in the social sciences. Yet, in quantitative research, belief change is studied largely through cognitive and behavioral lenses, that, however valuable, struggle to capture how people themselves experience and narrate transformation and how this is made meaningful and sustained as a social proces…

  • Struggling with distinction

    Open Access•Marcel Van Den Haak, Nico Wilterdink•ARTICLE•European Journal of Cultural…•2019•Cited by: 9•References: 10

    In research on cultural taste and distinction, inconsistent and ambivalent attitudes towards hierarchy versus equality have largely been ignored. This study shows, by means of in-depth interviews with 90 Dutch people on their own and others’ cultural tastes, that both a hierarchical and an egalitarian repertoire appear in people’s narratives, and that these repertoires are often used simultaneously. People still distinguish culturally from others…

  • Putting Radiohead Next to Bach.’ Perceptions of Cultural Hierarchy Unravelled with a Ranking Task

    Open Access•Marcel Van Den Haak•ARTICLE•Journal of Cultural Analysis and…•2020•Cited by: 4•References: 11

    Although cultural hierarchy is a social construction – the result of ever changing distinction practices by elites – the consequential division between ‘high culture’ and ‘low culture’ is often either taken for granted as a fixed opposition, or disputed because of waning boundaries. To what extent individuals of different status groups adhere to such hierarchy is not known, nor whether changed cultural taste patterns result in alternate perceptio…

  • Arttothepeople? An exploration of Instagram's unfulfilled potential for democratising museums

    Open Access•Greta Bosello, Marcel Van Den Haak•ARTICLE•Museum Management and Curatorship•2022•Cited by: 5•References: 34

    Contains fulltext : 246772.pdf (Publisher’s version ) (Open Access)

  • I cringe at the slave portions’

    Open Access•Marcel Van Den Haak, L Plate et al.•ARTICLE•International Journal of Cultural…•2023•Cited by: 2•References: 5

    In recent years an increasing number of cultural products have come under fire for moral or political reasons, such as racist or sexist content, in the mainstream (White) public sphere. An outstanding example is the classic 1939 film Gone with the Wind ( GWTW), which is loved by many but also strongly criticised for glorifying the American Antebellum South and ignoring the inhumanity of slavery. This case study explores how fans of the film (and …

  • Challenging the Autonomy of Art

    Open Access•Marcel Van Den Haak•ARTICLE•Journal of Cultural Analysis and…•2024•References: 14

    In recent years art is often being criticised from a politically progressive perspective, such as on sexism and racism. Such ethical critique collides with two dogmas of the artistic field: its emphasis on aesthetic evaluations and the autonomy of art. These dogmas, having emerged during the nineteenth century, are often challenged by both (upcoming) members of the artistic field and outsiders. This paper aims to sociologically analyse current de…

  • I had to open my eyes”—A narrative approach to studying the process of adult belief change

    Open Access•Marcel Van Den Haak, Kamile Grusauskaite•ARTICLE•Political Psychology•2025•Cited by: 1•References: 41

    Why do people, socialized and sedimented in their political beliefs, change their convictions in adulthood? Belief change has a long history of research in the social sciences. Yet, in quantitative research, belief change is studied largely through cognitive and behavioral lenses, that, however valuable, struggle to capture how people themselves experience and narrate transformation and how this is made meaningful and sustained as a social proces…

Political science (5 works) · Social and Cultural Dynamics (5 works) · Sociology (5 works) · Psychology (4 works) · Aesthetics (3 works) · Art (3 works) · Narrative (3 works) · Social Psychology (3 works) · Taste (3 works) · Ambivalence (2 works)

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