Ida Uppstrøm Berg
Biographic Data
| ID | 3081179 |
|---|---|
| NAME | Ida Uppstrøm Berg |
| GIVEN NAMES | Ida Uppstrøm |
| FAMILY NAME | Berg |
| SIGNATURE | BERG I U |
| AFFILIATIONS | OsloMet – Oslo Metropolitan University |
| ORCID | 0000-0002-9767-1956 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Public art and private wealth
There has been much discussion in the US and European media about the evolving relationship between wealthy private art collectors and underfunded public art museums. This paper examines the public debate regarding the ten-year loan agreement between the National Museum in Norway and the Fredriksen Family Art Company Limited. The agreement was exposed to harsh criticism from actors within the art world when it became known to the public in June 2…
Private art collectors on motivations to donate, deposit, or lend out artworks in Norway
Based on interviews with twelve art collectors, the following paper investigates the motivations driving art collectors to engage in donations, deposits, and short-term loans to publicly funded art museums, using Norway as an example. Additionally, it delves into the reasons behind their reluctance to contribute. It also probes deeper into the role of price as an objective valuation. This study’s findings reveal personal, economic, and societalin…
To receive and to give something back – director’s perspectives on public – private collaborations in Norwegian art museums
The rapid growth of private museums, contemporary art, and the emergence of private collectors has changed public museums' room for action and placed heightened pressure on museum directors worldwide. In recent years, Norway has witnessed a surge in extensive collaboration between publicly funded museums and private collectors. Based on qualitative interviews with eleven museum directors, this paper examines how they navigate and address criticis…
Private kunstdonasjoner og lokal politikk
Private donasjoner har blitt utpekt som en av de underliggende mekanismene som former den politiske dynamikken i kultursektoren, og det er i Norge en lang historie for at privatpersoner donerer eller finansierer kunst som del av offentlige budsjetter og virksomheter. Samtidig blir private samleres innflytelse over offentlig kunstvirksomhet og vårt felles byrom ofte ansett som kontroversielt, både i kultursektoren og i den allmenne offentligheten.…
To receive and to give something back – director’s perspectives on public – private collaborations in Norwegian art museums
The rapid growth of private museums, contemporary art, and the emergence of private collectors has changed public museums' room for action and placed heightened pressure on museum directors worldwide. In recent years, Norway has witnessed a surge in extensive collaboration between publicly funded museums and private collectors. Based on qualitative interviews with eleven museum directors, this paper examines how they navigate and address criticis…
Private art collectors on motivations to donate, deposit, or lend out artworks in Norway
Based on interviews with twelve art collectors, the following paper investigates the motivations driving art collectors to engage in donations, deposits, and short-term loans to publicly funded art museums, using Norway as an example. Additionally, it delves into the reasons behind their reluctance to contribute. It also probes deeper into the role of price as an objective valuation. This study’s findings reveal personal, economic, and societalin…
Private kunstdonasjoner og lokal politikk
Private donasjoner har blitt utpekt som en av de underliggende mekanismene som former den politiske dynamikken i kultursektoren, og det er i Norge en lang historie for at privatpersoner donerer eller finansierer kunst som del av offentlige budsjetter og virksomheter. Samtidig blir private samleres innflytelse over offentlig kunstvirksomhet og vårt felles byrom ofte ansett som kontroversielt, både i kultursektoren og i den allmenne offentligheten.…
Private art collectors on motivations to donate, deposit, or lend out artworks in Norway
Based on interviews with twelve art collectors, the following paper investigates the motivations driving art collectors to engage in donations, deposits, and short-term loans to publicly funded art museums, using Norway as an example. Additionally, it delves into the reasons behind their reluctance to contribute. It also probes deeper into the role of price as an objective valuation. This study’s findings reveal personal, economic, and societalin…
To receive and to give something back – director’s perspectives on public – private collaborations in Norwegian art museums
The rapid growth of private museums, contemporary art, and the emergence of private collectors has changed public museums' room for action and placed heightened pressure on museum directors worldwide. In recent years, Norway has witnessed a surge in extensive collaboration between publicly funded museums and private collectors. Based on qualitative interviews with eleven museum directors, this paper examines how they navigate and address criticis…
Public art and private wealth
There has been much discussion in the US and European media about the evolving relationship between wealthy private art collectors and underfunded public art museums. This paper examines the public debate regarding the ten-year loan agreement between the National Museum in Norway and the Fredriksen Family Art Company Limited. The agreement was exposed to harsh criticism from actors within the art world when it became known to the public in June 2…
Art (3 works) · Art History and Market Analysis (3 works) · Cultural Industries and Urban Development (3 works) · Museums and Cultural Heritage (3 works) · Economics (2 works) · Norwegian (2 works) · Political science (2 works) · Sociology (2 works) · Visual arts (2 works) · Aesthetic Perception and Analysis (1 work)