Jason Cleverly
Biographic Data
| ID | 3081192 |
|---|---|
| NAME | Jason Cleverly |
| GIVEN NAMES | Jason |
| FAMILY NAME | Cleverly |
| SIGNATURE | CLEVERLY J |
| AFFILIATIONS | University of Staffordshire |
| ORCID | 0000-0001-7738-4223 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 16 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 2 |
Playing with words
There is growing interest within museums and galleries in enabling visitors to contribute thoughts, reflections and materials and to make these available to the wider public both within the museum space and beyond. It is widely recognised that digital technologies and developments provide unprecedented opportunities to facilitate engagement and provide new and distinctive forms of participation, sociality and creativity. In this paper, we explore…
Creating Assemblies in Public Environments
Crafting participation
There is a growing interest amongst both artists and curators in designing art works which create new forms of visual communication and enhance interaction in museums and galleries. Despite extraordinary advances in the analysis of talk and discourse, there is relatively little research concerned with conduct and collaboration with and around aesthetic objects and artefacts, and to some extent, the social and cognitive sciences have paid less att…
Crafting participation
There is a growing interest amongst both artists and curators in designing art works which create new forms of visual communication and enhance interaction in museums and galleries. Despite extraordinary advances in the analysis of talk and discourse, there is relatively little research concerned with conduct and collaboration with and around aesthetic objects and artefacts, and to some extent, the social and cognitive sciences have paid less att…
Playing with words
There is growing interest within museums and galleries in enabling visitors to contribute thoughts, reflections and materials and to make these available to the wider public both within the museum space and beyond. It is widely recognised that digital technologies and developments provide unprecedented opportunities to facilitate engagement and provide new and distinctive forms of participation, sociality and creativity. In this paper, we explore…
Crafting participation
There is a growing interest amongst both artists and curators in designing art works which create new forms of visual communication and enhance interaction in museums and galleries. Despite extraordinary advances in the analysis of talk and discourse, there is relatively little research concerned with conduct and collaboration with and around aesthetic objects and artefacts, and to some extent, the social and cognitive sciences have paid less att…
Creating Assemblies in Public Environments
Playing with words
There is growing interest within museums and galleries in enabling visitors to contribute thoughts, reflections and materials and to make these available to the wider public both within the museum space and beyond. It is widely recognised that digital technologies and developments provide unprecedented opportunities to facilitate engagement and provide new and distinctive forms of participation, sociality and creativity. In this paper, we explore…
Art (3 works) · Computer Science (3 works) · Sociology (3 works) · Aesthetics (2 works) · Design Education and Practice (2 works) · Innovative Human-Technology Interaction (2 works) · Social relation (2 works) · Visual arts (2 works) · Aesthetic Perception and Analysis (1 work) · Anthropology (1 work)