Vicki Oliveri
Biographic Data
| ID | 3081224 |
|---|---|
| NAME | Vicki Oliveri |
| GIVEN NAMES | Vicki |
| FAMILY NAME | Oliveri |
| SIGNATURE | OLIVERI V |
| AFFILIATIONS | University of New England |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
The Juukan Gorge destruction
Purpose In 2020, mining activity by Rio Tinto destroyed rock caves in Western Australia's Juukan Gorge that are considered sacred sites by the First Nation Peoples of that area, the Puutu Kunti Kurrama and Pinikura (PKKP) Peoples. This paper examines the public response to the damage caused at this culturally sensitive site and identifies cultural heritage protection strategies that emerged in the aftermath of this catastrophic event. Design/meth…
Putting an infamous art crime in the frame
Framed, Corrin Grant, writer/director, Mark Fennell and Ninah Kopel, producers, documentary, 4 x 24-26 min, SBS Original, 2021
Art crime
Authenticating artworks can be difficult in the absence of reliable records. Record artwork prices at auction and sales through galleries incentivises criminal practices by exploiting vulnerabilities intrinsic within the process of provenance records. Consequently, falsifying provenance documents is a common method for legitimising and enabling the sale of stolen or forged art. In this context, and utilising Cohen and Felson’s crime triangle conc…
No prominent works on this page.
The Juukan Gorge destruction
Purpose In 2020, mining activity by Rio Tinto destroyed rock caves in Western Australia's Juukan Gorge that are considered sacred sites by the First Nation Peoples of that area, the Puutu Kunti Kurrama and Pinikura (PKKP) Peoples. This paper examines the public response to the damage caused at this culturally sensitive site and identifies cultural heritage protection strategies that emerged in the aftermath of this catastrophic event. Design/meth…
Putting an infamous art crime in the frame
Framed, Corrin Grant, writer/director, Mark Fennell and Ninah Kopel, producers, documentary, 4 x 24-26 min, SBS Original, 2021
Art crime
Authenticating artworks can be difficult in the absence of reliable records. Record artwork prices at auction and sales through galleries incentivises criminal practices by exploiting vulnerabilities intrinsic within the process of provenance records. Consequently, falsifying provenance documents is a common method for legitimising and enabling the sale of stolen or forged art. In this context, and utilising Cohen and Felson’s crime triangle conc…
Political science (3 works) · Sociology (3 works) · Archaeological Research and Protection (2 works) · Art History and Market Analysis (2 works) · Law (2 works) · Law in Society and Culture (2 works) · Archaeology (1 work) · Art (1 work) · Business (1 work) · Computer Science (1 work)