Paul Allen Anderson
Biographic Data
| ID | 308378 |
|---|---|
| NAME | Paul Allen Anderson |
| GIVEN NAMES | Paul Allen |
| FAMILY NAME | Anderson |
| SIGNATURE | ANDERSON P A |
| AFFILIATIONS | Schlumberger (Ireland) |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 15 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 1 |
Neo-Muzak and the Business of Mood
“My Foolish Heart: ” Bill Evans and the Public Life of Feelings
After 1961, any published commentary on Evans seemed incomplete without a comment on the peculiar emotional register of his ballad playing in the trio setting. The fervor of Evans's fans and the sheer quantity of praise he received in Down Beat magazine was enough to inspire skepticism in some corners. This essay analyzes the critical reputation of Evans's emotional signature in the 1960s with regard to the material most crucial to that part of h…
The World Heard: Casablanca and the Music of War
Deep River: Music and Memory in Harlem Renaissance Thought
Journal Article Deep River: Music and Memory in Harlem Renaissance Thought Get access Deep River: Music and Memory in Harlem Renaissance Thought. By Anderson Paul Allen. (Durham: Duke University Press, 2001. x, 335 pp. Cloth, $59.95, isbn0-8223-2577-2. Paper, $19.95, isbn0-8223-2591-8.) Burton W. Peretti Burton W. Peretti Western Connecticut State UniversityDanbury, Connecticut Search for other works by this author on: Oxford Academic Google Scho…
Deep River: Music and Memory in Harlem Renaissance Thought
Alain Locke's introduction to The New Negro (1925) recognized the ongoing black migration to ''northern city centers'' as a turning point in American history.World War I had sparked new industrial labor demands, thus aiding the exodus of African Americans eager to escape rural peonage and nakedly enforced white supremacy in the South.However, as the explosive antiblack violence of 1919 made clear, Northern cities remained a distant cry from the '…
Deep River: Music and Memory in Harlem Renaissance Thought
Alain Locke's introduction to The New Negro (1925) recognized the ongoing black migration to ''northern city centers'' as a turning point in American history.World War I had sparked new industrial labor demands, thus aiding the exodus of African Americans eager to escape rural peonage and nakedly enforced white supremacy in the South.However, as the explosive antiblack violence of 1919 made clear, Northern cities remained a distant cry from the '…
Deep River: Music and Memory in Harlem Renaissance Thought
Journal Article Deep River: Music and Memory in Harlem Renaissance Thought Get access Deep River: Music and Memory in Harlem Renaissance Thought. By Anderson Paul Allen. (Durham: Duke University Press, 2001. x, 335 pp. Cloth, $59.95, isbn0-8223-2577-2. Paper, $19.95, isbn0-8223-2591-8.) Burton W. Peretti Burton W. Peretti Western Connecticut State UniversityDanbury, Connecticut Search for other works by this author on: Oxford Academic Google Scho…
The World Heard: Casablanca and the Music of War
“My Foolish Heart: ” Bill Evans and the Public Life of Feelings
After 1961, any published commentary on Evans seemed incomplete without a comment on the peculiar emotional register of his ballad playing in the trio setting. The fervor of Evans's fans and the sheer quantity of praise he received in Down Beat magazine was enough to inspire skepticism in some corners. This essay analyzes the critical reputation of Evans's emotional signature in the 1960s with regard to the material most crucial to that part of h…
Neo-Muzak and the Business of Mood
Art (4 works) · Art history (4 works) · History (4 works) · History (3 works) · Computer Science (2 works) · Harlem Renaissance (2 works) · Literature (2 works) · Musicology and Musical Analysis (2 works) · Performance art (2 works) · The Renaissance (2 works)