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Simon Hogue

Datos Biográficos

ID308755
NOMBRESimon Hogue
NOMBRESSimon
APELLIDOHogue
FIRMAHOGUE S
AFILIACIONESUniversité du Québec à Montréal
ORCID0000-0001-5998-6765
VERIFICADOSí
TOTAL DE OBRAS7
TOTAL DE CITAS9
TOTAL COMO AUTOR7
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2016
AÑO MÁS RECIENTE DE PUBLICACIÓN2026
ÍNDICE H2
  • Uniting the world behind Ukraine

    Open Access•Simon Hogue•ARTICLE•Media War & Conflict•2026

    Examining the Ukrainian propaganda organization United24 Media, this article aims to understand how states adapt to social media platformization and the fragmentation of publics. Specifically, it asks how United24 Media adapts its narratives of the war in Ukraine to the distinct technical affordances, languages and publics of Instagram and YouTube. It argues that, rather than simply reproducing similar content across platforms, United24 Media “tr…

  • Countering foreign disinformation

    Open Access•Simon Hogue, Magalie Lavallée et al.•ARTICLE•International Journal Canada s…•2025

    Canada's Foreign Interference Commission released its initial report in May 2024, expressing concerns about meddling by foreign actors in Canadian elections and threats to public confidence in Canada's democratic institutions. Just three days later, the Canadian government tabled its response in the form of Bill C-70, the Countering Foreign Interference Act. Both constitute considerable progress and demonstrate Ottawa's willingness to act against…

  • Individual Vulnerability and Collective Resistance Under Surveillance

    Open Access•Simon Hogue•ARTICLE•International Political Sociology•2024•Citada por: 1•Referencias: 62

    Hasan Elahi's Tracking Transience (2003-2020) was an artistic performance of hypervisibility. Initiated in response to being misidentified as a terrorist, preemptively arrested, and interrogated by the FBI, the artist created a comprehensive life log documenting his everyday life for all to see. Despite transformations to the surveillance environment, the performance raised a question that remains relevant today: How can ubiquitous surveillance b…

  • Person of Interest as Media Technology of Surveillance

    Open Access•David Grondin, Simon Hogue•ARTICLE•Television & New Media•2023•Referencias: 15

    In this article, we examine the television series about global surveillance Person of Interest ( POI) (aired on CBS, 2011–2016) to reflect on popular understandings of surveillance and account for its representation of artificial intelligence (AI) and algorithmic surveillance. Drawing on television, media, and surveillance studies, we focus on the power of representations of social relations and diegetic technologies in possible and imagined futu…

  • Civilian Surveillance in the War in Ukraine

    Open Access•Simon Hogue•ARTICLE•Surveillance & Society•2023•Citada por: 4•Referencias: 2

    The war in Ukraine sees local and foreign civilians play active roles in the conflict, mainly through the participatory gathering and sharing of intelligence and open-source investigations of alleged human rights violations and war crimes. These surveillance practices seen in the war in Ukraine are not novel. Vigilantism campaigns have normalized since the War on Terror, while open-source information is increasingly recognized as a legitimate too…

  • Analyse sociotechnique des applications de traçage de la Covid-19

    Open Access•Simon Hogue•ARTICLE•Criminologie•2022•Referencias: 24

    Le 6 octobre 2020, à l’instar d’une quarantaine d’États, Québec donna son feu vert à une application de traçage des contacts basée sur une technologie d’Apple et Google pour combattre la COVID-19. Les applications de traçage soulèvent toutefois plusieurs enjeux liés aux droits démocratiques et à la justice sociale, aux premiers chefs la protection de la vie privée et l’équité face à une technologie à laquelle tous n’ont pas accès. Or, comment cet…

  • Performing, Translating, Fashioning

    Open Access•Simon Hogue•ARTICLE•Surveillance & Society•2016•Citada por: 4•Referencias: 14

    Despite the disciplinary power of surveillance, I argue artistic performances may also provide a space of resistance and self-fashioning. Discussions on artistic performance emphasize the ambivalence and uncertainty of art to resist existing power structures and create alternative meaning. However, how concretely, and when, do artistic performances challenge these structures often remains uncertain. Their popularity does not guarantee the depth o…

  • Civilian Surveillance in the War in Ukraine

    Open Access•Simon Hogue•ARTICLE•Surveillance & Society•2023•Citada por: 4•Referencias: 2

    The war in Ukraine sees local and foreign civilians play active roles in the conflict, mainly through the participatory gathering and sharing of intelligence and open-source investigations of alleged human rights violations and war crimes. These surveillance practices seen in the war in Ukraine are not novel. Vigilantism campaigns have normalized since the War on Terror, while open-source information is increasingly recognized as a legitimate too…

  • Performing, Translating, Fashioning

    Open Access•Simon Hogue•ARTICLE•Surveillance & Society•2016•Citada por: 4•Referencias: 14

    Despite the disciplinary power of surveillance, I argue artistic performances may also provide a space of resistance and self-fashioning. Discussions on artistic performance emphasize the ambivalence and uncertainty of art to resist existing power structures and create alternative meaning. However, how concretely, and when, do artistic performances challenge these structures often remains uncertain. Their popularity does not guarantee the depth o…

  • Individual Vulnerability and Collective Resistance Under Surveillance

    Open Access•Simon Hogue•ARTICLE•International Political Sociology•2024•Citada por: 1•Referencias: 62

    Hasan Elahi's Tracking Transience (2003-2020) was an artistic performance of hypervisibility. Initiated in response to being misidentified as a terrorist, preemptively arrested, and interrogated by the FBI, the artist created a comprehensive life log documenting his everyday life for all to see. Despite transformations to the surveillance environment, the performance raised a question that remains relevant today: How can ubiquitous surveillance b…

  • Performing, Translating, Fashioning

    Open Access•Simon Hogue•ARTICLE•Surveillance & Society•2016•Citada por: 4•Referencias: 14

    Despite the disciplinary power of surveillance, I argue artistic performances may also provide a space of resistance and self-fashioning. Discussions on artistic performance emphasize the ambivalence and uncertainty of art to resist existing power structures and create alternative meaning. However, how concretely, and when, do artistic performances challenge these structures often remains uncertain. Their popularity does not guarantee the depth o…

  • Analyse sociotechnique des applications de traçage de la Covid-19

    Open Access•Simon Hogue•ARTICLE•Criminologie•2022•Referencias: 24

    Le 6 octobre 2020, à l’instar d’une quarantaine d’États, Québec donna son feu vert à une application de traçage des contacts basée sur une technologie d’Apple et Google pour combattre la COVID-19. Les applications de traçage soulèvent toutefois plusieurs enjeux liés aux droits démocratiques et à la justice sociale, aux premiers chefs la protection de la vie privée et l’équité face à une technologie à laquelle tous n’ont pas accès. Or, comment cet…

  • Person of Interest as Media Technology of Surveillance

    Open Access•David Grondin, Simon Hogue•ARTICLE•Television & New Media•2023•Referencias: 15

    In this article, we examine the television series about global surveillance Person of Interest ( POI) (aired on CBS, 2011–2016) to reflect on popular understandings of surveillance and account for its representation of artificial intelligence (AI) and algorithmic surveillance. Drawing on television, media, and surveillance studies, we focus on the power of representations of social relations and diegetic technologies in possible and imagined futu…

  • Civilian Surveillance in the War in Ukraine

    Open Access•Simon Hogue•ARTICLE•Surveillance & Society•2023•Citada por: 4•Referencias: 2

    The war in Ukraine sees local and foreign civilians play active roles in the conflict, mainly through the participatory gathering and sharing of intelligence and open-source investigations of alleged human rights violations and war crimes. These surveillance practices seen in the war in Ukraine are not novel. Vigilantism campaigns have normalized since the War on Terror, while open-source information is increasingly recognized as a legitimate too…

  • Individual Vulnerability and Collective Resistance Under Surveillance

    Open Access•Simon Hogue•ARTICLE•International Political Sociology•2024•Citada por: 1•Referencias: 62

    Hasan Elahi's Tracking Transience (2003-2020) was an artistic performance of hypervisibility. Initiated in response to being misidentified as a terrorist, preemptively arrested, and interrogated by the FBI, the artist created a comprehensive life log documenting his everyday life for all to see. Despite transformations to the surveillance environment, the performance raised a question that remains relevant today: How can ubiquitous surveillance b…

  • Countering foreign disinformation

    Open Access•Simon Hogue, Magalie Lavallée et al.•ARTICLE•International Journal Canada s…•2025

    Canada's Foreign Interference Commission released its initial report in May 2024, expressing concerns about meddling by foreign actors in Canadian elections and threats to public confidence in Canada's democratic institutions. Just three days later, the Canadian government tabled its response in the form of Bill C-70, the Countering Foreign Interference Act. Both constitute considerable progress and demonstrate Ottawa's willingness to act against…

  • Uniting the world behind Ukraine

    Open Access•Simon Hogue•ARTICLE•Media War & Conflict•2026

    Examining the Ukrainian propaganda organization United24 Media, this article aims to understand how states adapt to social media platformization and the fragmentation of publics. Specifically, it asks how United24 Media adapts its narratives of the war in Ukraine to the distinct technical affordances, languages and publics of Instagram and YouTube. It argues that, rather than simply reproducing similar content across platforms, United24 Media “tr…

Political science (5 obras) · Law (4 obras) · Law (4 obras) · Sociology (4 obras) · Computer Science (3 obras) · Cybersecurity and Cyber Warfare Studies (3 obras) · Politics (3 obras) · Social media (3 obras) · Computer security (2 obras) · European and Russian Geopolitical Military Strategies (2 obras)

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