Ronan Ludot-Vlasak
Biographic Data
| ID | 3088009 |
|---|---|
| NAME | Ronan Ludot-Vlasak |
| GIVEN NAMES | Ronan |
| FAMILY NAME | Ludot-Vlasak |
| SIGNATURE | LUDOT-VLASAK R |
| AFFILIATIONS | Université Sorbonne Nouvelle |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Cody Marrs
In Goat Mountain, by David Vann, the numerous lines with which the characters carve up the surface of the territory and the flesh of their prey testify to their desire to dominate the world and those who inhabit it. Yet the motif of the broken line that runs through the narrative and the writing suggests that this relationship to the world has become untenable. The proliferation of descriptive fragments which sketch the abundance of lines drawn b…
Cody Marrs
Mark Storey, Time and Antiquity in American Empire
The reception of classical antiquity in the United States has attracted much critical attention over the past forty years. In Caroline Winterer's words, "next to Christianity, the central intellectual project in America before the late nineteenth century was classicism" (2002 1). Cultural historians have explored the "formative influence" of the classics upon the founders of the nation (Richards 7), the ubiquity of ancient models in the shaping o…
Les (dé)plaisirs des formes à l’épreuve du vivant
In his journal and poems, Herman Melville emphasizes the strangeness as well as the otherness of ancient artefacts and monuments. Yet he opens up the possibility for them to elicit pleasure in the individual who observes them when these mineral forms are supplemented by the resurfacing of organic life or bodily pleasure. While such pleasure unsettles neoclassical representations of Greco-Roman antiquity and questions the line between the human an…
The measure! The measure
Entre consécration et profanation
De Shakespeare à Melville
This article explores the politics of Melville’s use of Shakespeare in Typee and Omoo. It argues that the Polynesian islands are textual and intertextual spaces and shows that allusions to Shakespeare bring about a “redistribution of the sensible” (Jacques Rancière) which exposes colonisation as a fraud
La Réinvention de Shakespeare sur la scène littéraire américaine (1785-1857)
La littérature américaine qui naît dans la première moitié du XIXe siècle tente de s'affranchir des modèles esthétiques européens. Elle ne cesse pourtant de faire référence à Shakespeare. Cet ouvrage, qui s'inscrit à la croisée de l'analyse intertextuelle et de l'histoire des idées, cherche à articuler cet intertexte shakespearien et l'émergence d'une littérature nationale qui se construit en réinventant l'œuvre du dramaturge. À travers l'étude d…
No prominent works on this page.
La Réinvention de Shakespeare sur la scène littéraire américaine (1785-1857)
La littérature américaine qui naît dans la première moitié du XIXe siècle tente de s'affranchir des modèles esthétiques européens. Elle ne cesse pourtant de faire référence à Shakespeare. Cet ouvrage, qui s'inscrit à la croisée de l'analyse intertextuelle et de l'histoire des idées, cherche à articuler cet intertexte shakespearien et l'émergence d'une littérature nationale qui se construit en réinventant l'œuvre du dramaturge. À travers l'étude d…
Entre consécration et profanation
De Shakespeare à Melville
This article explores the politics of Melville’s use of Shakespeare in Typee and Omoo. It argues that the Polynesian islands are textual and intertextual spaces and shows that allusions to Shakespeare bring about a “redistribution of the sensible” (Jacques Rancière) which exposes colonisation as a fraud
Les (dé)plaisirs des formes à l’épreuve du vivant
In his journal and poems, Herman Melville emphasizes the strangeness as well as the otherness of ancient artefacts and monuments. Yet he opens up the possibility for them to elicit pleasure in the individual who observes them when these mineral forms are supplemented by the resurfacing of organic life or bodily pleasure. While such pleasure unsettles neoclassical representations of Greco-Roman antiquity and questions the line between the human an…
The measure! The measure
Mark Storey, Time and Antiquity in American Empire
The reception of classical antiquity in the United States has attracted much critical attention over the past forty years. In Caroline Winterer's words, "next to Christianity, the central intellectual project in America before the late nineteenth century was classicism" (2002 1). Cultural historians have explored the "formative influence" of the classics upon the founders of the nation (Richards 7), the ubiquity of ancient models in the shaping o…
Cody Marrs
In Goat Mountain, by David Vann, the numerous lines with which the characters carve up the surface of the territory and the flesh of their prey testify to their desire to dominate the world and those who inhabit it. Yet the motif of the broken line that runs through the narrative and the writing suggests that this relationship to the world has become untenable. The proliferation of descriptive fragments which sketch the abundance of lines drawn b…
Cody Marrs
Art (4 works) · Philosophy (4 works) · Computer Science (3 works) · Humanities (3 works) · Philosophy (3 works) · Ancient history (1 work) · Caribbean and African Literature and Culture (1 work) · Classics (1 work) · Colonialism, slavery, and trade (1 work) · cons (1 work)