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May Al Sahib

Biographic Data

ID3088109
NAMEMay Al Sahib
GIVEN NAMESMay
FAMILY NAMEAl Sahib
SIGNATUREAL SAHIB M
AFFILIATIONSImam Abdulrahman Bin Faisal University
ORCID0000-0003-1421-1522
VERIFIEDYes
TOTAL WORKS2
TOTAL CITATIONS0
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2022
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Reclaiming body and nation

    Open Access•May Al Sahib•ARTICLE•Cogent Arts and Humanities•2024

    this paper aims to scrutinise ashour's narration of the body and tahrir square as symbols of decay in Heavier than Radwa (2013); both corporeal decay of the body and national decay represented in tahrir square.For ashour, narrating the body specifically acts as a counternarrative to the pre-existing embodied and emotional truths on the female body as well as her identity and citizenship.ashour's narration of illness joins the body and the mind in…

  • Ahdaf Soueif's Cairo

    May Al Sahib•ARTICLE•Textual Practice•2022

    Ahdaf Soueif, who belongs to the generation known as Jil el-thawra (the generation of the revolution) of 1952, also lived to witness the January revolution of 2011. In Mezzaterra: Fragments from the Common Ground (2004) and Cairo: My City, Our Revolution (2012) Soueif narrates her quest for a cosmopolitan common ground. Even though cosmopolitanism is one of the main subject matters in both texts, they exhibit different types of cosmopolitanism, a…

No prominent works on this page.

  • Ahdaf Soueif's Cairo

    May Al Sahib•ARTICLE•Textual Practice•2022

    Ahdaf Soueif, who belongs to the generation known as Jil el-thawra (the generation of the revolution) of 1952, also lived to witness the January revolution of 2011. In Mezzaterra: Fragments from the Common Ground (2004) and Cairo: My City, Our Revolution (2012) Soueif narrates her quest for a cosmopolitan common ground. Even though cosmopolitanism is one of the main subject matters in both texts, they exhibit different types of cosmopolitanism, a…

  • Reclaiming body and nation

    Open Access•May Al Sahib•ARTICLE•Cogent Arts and Humanities•2024

    this paper aims to scrutinise ashour's narration of the body and tahrir square as symbols of decay in Heavier than Radwa (2013); both corporeal decay of the body and national decay represented in tahrir square.For ashour, narrating the body specifically acts as a counternarrative to the pre-existing embodied and emotional truths on the female body as well as her identity and citizenship.ashour's narration of illness joins the body and the mind in…

History (2 works) · Sociology (2 works) · Aesthetics (1 work) · Anthropological Studies and Insights (1 work) · Art (1 work) · Common ground (1 work) · Cosmopolitanism (1 work) · Gender Studies (1 work) · Jewish and Middle Eastern Studies (1 work) · Law (1 work)

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